YDS: The Clare Spark Blog

January 31, 2012

The Numbers Game and the Decline of Magic

The "real" John Murrell

One of the virtues of the progressive movement in America was the increased deployment of statistics (see http://en.wikipedia.org/wiki/Statistics). Before that, the political culture could rely on wild claims about the nature of the opposition, without deploying expert-developed ”scientific” charts and graphs to prove a point. (Not that economists use the same sets of numbers or rely upon identical economic models.)

The reason I bring it up today, is the ongoing appeal of gory stories about the American past that I have found in both fiction and in the writing of history. While reading Mark Twain’s Life on the Mississippi (1883), I came across his account of the bandit and slave-stealer, “Murel,” but this turns out to be a heavily embellished “tall tale,” according to Wikipedia’s entry on “John Murrell (Bandit).” One cannot discount the public appetite for stories depicting in graphic detail dismembering, disemboweling, decapitations, defenestration, flogging, gouging, cannibalism, vampirism, and every atrocity known to our evil species. Herman Melville’s Moby-Dick and White-Jacket may appeal to the sadomasochist public more than we know.

After reading about the disgusting “Murel”, I was about to apologize for my reproach to Cormac McCarthy’s Blood Meridian, for if Murel could perpetrate his massive crimes, why not the horrid characters who murder each other on the borderlands of the Southwest, described by McCarthy?  To be clear, I doubted that records existed that would have matched McCarthy’s imagined violence with real events, especially since McCarthy, unlike the poet-historian Paul Metcalf, did not give a note on sources for the history he purported to represent. The reader may object “but he never said it was history.” That only  makes matters worse to me, for if not grounded in fact, then the author is playing to blood lust in the reader, and to be frank, so does Mark Twain. Why anyone thinks of him as primarily a jolly humorist is beyond me. His work rather suggests a violent, antimodern and misogynistic imagination, larded with a huge dollop of cultural pessimism, (not to speak of internal contradictions). I don’t know how much Life on the Mississippi was influenced by Melville’s synoptic look at industrializing America, also located on the great river, The Confidence-Man, His Masquerade (1857), but the bleakness and accounts of mercantile fraud are common to both. And the Wikipedia article that surveys the many uses of statistical reasoning quotes Mark Twain as a nea-sayer: statistics were damned lies. Here is a sample from chapter nine of Life on the Mississippi that demonstrates a mixture of pride in mastering the technique of piloting a steamboat, but then lapses into regret that the world has been disenchanted by [science]:

[Mark Twain:] “…The face of the water, in time, became a wonderful book — a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day. Throughout the long twelve hundred miles there was never a page that was void of interest, never one that you could leave unread without loss, never one that you would want to skip, thinking you could find higher enjoyment in some other thing. There never was so wonderful a book written by man; never one whose interest was so absorbing, so unflagging, so sparkingly renewed with every re-perusal. The passenger who could not read it was charmed with a peculiar sort of faint dimple on its surface (on the rare occasions when he did not overlook it altogether); but to the pilot that was an ITALICIZED passage; indeed, it was more than that, it was a legend of the largest capitals, with a string of shouting exclamation points at the end of it; for it meant that a wreck or a rock was buried there that could tear the life out of the strongest vessel that ever floated. It is the faintest and simplest expression the water ever makes, and the most hideous to a pilot’s eye. In truth, the passenger who could not read this book saw nothing but all manner of pretty pictures in it painted by the sun and shaded by the clouds, whereas to the trained eye these were not pictures at all, but the grimmest and most dead-earnest of reading-matter.

