This blog is not a defense of Trotskyism. The Spanish Civil War and its treatment by literary historians is important because only the “Trotskyists” of, say, Partisan Review or The New Leader in the late 1930s nailed the Stalinists and their fellow travelers for covering up such events as the purges of the old Bolsheviks (1936 onward), and for penetrating liberal organizations devoted to cultural freedom, turning them toward statism, dialectical materialism, silencing criticism of the Soviet strategy in Spain, and joining with the “only” antifascist forces, i.e, the Comintern and its docile filmmakers, novelists, screenwriters, and other artists. The “liberals” (who succumbed to the Popular Front during the 1930s), and who continue to opine on the course of the Spanish Civil War, leave out the Soviet-directed destruction of Jose Robles, POUM, and the Anarchists, thus passing over these atrocities but also skipping over the twists and turns of the Comintern during the 1930s and early 1940s. (Examples: from 1928 on, Communists were devastating critics of the “social fascism” of the New Deal and of Social Democracy in general; but the Popular Front was effectively in charge from 1935 onward; then the Nazi-Soviet Pact (1939) reawakened the older critique of the Western democracies as really imperialists, like Hitler; but then the Nazi invasion of the S.U. reawakened the Popular Front with the American bourgeoisie in order to defend the Soviet Union and to quash isolationist sentiment.) (See Stephen Schwartz’s article on Stalinist treachery in Spain here: http://www.jewcy.com/post/cheapest_transaction. )
Carlos Baker’s 1969 biography of Ernest Hemingway had no problem describing Joris Ivens as a Communist filmmaker: I don’t know enough about Baker’s own political allegiances to say why. Perhaps Baker agreed with those for whom the communists were just another form of enlightened and moral liberal, maybe a bit more serious about uplifting the masses and rooting out nativism and American sympathizers with Hitler and Mussolini. Such naiveté was how communism infiltrated the New Dealers and their populist sympathizers: Only the Stalinist Left was held to be serious about fighting fascism or criticizing the Neutrality Act of the Western democracies that prevented the supplying of arms and oil to the Spanish Loyalists. “Trotskyites,” the Comintern declared, were in league with fascism and Nazism! The Comintern-controlled Abraham Lincoln Battalion is still presented as comprised of idealistic young Americans, for instance in the atrociously slanted and mendacious HBO movie Hemingway and Gellhorn, most of which is devoted to the Spanish Civil War, and which ignored the bloody, faction-ridden history of that crucial conflict, without any political criticism from dozens of reviewers all over the world. (For a brief review of the HBO offering, see http://clarespark.com/2012/07/09/hbo-does-gellhorn-in-red/,)
Princeton professor Carlos Baker was oblivious to George Orwell’s Homage to Catalonia (1938),* a deafness that allowed him to record, without comment, that Hemingway sent his editor Maxwell Perkins as a taste of what to expect in For Whom The Bell Tolls, “Pilar’s” account of the Anarchist massacre of the “Fascists” of [Ronda]. Worse, Baker described Gustav Regler only as a friend of Hemingway’s. But Regler’s 1959 memoir The Owl of Minerva (cited by Baker) did describe a conversation with Hemingway in 1940, wherein Hemingway chastised Regler, the former political Commissar of the Twelfth International Brigade, for deserting the Communists! Having read Regler’s fascinating memoir and having quoted from his book regarding Hemingway’s feisty defense of the Communists in Spain (see http://clarespark.com/2011/06/30/ernest-hemingway-and-gellhorn-in-china-1941-4/) I was not amazed that briefly opened Soviet archives revealed that Hemingway was recruited by the KGB in late 1940, despite his strong criticism of André Marty and Dolores Ibárruri (La Pasionaria) in his popular novel—a criticism that did enrage such American Communists as Mike Gold or the reviewer writing for The Daily Worker.
And while well-situated liberals in the most prestigious newspapers might have thought in their own minds that they were allies to “the common man,” they were in practice tolerant of their friends on the Soviet-controlled Left. After the war, these same Popular Fronters hated to be associated with (vulgar) McCarthyism, so that the identification of communist penetration of American institutions left the nailing of an American Fifth Column to the far Right. Since the Soviets had defined the Right (Big Business) as fascist, the “liberals” would characterize these “loons” as paranoid extremists, a label that persists to this day, notwithstanding the archival research of Mark Kramer, Harvey Klehr, John Earl Haynes, and Alexander Vassiliev, to name a few.
And that is how we lost the Cold War and the struggle for hearts and minds—until the Soviet Union collapsed from within. Sadly, it was too late for the better American universities. The Popular Front had done its work and generations of Americans were disabled from seeing into the wildly successful cultural work of the Soviet Union and/or Communist China.
*[Added, August 23, 2012: A dispute has broken out in the Comments section to this blog, regarding Orwell's intentions in his novel 1984. John Dos Passos wrote a biographical chapter on Orwell in his Century's Ebb (1975): "Orwell's mind was shaking loose from the Socialist dogma. He began to see history whole: 'What is obviously happening,' he wrote in his offhand way, 'is the breakup of laissez-faire capitalism and of the liberal-Christian culture. Until recently the implications of this were not foreseen because it was generally imagined that Socialism could preserve and even enlarge the atmosphere of liberalism. It is now beginning to realized how false this idea was. Almost certainly we are now moving into an age of totalitarian dictatorships--an age in which freedom of thought will at first a deadly sin and later on a meaningless abstraction.'" (p.64). Dos Passos finishes with this thought (relating how Orwell had become an invalid, afflicted with tuberculosis): "Relapses took him to hospitals. All the while he stuck with ferocious tenacity to the novel he was writing. 1984 was a bitter parable of the totalitarian world he saw developing out of German Nazism, Russian Communism, and the decay of the spirit of liberty in Britain....(65-66) I.e., Dos Passos sees the parable as the last stage of Orwell's gradual disillusion with the libertarian promise of Socialism and Communism. The following chapter is a scathing account of the indifference of Hemingway and Gellhorn to his search for his friend Jose Robles, using fake names.]