YDS: The Clare Spark Blog

June 15, 2013

Decoding Les Miserables and the superhero

les_miserables_ver11One of the first distinctions taught me by Alexander Saxton, my adviser at UCLA (and confirmed by other scholars) was that a drastic transformation had taken place between the eighteenth and nineteenth centuries in the wake of the American and French Revolutions: that the politics of family and deference to one’s “betters” had given way to “mass politics,” symbolized most famously by the log cabin campaigns of Andrew Jackson and his successors in the Jeffersonian agrarian tradition. Federalists (like Washington and Hamilton) were out and democrats were in, even if they held slaves and adored Sir Walter Scott’s romances.

This point is lost on those who blame mass politics and mass culture (both supposedly appealing to the irrational mob) for all the dictatorships of the 20th century. Among these was George Orwell, whose Nineteen Eighty Four is unintelligible without taking into account the new technology that enabled the successful snooping of Big Brother. Similarly, the Frankfurt School critical theorists blame technology and bureaucratic rationality (i.e., modernity as controlled by irreligious mass culture) for the Holocaust.

Nor without “traditional” fear of the undeferential masses can we understand the turn toward the classic tradition advanced by Robert Maynard Hutchins and his ‘moderate’ colleagues, who, as early as 1939, hoped to reinstate deference to a natural aristocracy to defeat the atheistic reds and their glorification of the common man.  (See http://clarespark.com/2010/06/19/committee-for-economic-development-and-its-sociologists/.)

I have spent the last several weeks plowing through Victor Hugo’s Les Misérables (1862), a melodrama so appealing that it was adapted for both stage and film. What I most strongly take away from this monstrosity of a tale/sermon/philosophical treatise/military history is Hugo’s attempt to make himself, the conservative Romantic, the true superhero of the tome. It is he who kills off his rival in fatherly strength and determination, Jean Valjean at the end, leaving himself, the author, as the major survivor. On display throughout are Hugo’s ostentatious learning, deference to God as the prime mover of human events, the efficacy of a change of heart in redeeming criminals, ingenious plotting, and detailed descriptions of the Paris poor, their furniture, rags, songs, and schemes including early nineteenth century French insurrections/émeutes. The epic novel is a reproach to Prometheus and his Enlightenment offspring, though many of its images are poetic and memorable.

"Victor Hugo en mage"

“Victor Hugo en mage”

Hugo, no less than Jean Valjean threading his way through the treacherous Paris sewers with the wounded lawyer Marius on his back, is navigating his way between monarchism and republicanism, taking us back to the Middle Ages when the Catholic Church advanced the higher law that invariably trumped earthly “pettifoggers.”  Amor Vincit Omnia. Ask Robert Maynard Hutchins and the other pseudo-moderate men.

British production

British production

It is so ironic that during last year’s Tony Awards (referring to 2011 productions), members of the Broadway musical adaptation of Hugo’s novel, presented themselves as revolutionaries and republicans singing “One Day More” (http://www.stlyrics.com/lyrics/lesmiserables/onedaymore.htm)  as if the author, without ambivalence,  favored republican principles and the mass politics that enabled them in Europe and America.  Hugo was no Marat, no ami du peuple. Rather, the escape artist (like both Valjean and Thenardier) was torn between his parents whose politics were opposed to one another. Hugo chose absolutism, not the stern Hebraic demand to choose inside a dualistic world.*

But don’t tell that to the post 1960s back-to-nature generation, like Victor Hugo, those stalwart enemies to “jewified” modernity, held to be masked, ambiguous, and unintelligible (with the exception of geniuses like himself). For many, Les Misérables is the Communist Manifesto of social democracy, but with a variation. It appears that God and the State have merged. The State, assuming the status of a deity, is the author of human events. The Good King is back, and the Good King is a superhero. (For a related recent blog see http://clarespark.com/2013/05/30/nostalgia-for-the-middle-ages/.)

*I am indebted to Steve Chocron for this point about Judaism and the necessity constantly to choose the right path when all choices are fraught with ambiguity.

June 14, 2013

“Father, dear father, come home with me now”

TennightsinbarroomThere will be many tributes to fathers in the next few days. This one will deal 1. with my own father, and 2. with the efforts by social psychologists of the 1940s to rehabilitate the image of the Good Father in order to advance their moderate conservative agendas.