Now when I had mastered the language of this water and had come to know every trifling feature that bordered the great river as familiarly as I knew the letters of the alphabet, I had made a valuable acquisition. But I had lost something, too. I had lost something which could never be restored to me while I lived. All the grace, the beauty, the poetry had gone out of the majestic river! I still keep in mind a certain wonderful sunset which I witnessed when steamboating was new to me. A broad expanse of the river was turned to blood; in the middle distance the red hue brightened into gold, through which a solitary log came floating, black and conspicuous; in one place a long, slanting mark lay sparkling upon the water; in another the surface was broken by boiling, tumbling rings, that were as many-tinted as an opal; where the ruddy flush was faintest, was a smooth spot that was covered with graceful circles and radiating lines, ever so delicately traced; the shore on our left was densely wooded, and the somber shadow that fell from this forest was broken in one place by a long, ruffled trail that shone like silver; and high above the forest wall a clean-stemmed dead tree waved a single leafy bough that glowed like a flame in the unobstructed splendor that was flowing from the sun. There were graceful curves, reflected images, woody heights, soft distances; and over the whole scene, far and near, the dissolving lights drifted steadily, enriching it, every passing moment, with new marvels of coloring.

I stood like one bewitched. I drank it in, in a speechless rapture. The world was new to me, and I had never seen anything like this at home. But as I have said, a day came when I began to cease from noting the glories and the charms which the moon and the sun and the twilight wrought upon the river’s face; another day came when I ceased altogether to note them. Then, if that sunset scene had been repeated, I should have looked upon it without rapture, and should have commented upon it, inwardly, after this fashion: This sun means that we are going to have wind to-morrow; that floating log means that the river is rising, small thanks to it; that slanting mark on the water refers to a bluff reef which is going to kill somebody’s steamboat one of these nights, if it keeps on stretching out like that; those tumbling ‘boils’ show a dissolving bar and a changing channel there; the lines and circles in the slick water over yonder are a warning that that troublesome place is shoaling up dangerously; that silver streak in the shadow of the forest is the ‘break’ from a new snag, and he has located himself in the very best place he could have found to fish for steamboats; that tall dead tree, with a single living branch, is not going to last long, and then how is a body ever going to get through this blind place at night without the friendly old landmark.

No, the romance and the beauty were all gone from the river. All the value any feature of it had for me now was the amount of usefulness it could furnish toward compassing the safe piloting of a steamboat. Since those days, I have pitied doctors from my heart. What does the lovely flush in a beauty’s cheek mean to a doctor but a ‘break’ that ripples above some deadly disease. Are not all her visible charms sown thick with what are to him the signs and symbols of hidden decay? Does he ever see her beauty at all, or doesn’t he simply view her professionally, and comment upon her unwholesome condition all to himself? And doesn’t he sometimes wonder whether he has gained most or lost most by learning his trade?” [End, Twain excerpt]

[Clare:] Many a romantic author (e.g. Wordsworth) has enunciated the same sentiments: “Science”  has disenchanted the world.  Melville made the same complaint in his journal (1857-58), this time blaming the loss of poetic imagination on the higher Biblical criticism. During my graduate school training in history, I remember one tendency among the cultural historians to deplore “fact fetishism.” Such a nosy search for hard evidence was held to be a symptom of feminization, hence the decline of masculinity. The “feminist” demand for “no secrets” was outrageous (again, see Melville’s fear of being caught by the probing female gaze). Similarly, many conservatives rail against “the nanny state.” Are the real men all “lighting out for the territories?”

November 21, 2011

Cormac McCarthy vs. Herman Melville

Premodern Cormac McCarthy

[This is the second of two blogs on Cormac McCarthy: see http://clarespark.com/2011/11/17/blood-meridian-and-the-deep-ecologists/]

At a bookstore in Santa Fe, New Mexico, a retired English professor friend of mine was offered a signed copy of McCarthy’s The Crossing for $1250. McCarthy does not sign his books any longer and apparently does not give interviews, except for this long piece for the New York Times http://www.nytimes.com/1992/04/19/magazine/cormac-mccarthy-s-venomous-fiction.html?src=pm, authored by Richard B. Woodward, which contains the following passage:

“Blood Meridian” has distinct echoes of “Moby-Dick,” McCarthy’s favorite book. A mad hairless giant named Judge Holden makes florid speeches not unlike Captain Ahab’s. Based on historical events in the Southwest in 1849-50 (McCarthy learned Spanish to research it), the book follows the life of a mythic character called “the kid” as he rides around with John Glanton, who was the leader of a ferocious gang of scalp hunters. The collision between the inflated prose of the 19th-century novel and nasty reality gives “Blood Meridian” its strange, hellish character. It may be the bloodiest book since “The Iliad.”

