The persistent theme of this website is to decode the propaganda of all political factions, tracing their histories back to the invention of the printing press, when ordinary people first became at least partly independent of “traditional” hierarchies. So began the modern world in my lexicon, where anything can happen in relations with “authority” and new strategies for “order” were invented by threatened elites.
Reading comprehension (my strongest suit) became my preoccupation, for language, music, and visual symbols are powerful forces that may either aid emancipation from illegitimate authority, or may fasten “ordinary people” to bad “role models” as they are called today.
The phrase “role model” is constantly trotted out as THE solution to upward mobility for “victims” of capitalism and the modern world in general. The “leaders” we encounter are held to mold our characters and desires: parents, teachers, entertainers, artists, the media, public intellectuals. These figures may be forces for positive growth as unique individuals, capable of seeing through confidence men, or, as now-and-then rebels/protesters, they may relieve the negative aspects of “tradition,” allowing us to blow off steam—a process that leaves oppressive elites undamaged.
Or these designated role models may be so ambiguous as to be indecipherable, even as they appeal to our needs for safety and sense of belonging to what is called either “family” or “community.” It is my view that multiculturalism is one pervasive elite strategy that appears to “include” everyone in the “international community”, but in practice, divides groups from one another. Enter cultural anthropology and its spin-off: “interdisciplinary cultural studies” that avoid “economic determinism” like the plague.
For economic factors are too central to understanding the material world we live in, and too close to science, especially to the empiricism that strengthens “ordinary people.” They also buttress the claims of classical liberals (the Founders and framers of the US Constitution); try to read the Federalist papers without understanding the economic disaster of the Articles of Confederation, or without understanding the liberating conception of equality under the law—and the laws are at bottom about economic factors and their interpretation.
One reason I mention the moderate men so frequently is not out of antagonism toward moderation as such, but because “moderate conservatives” changed their spots with particular effectiveness at the end of the Red Decade (the 1930s), in order to lure “ordinary people” away from either communism or “laissez-faire capitalism” as it was derisively called by its elite antagonists. (FDR, a conservative reformer, called his opponents “economic royalists,” all the while courting allies such as Harvard social psychologist Dr. Henry A. Murray, whose notes on Melville’s White-Jacket insisted that ordinary people were not “trained to rule.”)
Central to that project of counter-Enlightenment were the fields of social psychology, social relations, and sociology. No longer would professionals in these fields follow the procedures of science, following material evidence to its logical conclusions, but now their aims were “social cohesion” and “political stability”—sometimes called the Third Way. If this meant abandoning the authority of (unreliably changeable) science, so be it. After all, materialist procedures buttressed the arguments of the Enlightenment (see http://clarespark.com/2009/12/12/switching-the-enlightenment-corporatist-liberalism-and-the-revision-of-american-history/.) Here are some of Parsons’s other achievements: 1. The declaration that free speech should be tolerated solely in a psychiatrist’s office; 2. An essay in a volume on antisemitism that described the Jewish God as domineering and genocidal; and 3. The blaming of native Nazism on “romantic puritans”. These claims were not hidden away in private communications or notes, but published in 1942, where I found them, with my eyebrows raised to my hairline.
Indeed, the great achievement of progressive sociology (as exemplified by Parsons and other authoritarian “liberals”) was to place the academic reader in a double bind: society was ideally a self-contained smoothly functioning machine, similar to that of the plant world. But social bonds were mystical, not materialist as the puritan romantics would have it.
Enter the role of language: “communities” substituted for identity of material interests, let alone the rule of law. “Role models” became a useful form of identity formation, stopping moves toward individual judgment, for role models originated within “the system”—hyper-“individualists” must be outside agitators, troublemakers too reliant on their sense impressions and readings of key texts.
Indeed, the Parsons cohort had elaborate plans to enhance “national morale” that effectively identified gritty individuals before they ascended to positions of power. (See http://clarespark.com/2010/06/19/committee-for-economic-development-and-its-sociologists/ followed by http://clarespark.com/2011/01/02/the-watchbird-state/. These are excerpts from my book on the Melville Revival and are unknown or off limits to most researchers.)
Is it any wonder that artists have resisted the process by which they were invited to enter the machine world of the structural functionalists and their allies in the progressive movement, even as they, like Jean Tinguely, proclaimed the superior “social” qualities of the “self-sufficient” world of the artist? http://www.moma.org/pdfs/docs/press_archives/4149/releases/MOMA_1968_July-December_0081.pdf?2010. Would they have been exhibited under a different banner?