First, my own father, Charles Spark, M.D. My father the doctor was born in NYC, and was the child of Jewish immigrants from Eastern Europe. During the 1930s he was a research fellow in endocrinology at Montefiore Hospital, and before that he had published a pioneering research paper while still in college. Immediately after Hitler was appointed Chancellor, he wrote and directed an antifascist play at his workplace. After Pearl Harbor, he volunteered to join the medical corps even though he was over-age. Henceforth, we followed him around the country as he ran pathology laboratories at army bases in Texas, Missouri, and California. His precocity, versatility, and willingness to sacrifice himself for his country was impressed upon me from early childhood. I prayed every night that he would not be killed, even though he never saw combat. That is how children think.

He was shipped off to Guadalcanal where he had a violent allergic reaction to the environment, and was shipped home, claiming later that he almost died. For reasons that escape me, he gave up medical research for general practice and we moved into a veteran’s housing project in Elmhurst, NYC. We had never lived high, so the cramped material surroundings were not deeply shocking. All that mattered was that our family was reunified and my father practiced medicine for enlisted men and their families next door.

So my father assumed the proportions of a family hero. He was not only a high achiever in his field, I was expected to live up to his accomplishments, and later in life when I asked him why he gave up medical research, he wrote to me that I was to be his “greatest contribution to medicine.” What I could not know as a child was that neither he nor my mother had any parenting skills. They were nothing like the elites of Europe, who, early on prepared their offspring to take a leading part in world affairs, to travel broadly, and to imbibe high culture and languages, preferably from tutors.

Call it benign neglect. Both parents assumed that I would be an outstanding student and would find a suitable mate (though he frequently warned me about the duplicity of men, binding me to him in the process: he almost didn’t attend my wedding in 1959). So it was their examples as intelligent individuals with high expectations for me that set me up for the future. I learned nothing from my family about sexuality, the other emotions, and neither of them had an interest in Freud or his followers. But neither indoctrinated me in any religion or ideology, though my mother often mentioned her pride in her rabbinic ancestors (see http://clarespark.com/2013/05/12/i-remember-mama-betty-spark/.) I had the impression that they must be liberals of some kind. Sadly, they are both deceased, and I cannot interrogate them on these interesting questions.

It was not until I was at Pacifica and made the acquaintance of numerous New Leftists that I began to look into masculine versus feminine roles. From political scientist Carl Boggs I learned that paternal authority had been eroded for centuries. From feminists, I learned that there was a furious debate over the status of women: hard left women tended to believe that women had greater status when their labor was visible (e.g. Mary Kelley), while another faction (social democratic, e.g. Kathryn Kish Sklar) argued that domestic feminism leading to the welfare state marked the advance of all women. It was noted that by all that under industrialization, the father was no longer the paterfamilias who distributed resources in the household: father was now out of the house and the role of religious training fell more and more on mothers. (Ann Douglas wrote a best seller, still highly regarded, but controversial: The Feminization of American Culture. Douglas preferred the terrifying Calvinist God, not the feminized Jesus of the 19th century.) Hence the widespread nervousness among conservatives about “the [encroaching] nanny state.” 1970s feminism was the last straw (see http://clarespark.com/2012/09/04/links-to-blogs-on-feminism/) .

During my dissertation research, I discovered that social psychologists at Harvard University were frantically attempting to rehabilitate the good father, merging the figures of Washington, Lincoln, and FDR, in order, they said, to raise “civilian morale.” Feminization, it was believed, would lead to Marxism, not to the conservative reform that such as Henry A. Murray, Gordon Allport, Talcott Parsons, and their Harvard colleagues preferred as moderate men. Indeed, Talcott Parsons published an article in an anthology edited by Isacque Graeber and Steuart Henderson Britt, Jews in a Gentile World (Macmillan, 1942) that limned the bad father: the Jewish God was nailed as brutal, militaristic, and domineering. Whereas Murray and Allport in their notebooks on civilian morale praised the Leader/ Father/God as loving and committed to democracy, the very embodiment of Eros. (On this topic see http://clarespark.com/2011/03/27/progressive-mind-managers-ca-1941-42/, also the postwar planning intended to continue this “moderate” agenda: http://clarespark.com/2010/06/19/committee-for-economic-development-and-its-sociologists/ .)

So on this Father’s Day, 2013, we find ourselves in a quandary. Do we want Father to be the stern disciplinarian, the masculinist role model for boys who will divert libido from too-compassionate, radicalizing mothers to [moderately] Democratic fathers (as these social psychologists suggested)? Can women raise children without a husband? Conservatives and liberals are still slugging it out on this question.