From the interview, we also learn that McCarthy is a cult figure, that Saul Bellow was on the McArthur Foundation committee that gave CM a “genius” award, financing the writing of Blood Meridian, and that the author is a reclusive “radical conservative”, born of a Catholic well-off family in Tennessee, the son of a lawyer for the Tennessee Valley Authority. (Another source adds that his sisters were high achievers, and that his father was stern.)  Also that he prefers the company of scientists to writers, and that he is no fan of modernity, quotation marks or semicolons. For a more recent interview see http://tinyurl.com/7dg52qr, that elaborates on the father-son theme.

I would like to go on with a psychoanalytic meditation on this writer, especially the father-son dyad, but I don’t know him.* Instead, this blog is about the Melville-McCarthy connection, which is tenuous at best.  First, the notion that Judge Holden is a Nietzschean Superman, beyond good and evil, may have been gleaned from David Brion Davis’s Homicide in American Fiction (1957), wherein Captain Ahab was limned as a Nietzschean Superman. That was the year (Fall, 1957) I took Davis’s class in intellectual history at Cornell U., and I well remember his linking Hawthorne and Melville as the authors who brought back the conception of evil into American culture, which, presumably, had been overly optimistic about the possibilities of perfecting human nature, supposedly a core belief in American exceptionalism. Or so I infer, for Davis may have been thinking primarily about racism, or, with students, anti-colonialism: see http://en.wikipedia.org/wiki/David_Brion_Davis, and my prior blog http://clarespark.com/2009/09/06/the-hebraic-american-landscape-sublime-or-despotic/.

But on the subject of Enlightenment optimism regarding human nature, consider this passage from Benjamin Franklin’s letter to Joseph Priestley (7 June 1782):

“…Men I find to be a Sort of Beings very badly constructed, as they are generally more easily provok’d than reconcil’d, more disposed to do Mischief to each other than to make Reparation, much more easily deceiv’d than undeceiv’d, and having more Pride and even Pleasure in killing than in begetting one another, for without a Blush they assemble in great armies at Noon Day to destroy, and when they have killed as many as they can, they exaggerate the number to augment the fancied Glory; but they creep into Corners or cover themselves with the Darkness of Night, when they mean to beget, as being ashamed of a virtuous Action….”

[Perhaps writing a novel is for the male, a similar generative act to be submerged in darkness-- the powerless, demoralizing blackness that envelops today’s popular culture, whether it be gangsta rap, gangster movies, cultish vampire movies, recent movie versions of McCarthy’s books, or science fiction fantasies that end with the bad guys prevailing: see  Joss Whedon’s The Dollhouse, Terry Gilliam’s Brazil, preceded by such antimodern classics as 1984 or Brave New World or Anthony Burgess’s Clockwork  Orange). In academe, the same tone is set in Carolyn Merchant’s The Death of Nature, that is elaborated in McCarthy’s post-apocalyptic tale The Road (2006).]

Second, return to Captain Ahab’s supposed amorality. He is nothing like Judge Holden, who is a  Nietzschean amoralist, even a Foucaldian, as these lines from Blood Meridian demonstrate:

“Might does not make right, said Irving. The man that wins in some combat is not vindicated morally. [Holden responds:] “Moral law is an invention of mankind for the disenfranchisement of the powerful in favor of the weak….” [p.250, quotation marks not in original.]

On the most superficial level, perhaps, it may be said that Blood Meridian is some kind of homage or rereading of Moby-Dick (or even Joyce’s Ulysses). There are compound words, neologisms, and an often nauseating text. It starts with three quotations that correspond only roughly with the “Extracts,” there is an epic journey, in which most of the characters perish, and there is an Epilogue. But in Melville’s allegory, the first edition (published in England) not only lacked any survivors whatsoever, but ended with the Extracts, and these pages of quotations in turn ended with a Whale Song,[i] certainly to be taken ironically: “Oh the rare old Whale, mid storm and gale/ In his ocean home will be/ A giant in might, where might is right,/ And King of the boundless sea.”

Alleging that Ahab’s sin consists in his hubris, with Ahab believing 1. That truth exists; or 2. That he can extirpate evil from the world, has been one theme in scholarly and popular misreadings of the text. Surely, the Ahab as Superman reading by David Brion Davis must have been based in a common postwar belief (initiated by Charles Olson, then F. O. Matthiessen) that Ahab was an anticipation of Hitler and Stalin, and moreover that Hitler was influenced by Nietzsche, is probably the source of Cormac McCarthy’s misconception of Melville’s great book.

I will say this on behalf of a McCarthy-Melville affinity. In his recent novel, The Road, McCarthy uses the word “secular” twice. This suggests to me that CM’s bleak books are laments for the supposed loss of faith in a “secular” world (an argument that some conservatives make in the culture wars). Without religion, humanity is out of control and on its death trip, the road to oblivion. After the Civil War, Melville wrote a long poem, Clarel, and, earlier,  in his journal of the trip to the Mediterranean and environs in 1857-58. But in the poem of 1876, Melville distanced himself from his most pessimistic characters, inter alia, masking himself beneath his Promethean, secularizing Jew, whereas McCarthy is silent, preferring to hide himself and his meanings in “mystery.” One has to wonder about that suicidal sister, a character that haunts McCarthy’s latest novel, still in process.

*From reading interviews and other journalistic materials, I think that McCarthy’s well-received novel, The Road, tells us a lot. CM had two failed marriages as a younger man. He is older than I am now, and in his third marriage, had a son John, who is described by his father as delivering much of the dialogue in the novel. I infer that this last novel expresses his fear of dying before John reaches manhood, hence his father will no longer be there to protect him. Although in Blood Meridian, the Indians are as depraved and bloodthirsty as the whites and Mexicans, Indians and frontiersmen alike know how to survive cold and hunger, and also how to make do with the detritus that “civilization” leaves behind. Hence the Southwestern garb that McCarthy wears in his cover photos, along with the amazing ingenuity of the father figure in The Road.

[Added, 12/12/11: While reading Claude Bowers's The Tragic Era (1929), it occurred to me that the ruined Southern landscape under the occupation of Northern soldiers may have been part of the cultural memory transmitted by McCarthy's family or his neighbors. (His family originated in the North, but moved to Tennessee, the home of Andrew Johnson, staunchly defended in the Bowers best-seller.) This would give an added resonance to The Road.]


[i]Moby-Dick was the neglected masterpiece that most excited the 1920s Melville revivers and their successors; it was first published in England as The Whale; unlike the American edition that followed, the title page featured an epigraph connecting Milton’s fallen Satan with Leviathan, and its last words, “Whale Song,” were a final blast at the ancient doctrine that Might makes Right. Readers seeking to understand the dynamics of the Melville Revival should ask whether the Leviathan State was a good or bad thing in the twentieth century, and what entities and social forces made it what it came to be. ….” These are lines taken from my book Hunting Captain Ahab: Psychological Warfare and the Melville Revival (Kent, Ohio: Kent State UP, 2001, rev.ed. 2006)

November 17, 2011

Blood Meridian and the Deep Ecologists

Ludmilla Jordanova

Before I launch into some remarks on Cormac McCarthy’s Blood Meridian,  here is an example of what the deep ecologists in cultural studies are studying now in the transnational academy (I am reproducing their CFP in its entirety):

“Call For Papers: Conference: Science, Space, and the Environment, Location: Smith Centre, Science Museum, London,Date: Tuesday/Wednesday July 17-18, 2012, Sponsor: Rachel Carson Center for Environment and Society, Munich, Organizers: Helmuth Trischler, Rachel Carson Center for Environment and Society, Munich; Ludmilla Jordanova, King’s College London Department of History; Simon Werrett, University of Washington Department of History/ Science Studies Network, Seattle; Science Museum, London.