As for my own father the doctor, I remain deeply attached to him, notwithstanding his many flaws. Both he and my late mother believed in me, in some ways stimulated me, and in other ways left me alone. Perhaps by default, they encouraged me to be curious and to admire and emulate the most daring thinkers in Western civilization.

Charles and Betty Spark mid-1930s

Charles and Betty Spark mid-1930s

June 13, 2013

Hollywood’s “pact” with Hitler?

Illustration used byTablet

Illustration used byTablet

The May 10, 2013 issue of Tablet magazine featured a review of a forthcoming book published by Harvard University Press, The Collaboration: Hollywood’s Pact With Hitler, that is said to reveal a “creepy love affair” with Hitler. See http://tinyurl.com/lnbengk. I had a negative response to this article nailing Hollywood executives such as Carl Laemmle Sr., Jack Warner, and (by implication) MGM’s Louis B. Mayer. For many decades, I have studied the U.S. appropriation of Nazi methods in controlling the” little people” that prominent German refugees held responsible for the rise of Hitler. Indeed, the Frankfurt School critical theorists, elitists that they were, blamed mass media for Hitler’s appeal. I have detailed analysis of the populist and progressive support for Nazi methods of mind control on my website, and have shared them here.

But what I find particularly ironic is that David Mikics, the author of the Tablet piece is a postmodernist exponent of Jacques Derrida (the hero whose dubious alliances have been questioned by other postmodernists), while the author of the forthcoming book Ben Urwand, is  a Harvard Junior Fellow. How ironic? Harvard was the site of many ardent proposals that Nazi and German methods of managing the masses be taken up by progressives and populists in America. See for example this series of essays posted on my website: http://clarespark.com/2011/03/27/progressive-mind-managers-ca-1941-42/, http://clarespark.com/2009/12/13/klara-hitlers-son-and-jewish-blood/, and http://clarespark.com/2010/04/18/links-to-nazi-sykewar-american-style/.

One of the principal disseminators of protofascist social psychological methods, Henry A. Murray, former director of the Harvard Clinic, has sealed papers at Harvard University Archives, controlled by his widow Caroline Fish Murray (I tried to get into them in 1995 and was rebuffed). Murray’s role in these propaganda offensives has been effectively covered up by the professoriate. Other figures associated with Murray, such as Gordon Allport and Walter Langer, have been similarly protected from academic scrutiny.

All the facts unearthed in Urwand’s dissertation research are disturbing. But to neglect the widespread fascination with Hitler and Mussolini among American populists (Father Coughlin comes to mind), as well as the admiration of Mussolini’s corporate state by FDR, suggests to me that Urwand’s forthcoming tome on Hollywood may serve as revenge for the Hollywood blacklist (http://en.wikipedia.org/wiki/Hollywood_blacklist), as if leftists and liberals were holding up Hitler signs in protests against the Tea Party and Republicans in general. It should never be forgotten that the Hollywood left and its sympathizers today nailed Republicans and big business in general for supporting the Third Reich.

June 11, 2013

Petit-bourgeois radicalism and Obama

Filed under: Uncategorized — clarelspark @ 3:45 am

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A spirited discussion broke out on my Facebook page over a recent article in the New York Times characterizing Thomas Jefferson as a “monster.” (http://tinyurl.com/d6cnc3o.) During the course of the discussion, I decried hatchet jobs in general, pointing out that there was usually a lurking target that was not obvious to the reader. For instance, in the case of Jefferson and slavery, the historian author (Paul Finkelman) might be solely interested in Jefferson’s racism and moral failures regarding slaveholding, or there…

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Populism is pervasive, yet it rarely identified in the mass media. It leads to paranoia and irrational hatred of "experts" and "elites" solely on the basis of rumors spread by demagogues.

June 6, 2013

Morale in the time of crisis overload

MORALE_G_20110814213222[This blog is dedicated to the thousands of Americans and allies who gave their lives in the invasion of Europe: D-Day, December 6, 1944. They knew what a fascist was.] Here is an excerpt from my research in the Harvard University Archives that seems especially relevant today, in the light of multiple scandals, even panic, descending upon our electorate, for we may be in danger of losing the will to resist the juggernaut of anti-Americanism, surveillance, and corruption that has been revealed since the Benghazi affair last September:

[Book excerpt, Hunting Captain Ahab, chapter 2:] In the case of the [Henry A.] Murray-[Gordon] Allport worksheets [distributed nationally to progressive groups ca. 1941], those limits were scientistically delineated; the Jeffersonian tradition was co-opted and redefined in the indispensable “Values of the Past”: “The more awareness there is of the group’s heroic past the better the morale. (Freedom from Old World Oppression, Jeffersonian Democracy, etc.) The more awareness of a national tradition of which the group is ashamed or guilty, the worse the morale…The slogan “Make The World Safe For Democracy” was anchored neither in the historical past or future. A durable morale must be historically anchored in the past and in the future, as well as in the present (Worksheet #4, 4, 5).” So much for the messianic republican mission…. The ever-questioning, self-critical temper of the Enlightenment, the very Head and Heart of the libertarian eighteenth century, could only lead to bad morale. … they went on to say that racial or economic discrimination were bad for morale, that there could be no doubt about the prospects for a better postwar world. A hodge-podge of factors: “communism, fascism, economic chaos, depression, or uncertainty,” all would impair morale (6). Peace aims were suggested: an International Police Force would ensure that “There will be a better distribution of the goods of the earth; all classes will be benefited” (Red-bound typescript, 13).” But war aims must remain vague, for we were a “pluralist society,” not a “unified society”; there were different strokes for different folks: “Disparities of statements shouldn’t be too obvious or made visible” (#4, 7).Properly guided we would be historically anchored in promises of abundance and an illusion of unity, yet we were not fascists. [end excerpt http://clarespark.com/2011/03/27/progressive-mind-managers-ca-1941-42/.]

I have been in red-hot conflict with some internet comments that insist we are already under the thumb of fascists (as opposed to, say, proto-fascists as the Murray-Allport worksheets suggested), and that civil war is inevitable. My line is this: as long as the internet and dissenting publications and television stations exist, the republic is not finished, and certainly not comparable to Hitler’s Germany, Mussolini’s Italy, or Franco’s Spain, at least not yet. (See http://clarespark.com/2013/04/21/fascism-what-it-is-what-it-is-not/.) These persons whom I oppose are either trolls, agents provocateurs (same as trolls), or paranoid. They have been egged on by the doom and gloom contingent of internet rightist magazines, that ask for our financial support in the emergency that never goes away. I am familiar with this technique having participated in innumerable Pacifica Radio fund drives.

However, I do remember David Dellinger at one of our KPFK teach-ins warning other post-60s activists not to lead “emergency lives” (his exact words). In warning against burn-out Dellinger echoed the advice of Murray and Allport, quoted above: too much emphasis on failure in the nation’s past is bad for morale. Instead they recommend that moral failures be corrected. (I didn’t care for their particular nostrums, but that is another story.)

There is something obscene in the claims of these trolls or deluded rightists that all is lost, and those who would stop this administration must mount the barricades.  It is true that thanks to checks and balances and the internal reformation of the Republican party (still in process), that there are reputable journalists who have uncovered lawbreakers and liars in the current administration. But there has been no military coup to shred the Constitution or any demonstrable move by POTUS to remain in office past his second term.

Instead, we have the most vigorous debates over key issues, possibly the best writers on the once impenetrable Middle East (Barry Rubin, David P. Goldman, a.k.a. “Spengler”) that I can remember. It is true that some conflicts seem confused and murky (such as the arguments pro and con immigration reform), and that not enough attention is paid to public education, but that too is changing.

Political affiliations are not carved in stone. We can collapse in exhaustion and depression, or we can take heart that our institutions have been exposed, which gives an opening for new political choices. Our future will depend on our ability to be flexible and alert for fresh coalitions, perhaps even to relegate the distractions of the culture wars to the bottom of our list of “must think about now.” (For my defense of secularism see http://clarespark.com/2012/04/01/secularism-and-the-affordable-care-act/.)

De Chirico: The Terrible Games, 1925

De Chirico: The Terrible Games, 1925

June 2, 2013

Hair and Make-up: Megyn Kelly smackdown

bettygrable2Megyn Kelly, often considered the brainiest of Fox News Channel anchors, does not define herself as a feminist, but she sure sounded like one in her spirited and feisty interviews with Lou Dobbs (Fox News Channel commentator) and Erick Erickson (editor of Redstate.com), May 31, 2013. So much so that liberal blogs have been gleefully covering her encounter with the two conservative/reactionary males.