Although the sciences have provided critical resources in environmental debates, their own role in environmental change has been little studied.

This conference will explore how the sciences have affected the physical environment. How have scientific practices and ideas impacted on nature – for example do practices such as voyages of exploration or natural history collecting exploit plants and animals and their environments?

Does scientific activity cause pollution, depletion of resources, or other forms of damage to ecosystems? How are such practices to be evaluated, and how are they related to scientific and other ideas of nature and the environment, e.g. notions of conquest, mastery, or interrogation. How should scientific ideas about the environment be related to the impacts of scientific research on it? In particular papers should address scientific activities involving the circulation of knowledge and materials. A growing body of work in the history of science has explored the issue of circulation, examining how physical specimens, books, people, and materials related to science have been made to move around the globe in the service of producing or disseminating scientific knowledge. What has been the environmental significance of such circulations? How has the movement of people, plants, animals, and scientific instruments, books and personnel affected environments, e.g. on voyages of exploration, in processes of establishing colonial scientific institutions, or in undertaking imperial cartography or surveying? Papers which aim at fostering current theoretical debates on how to link the conceptual approaches of history of science, environmental history, and spatial history are particularly welcome. ” [end, CFP]

[My comment and critique of McCarthy:] In the early 1980s, I met such as Rudolf Bahro (the leader of the German Green Party (http://en.wikipedia.org/wiki/Rudolf_Bahro) and attended a conference featuring Kirkpatrick Sale, a deep ecologist. The audiences for both events seemed to be New Left, then following the critical theorists, anarchist tendencies on the Left (followers of Murray Bookchin), and some form of localism or primitivism. It struck me then that these leftists were masochists in the face of Nature, and that they knew almost nothing about ecology as a scientific discipline, but were adopting environmentalism as a cudgel in the campaign to smash modernity and the drive toward progress, i.e., progress understood as the war against Nature and native peoples. With respect to the indigenous persons who were victimized by Westward expansion in to the Americas, East Asia, and Africa, it was widely believed that the indigenous peoples were attuned to Nature and embodied the communitarian social structures that these Leftists aspired to. (Holocaust denier Roger Garaudy was one such romantic, see http://en.wikipedia.org/wiki/Roger_Garaudy.) These true believers were dissatisfied with [Promethean] Marxism with its elevation of technology, arguing that there must be a non-industrial path toward socialism.

Cormac ("Irish King") McCarthy

It seems to me that Colman McCarthy’s much lauded novel Blood Meridian or The Evening Redness in the West (1985), can only be understood in this political context. For a summary of his career, see http://www.cormacmccarthy.com/Biography.htm. The writer of this essay notes that the author’s work is historically sound, for he visited the locales and even learned Spanish. We also learn that his favorite book is Melville’s Moby-Dick. In a way, Blood Meridian is a (mis) reading of Melville’s masterpiece, that assumes, along with post-colonialists,  that MD was a critique of Western expansionism and its death-dealing war against Nature. But see my blog http://clarespark.com/2009/09/06/the-hebraic-american-landscape-sublime-or-despotic/, especially in light of Harold Bloom’s encomium to McCarthy’s great book as a spectacular example of the Sublime. Bloom also heaps praise upon the creation of Judge Holden, the evil Promethean who survives the events of the book: the god of war (249), perhaps aided by “a Prussian jew,” purveyor of Colt pistols (82). (On the character “Speyer’s” presumed historicity, see http://tinyurl.com/843vopy.)

 But it is the judge alone, unaided by Jewish pedlars of contraband, who takes a careful inventory of living and inanimate things, and who will not tolerate mystery. After telling Toadvine that nothing may live on earth without his permission, the judge goes on: “…The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.” (199)

Am I being too harsh? Perhaps it is because McCarthy, who could not possibly know the awful details of the slaughter he presents throughout a book of 337 pages, has had honors heaped upon him by the liberal literary establishment for what I sense is, in effect, a sadistic attack upon the reader (or even himself), conducted from a great height, gazing obsessively far below at “ignorant armies [that] clash by night” (see the “Dover Beach” reference, p. 213).  I do credit the “Irish King” with an imagination unprecedented perhaps in its relentless ferocity, and though MD is a violent book, particularly in its graphic accounts of the whale butchery, it is no match for BM.  Whereas Melville would tear the veil from benevolent nature [Mother] to reveal “the charnel house within,” McCarthy’s Nature is never enticing. As Charles Dickens said of Pittsburgh, it is “hell with the lid off.”

December 11, 2009

“Don’t fence me in”: notes toward a workable consensus

 

a page from New Theatre, June 1936: Hitler as narcissist

Here is my utopian contribution to the theory of independent media–a hot topic in the era of the internet and blogging. It was directed to program producers and listeners to Pacifica Radio after years of observing how this “alternative” media outlet malfunctioned, even at its best. Given how polarized our political culture remains, I hope that readers of all ideological preferences will read the notes as a plea for a more constructive and creative dialogue. You might want to read these first: http://clarespark.com/2009/08/20/shakin-the-blues-away-primitivism-rock-n-roll-and-mental-health/, http://clarespark.com/2009/08/18/storming-pacifica-revising-my-view-of-pacifica-history-july-22-1999/, http://clarespark.com/2009/08/13/my-life-at-pacifica-radio-a-memoir-part-one/, and http://clarespark.com/2009/08/14/my-life-at-pacifica-part-two-with-gory-details-and-more-on-identity/.

[Christopher Simpson, 1994:] Entrepreneurial academics modeled the scientific tools needed for development of practical applications of communication-as-domination on those that had seemed so successful in the physical sciences: a positivist reduction of complex phenomena to discrete components; an emphasis on quantitative description of change; and claimed perspective of “objectivity” toward scientific “truth.”  With few exceptions, they assumed that mass communication was “appropriately viewed from [the perspective of] the top or power center…rather than from the bottom or periphery of the system (6)….U.S. social science, including mass communications research, helped elaborate rationales for coercing groups targeted by the U.S. government and Western Industrial culture generally (115).  Roughly similar psychological and linguistic structures seem to have played a role in certain phases of Turkish Ittyad efforts to exterminate Armenians during World War I, in atrocities during Stalin’s rule in the Soviet Union, and in U.S. exploitation of former Nazis in intelligence operations.  There are many obvious differences, of course, between the psychological and linguistic dynamics of atrocities and those of psychological warfare projects.  Nonetheless, there are enough similarities to suggest that euphemistic “cover stories” are integral to much of modern political communication (144).[1]

[Reinhold Niebuhr, “The Truth in Myths," 1937:]  …religion is forced to tell many little lies in the interest of a great truth, while science inclines to tell many little truths in the interest of a great lie.  The great truth in the interest of which many little lies are told is that life and history have meaning and the source and the fulfillment of that meaning lie beyond history.  The great lie in the interest of which science tells many little truths is that spatio-temporal realities are self-contained and self-explanatory and that a scientific description of sequences is an adequate analysis of causes. [2]

[Clare's blog:]      Make no mistake, the culture wars will be fought to the death, and not because scientists do not “tolerate” religious values, but because there is no center, no middle-ground between secular and mystical world-views; either intellectual debate is worth the trouble, or it is a waste of time; either popular sovereignty is to be made rational and competent, or we should return to enlightened despotism.