(See the smackdown here: http://www.youtube.com/watch?v=hN_EP3zcUXs )

Before I go on to the time wasted by women in decking themselves out as dolls and harem girls (Betty Grable, illustrated: the number  one pinup girl in WW2), I must make this point about the internal contradiction of some “Christian” thought: Much of what Dobbs and Erickson presented as incontrovertible truth relies upon some brand of sociobiology: men were, they insisted, biologically determined to be protectors of the weaker females, especially during the vulnerable period of pregnancy and child-rearing. Working women who defied these God- and Nature-given sex roles are obviously responsible for societal decadence and worse. (The same would go for ‘unnatural’ gay marriages where the usual division of labor between father and mother would not prevail.)

On the other hand, many social conservatives often believe that our species is not in Nature, but stands above it: nothing so irritating as a Spinoza follower, who often drops into pantheism.  (See Leon Wieseltier’s commencement speech quoted here: http://clarespark.com/2013/05/30/nostalgia-for-the-middle-ages/. Wieseltier draws a sharp line between Man and Nature and laments the period when the two were conflated. )

I would have preferred that Megyn Kelly, herself an experienced lawyer, point out this contradiction, but she chose to stand up for working women and for married gay parents, suggesting that research had shown that their children were not harmed by the lack of a traditional father and mother.

Nothwithstanding her smackdown of Dobbs and Erickson, Kelly is a babe, whatever she says about herself;  I felt some cognitive dissonance watching her stand up to the two conservatives, for she is a beautiful, expertly-coiffed, heavily made-up blonde. After seeing the encounter yesterday, I thought I should say something about “hair and makeup”, those two time-consuming, nature-defying imperatives for women out in the world or waiting at home for the male breadwinner to return to his castle.

Magi Harem Shoot 2012 © SNTP

In the nineteenth century, during the first wave of feminism, the female pioneers whose tireless efforts and dedication gave women the consideration and political power they wield today, were not babes. They were usually religious Protestants, were plainly dressed, and certainly did not waste hours and hours on coloring their hair or applying make-up to enhance their lips, cheeks, and eyes, let alone painting their fingernails and toenails or lusting after high heeled shoes by Christian Louboutin. Rather, such decorations were generally confined to actresses and fancy women.  There were not enough hours in the day for self-education (19th century women did not attend male colleges or have their own–with a few exceptions– and were denied entrance to the professions, though their [maternal]nursing skills were highly valued); these heroic early feminists were traveling to remote parts of America to further feminist  causes (including abolition, temperance, votes for women, cleaning up corrupt city governments, and rescuing prostitutes from a life of disease, degradation and early death). Some of them were married, while others had large families”: household help was cheaper and husbands pitched in. In regarding their intertwined efforts at elevating our country, historian David Pivar has described their cause as a “purity crusade.”

Generally considered to be killjoys determined to pry into the affairs of men, these women have been caricatured by other male opponents.  As a rising class, as progressive women “who want to make the whole world home-like”, they are blamed for “the nanny state” and for “the fetishism of facts.” Their masculinist opponents “want a girl, just like the girl that married dear old Dad.” Lots of luck, guys. (For more blogs on the various stages of feminism, see http://clarespark.com/2012/09/04/links-to-blogs-on-feminism/, or its twin http://clarespark.com/2012/03/19/links-to-feminist-blogs/.)

its time to wear the pants

May 30, 2013

Nostalgia for the “Middle Ages”

old tapestryNew Republic literary critic Leon Wieseltier was quoted in the Wall Street Journal op-ed page, May 29, 2013 as “Notable and Quotable.” These excerpts were taken from the commencement speech delivered by Wieseltier at Brandeis University on May 19, which warned students not to yield to the blandishments of science and technology.: “There is no task more urgent in American intellectual life at this hour than to offer some resistance to the two imperialisms of science and technology, and to recover the old distinction—once bitterly contested, then generally accepted , now almost completely forgotten—between the study of nature and the study of man.  …You who have elected to devote yourselves to the study of literature and languages and art and music and philosophy and religion and history—you are the stewards of that quality….Perhaps culture is now the counterculture. “

Wieseltier believes that this “saving remnant” will protect us against “the twittering acceleration of American consciousness….” [What on earth does he mean by that?]

This imprecation to drastically sever the link between the study of man with the study of nature, coupled with his nod to “religion” rhymes very well with the occasional turn to medievalism at such bastions of ex-leftist thinking as Pajamas Media (see http://pjmedia.com/lifestyle/2013/05/28/video-in-defense-of-the-middle-ages/, seen also on the Dennis Prager “university” http://www.prageruniversity.com/History/Were-the-Middle-Ages-Dark.html. These videos are based on the work of Anthony Esolen: http://en.wikipedia.org/wiki/Anthony_M._Esolen)   It has been my position as both a student of intellectual history (with a strong interest in art and literary history), that the freethinking individual was unknown and often burned at the stake for daring to deviate from the rules laid down by medieval and even Renaissance priests and monarchs.

weapons-of-middle-ages

The Promethean impulse was sorely punished before the Enlightenment, and even Voltaire had to publish anonymously. And that pioneer Spinoza was hounded as a heretic for his materialist philosophy that joined Man with Nature and for his support of the short-lived but pathbreaking Dutch Republic in the seventeenth century.

But what is most disturbing, almost laughable, is Wieseltier’s posture as a revolutionary naysayer to the most advanced democracy in the history of our species, when he comes out as a diehard reactionary. Perhaps he likes girls with long tresses. The Middle Ages lingered into the 19th century with the vogue for William Morris craftsmanship, or before his ascendancy, the prestige of the Pre-Raphaelites, now in revival as a protest against the “desecration of nature.”

A contemporary version of Archangel Raphael

A contemporary version of Archangel Raphael

The real Middle Ages were a period of anarchy and arbitrary authority, localism,  interminable warfare, short life expectancy, institutionalized Jew-hatred, material deprivation, and slavery to powerful overlords, whose control over the lower orders was reinforced by ”religion” that Wieseltier lauds as the proper study of his new counterculture (note that he does not distinguish between religions at odds with each other and with secularism. Such vagueness is typical of the moderate men who do not want anyone to be angry with them).  The centuries of struggle and sacrifice that brought us to pluralist, secularized modernity should not be so casually overturned by Brandeis University and its supportive media institutions. As for the study of cultural artifacts that Wieseltier recommends, it is not so easily accomplished as he imagines. Art works do not speak for themselves: they are always positioned against competing ideas and rules: look to their patrons and you will find the key to their artworks. Indeed, one of the great neglected themes in Melville scholarship (and the same might be said for his contemporary Victor Hugo) is ambivalence, as artists struggle with themselves either to accept or reject their freedom to write as they feel, for social cohesion is at stake, including their own interior conflicts that they imagine can hurl them into the abyss of poverty and artistic failure. (Melville’s father-in-law was Lemuel Shaw, a conservative Whig and Chief Justice of Massachusetts, also his patron.)

There is much to be criticized in this modern world, but its defects are not traceable to the “imperialism” of science and technology, but to the reactionary forces that thought that the transition from feudalism to capitalism could be managed without quality mass education and the preservation of the individual conscience and its rights as institutionalized in the First Amendment to the American Constitution. I remember Dr. Henry A. Murray, mind-manager extraordinaire, complaining about religious pluralism because the very fact that some had different belief systems suggested that one’s own religion  might be fallible. Such self-doubt (often described as ambiguity) fostered social division, not the desired social cohesion. (See http://clarespark.com/2012/03/26/henry-a-murray-and-the-tat/, or http://clarespark.com/2012/09/22/materialist-history-and-the-idea-of-progress/.) Is it any wonder that so many artists and writers must write under a mask, simply to express their inner selves?Mask-SuttonHoo7thC

Materialist history and the idea of Progress

Filed under: Uncategorized — clarelspark @ 3:56 pm

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Another marker in the culture wars has been laid down by David Horowitz’s new book Radicals (Regnery, 2012). The chapters recount the careers of Christopher Hitchens, Bettina Aptheker, Cornel West, assorted Weathermen bombers (mostly female), and Saul Alinsky’s power-grabbing, crypto-Leninist nihilistic ideology.

But it is the last chapter wherein Horowitz lays his cards on the table. As a traditionalist (i.e., Burkean, Disraelian) conservative, he assails the “progressives” described throughout the book, lauds “compromise” as the alternative to “progressive” atheism, puritanism, perfectionism and futurism, and then declares, pessimistically in my view, that all civilizations are cyclical: they rise and fall.

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With the public move toward medievalism and away from the Enlightenment, this blog has renewed vitality. Rerum Novarum (1891) was a monumental intervention in the political culture of the West

May 27, 2013

SMASH: the perfect liberal backstage musical

Caravaggio: Amor Vincit Omnia

Caravaggio: Amor Vincit Omnia

SMASH had its “season finale” on March 26, 2013, but it has been cancelled. This blog tries to do two things: 1. To compare its optimism with some musical predecessors written from the Left (CABARET and CHICAGO) both of which stressed decadence and civic corruption; and 2. To note how SMASH catered to its liberal audience (feminists, gays) replicating the usual double binds that social democrats cannot escape. In this case, competition and compassion co-exist without strain; moreover it left unresolved the more controversial feminist and gay activist claims—on abortion, and whether or not all men are really gay, notwithstanding their protestations to the contrary. (For a prior blog on SMASH see ttp://clarespark.com/2012/05/18/smash-season-finales-and-the-demonic/.)

CABARET and CHICAGO, though laid in different periods, both remind us of the Weimar culture’s sardonic, mocking tone of Brecht and Weill’s THREEPENNY OPERA, a great hit in NYC when I was a teenager. I remember enjoying CABARET, but being instructed by one critic that its intertwined themes of decadence and growing support for Nazism were ahistoric and misleading, I thought about it with more skepticism. Indeed, upon reflection, one of Nazism’s appeal was to replace the corrupt, crime-ridden “jewified,” hyper-sexualized and materialist City with the wholesome simplicity of rural family values and family cohesion. Sex roles in Hitler’s Germany were clearly defined, with sharp physical and role differences posited between men and women. This was made clear enough in CABARET.

I have just described a culturalist explanation for the rise of Hitler, one that ignores his chief aims: expansion into Eastern Europe for purposes of Lebensraum, and his second but primary aim: to destroy the growing Communist Party in Germany, and by extension to destroy the Soviet Union (believed to be a “socialist” front for finance capital, which is why Nazis referred to “Jewish Bolshevism”).

[I have written before about the false belief, current among the American Right, that Hitler was a man of the Left, “proven” by the word “Socialist” in the title of the Nazi Party. But “socialism” to the Nazis meant the willingness to sacrifice one’s individuality and life for the sake of the purified racial state: “the people’s community” or Volk.]

Moving on to SMASH: this expensively funded television show was originally to be a backstage look at the business of theater in NYC. Though funding a Broadway show was one dominant theme of the series (money causes havoc with writers and casting), the writers never brought up craft unions as a factor in driving up the cost of Broadway shows and discouraging innovation and originality because of union rules. (This point applies to Broadway, films, and television. Producers are seen as the bad guys, with formulaic story lines a function of marketing to the great unwashed and unlettered. In SMASH, there is rivalry between two divorced producers: the competitive, evil and vindictive Michael Cristofer, with the good producer who elicits our sympathy, the compassionate Angelica Huston, who is so unblemished by class snobbery that she falls in love with a scruffy fellow from the lower orders.)

The theme of competition versus teamwork ran throughout the series: Katherine MacPhee competes with Megan Hilty for the role of Marilyn Monroe in a musical called BOMBSHELL. At the very end of the second season, the two rivals mimic the end of CHICAGO, where the once competitive Katherine Zeta-Jones and Renee Zellweger join in a raunchy “sister act” that celebrates sex and gangster gun violence, with wild audience applause. Similarly, in SMASH, the two actresses wear burlesque-type costumes, swing their booties, and go off as friends: the audience can love both of them, especially as “Ivy” (though impregnated by the womanizing director played by Jack Davenport), rehabilitates their relationship and we don’t know if she will have his baby and jeopardize her promising career as a Broadway Tony-winning star or not. Amor Vincit Omnia. Indeed, all relationships that were threatened with dissolution are reinstated in the two-hour finale, but without resolving the most sensitive subjects: abortion and gayness (or bisexuality) as normative.

On the gay front: Christian Borle’s character, overtly gay and a sensitive collaborator with his writer and lyricist Debra Messing, meets a “straight” Hollywood star who is kissed by Borle, and the two collaborators go off to Hollywood where their once-threatened partnership will flower again, presumably with romantic love interest for Borle with a straight man who is really gay.

Another evasion: in season one, Debra Messing had an affair with Will Chase, an affair that broke up her marriage. Yet in the finale, she is pictured at her lover’s door, ready to resume their affair, yet Chase had a wife and a family in season one. But not to worry, for Amor Vincit Omnia.

Progressive optimism rules in this television tribute to the magical world of “live theater” (!!!!) and we learn once more that the world of the theater, on Broadway or Off, is enclosed within its tight little relationships, in which all wars end, magically.

Caravaggio: Resurrection

Caravaggio: Resurrection

May 26, 2013

Eva Moskowitz and the Charter School Movement

Eva Moskowitz

Eva Moskowitz

Last week I attended the first benefit gala for the Success Academy Charter schools initiated by Eva Moskowitz. My son Daniel S. Loeb was being honored, and Chris Christie, Governor of the State of New Jersey was the keynote speaker. Wall Street heavies and some major Republicans were present by the hundreds, as were many of the young principals of the various Charter Schools.

The Governor said flat out that if we did not rescue America’s public schools, the republic was finished, and I could not agree with him more. Christie, like many other activists on behalf of quality free education for all, sees the teachers unions as the chief obstacle to achieving this goal. Sadly, teachers unions have defended teachers, no matter how inept and unqualified, at the expense of learners in our country. (See http://clarespark.com/2012/05/03/index-to-blogs-on-education-reform/.) Indeed, the teachers unions are major supporters of the Democratic Party, and numerous authors have identified the powerful wealthy Democrats (e.g. Mark Zuckerberg, Bill and Melinda Gates) who have poured wasted money into ed reform, for none of these billionaires will go up against the teachers unions or their defender Diane Ravitch. (For my blogs on Ravitch and Democratic Party reformers see http://clarespark.com/2012/05/03/index-to-blogs-on-education-reform/ Steve Brill’s book is mostly about Eva M. and worries that she will burn out. Brill, a Democrat, thinks that Randi Weingarten can be reformed!)

I find it very mysterious why the high priority given to free public education by Governor Christie and Dan Loeb (like Charles Sumner and other enlightened Americans who came before us), is not widely shared. One can understand why unqualified, underperforming teachers defend tenure and pensions, but how to account for the indifference of parents and grandparents, or of all citizens, many of whom complain about the great dumbing down of our culture and sense an irreversible decline of American leadership in the world?

A brief recollection: when I moved to Los Angeles in 1959, I taught chemistry and biology at Los Angeles High School. Noting that there were no after-school clubs like the one I enjoyed at Forest High School in Queens, New York, I proposed a Philosophy Club, with much student support (and LA High at the time was black, brown, Asian, and Jewish mostly). I was called “that commie Jew from the East” in one anonymous letter deposited in my mailbox, which appalled me as I was mostly apolitical at that time. I recall that my best student was a black boy in chemistry. I never thought that there was anything wrong with the brains of my “colored” students, either in Los Angeles or at Jamaica High School in Long Island where I had taught in the Spring semester of 1958. Eva Moskowitz’s charter schools in NYC have borne out my views that lazy teachers and inadequate expectations for performance of minority children, not racial differences in intelligence, are responsible for low graduation rates and poor student performance in inner city schools in America.

Here is how Wikipedia describes the pioneering efforts of Eva Moskowitz: http://en.wikipedia.org/wiki/Eva_Moskowitz

And here are the objectives of Moskowitz’s “lesson plan” in a booklet handed out to all attendees of this inspirational gala on May 22, 2013:

[Item:] Make schools magical places—warm, colorful, joyous—where the curriculum is rigorous, the pace is fast, the bar is high, and boredom is banished.

[Item:] Inspire kids to read, to write, to imagine, to build, to invent, to work, to think. [Eva told me once that early on, students read poems and extract the message of the poem: could anything be better than reading comprehension, including understanding the subtext and messages of great literature?]

[Item:] Invest in excellent teaching, with support and coaching and an unprecedented commitment to professional development.

[Item:] Introduce children to the creative disciplines and elations of art.

[Item:] Enlist parents as partners in schooling and as advocates for education reform.

[Item:] Teach chess and daily discovery-based science, so that scholars grow up to find better ways forward.

[Item:] Give every child access to great public schools and provide every family with great educational choices.

[Item:] Empower a generation of children to achieve their dreams.

[Item:] Transform a nation at risk to a nation of hope and opportunity.

[Item:] Change public education—for good.

In New York State testing, this is how Success Academy Charter Schools have performed: 96% passed 2012 NYS Math Exam; 88% passed 2012 English Exam; 100% passed 2011 Science Exam. In Math, English, and Science, Eva’s schools were beaten only by Anderson, “the most selective Gifted and Talented public school in NYC.”

For more sources on this subject, see the following references:

http://www.nytimes.com/2013/05/12/nyregion/seeking-teachers-support-mayoral-candidates-pledge-education-reform.html?ref=evasmoskowitz&_r=0

http://www.nj.com/politics/index.ssf/2013/04/christie_town_hall_raritan_val.html

http://socialistworker.org/2009/11/13/charter-school-charade ( A Trotskyist organization attacks Eva Moskowitz and her project.)

Success Academy

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