Certain conclusions for theory and practice flow from my reflections on the devious cultural politics of nineteenth and twentieth-century America and Europe.  What has been most strenuously dismantled in the last tumultuous period of academic reform is The Big Lie of materialism, mega-weapon of Western Industrial culture (according to Christopher Simpson).  As I have tried to show throughout the blogs posted on this website,  however, most public “liberals” and “leftists” today (ethnocultural structuralists) are inheritors of social ideas that were never libertarian and universalistic.  These particular “multiculturalists” decapitate political animals insofar as they prejudge coherent narratives (i.e., authoritative, chronologically ordered, fact-based accounts) of historical change and conflict as totalitarian, racist, and genocidal.  We are toothless without the relatively objective criteria that would make elected authority accountable to its constituency, helpless in identifying the social divisions and antagonisms that most persuasively delineate the trajectory of history at any given moment.

Often with the best of intentions, the Populists and Progressives, the Leninist Left, the Frankfurt School critical theorists, and many New Left anti-racists admiring Simpson or Niebuhr advocated free speech and cultural relativism in ways that would logically undermine confidence in common readers scrutinizing rival political platforms, thus hindering  the coalition building necessary for earnest (goal-directed) politics.  The primitivists/libertines among them sought emancipation from the slavery of romantic love, finding equality in the acting out of repressed “instincts” that the workaholic bourgeoisie had squashed; some critics of essentialism/identity politics argue from the positions of Heraclitus and Nietzsche: the aristocratic radical (Cormac McCarthy?) again looks askance at uppity artisans, the murderous children of Cain.  Our generation of intellectuals might do well to distinguish between 17th-18th C. and late 20th C. conceptions of science, democracy, history and international brotherhood.

As the quotations from Lewis Hill, founder of Pacifica radio and his successors demonstrated, it was the class war that the Pacifica pacifists were to oppose most emphatically: good labor unions collaborated with business as corporatist liberalism (New Deal policies mimicking the happy family) preferred; however, given the conditions of the Depression, during which every class was in crisis, the managed good news Lewis Hill advocated could not report negotiation between equals though that fiction would be maintained in contract law.  Implicit in Hill’s ideology was the notion that misunderstandings in communication (the source of conflict?) could be removed through enlightened workplace anthropology.  Pacifica would radiate good feelings.  Similarly, reformed curricula and canons, overcoming Anglo-American/Hebraic “liberal” hubris, selfishness, and avarice, would breed empathic workers and managers.  Intractable differences were only racial or ethnic or gendered: the powerless would be typed according to biological imperatives, each group possessed of marvelously unique, equally idiosyncratic, rooted points of view that could be freely expressed on public or independent or reformed media, yet these perspectives were finally untranslatable to members of different linguistic communities.  Such rights of privacy, aka group expression, would be guarded by socially responsible businessmen and their deputized academics, fending off melting-pot sharpshooters to their Right.  So far and no farther would freedom, independence, and equality be tolerated.

“Radical subjectivism” asserted itself against “Marxist” postulations of ruling-class “hegemony” by insisting upon the inevitable multiplicity of points of view, of de-centered loci of power and authority. Individual character gave way to “social character.” As one professor of “applied Christianity” put it, referring to the work of Erich Fromm, Clyde Kluckhohn, and Henry Murray, “In order that any society may function well, its members must acquire the kind of character which makes them want to act the way they have to act as members of the society or of a special class within it. Fromm is thoroughly aware of the grave dangers in this ability of society to pressure us into becoming what society wants. But he realizes also that freedom is achieved only in social relations and that one becomes a self only within a group or a people.”[3]

Such “diversity” was seen as both descriptive and desirable.  Like community broadcasting itself, radical subjectivism was a rejection of white male domination, hence progressive, not a turn toward the archaic, the medieval and the barbaric.  In the etiquette of The New Pluralism-Without-Snakes-and-Spiders, there are no lies, save the Big One.  Given this marvel of constructive disengagement, how might alternative media planners counter the cacophony of corporatist liberalism?

I. Discourse and critical method.

—–A. The ethnopluralists have been tracked throughout the blogs. To distinguish ourselves from these organic conservatives masked as genuine liberals we should avoid their buzz words insofar as they apply the terms of biological systems to social organization: e.g., “the community,” “the body politic,” “national character,” “group mind,” “roots,” “milieu,” “equilibria,” “cultural climate,” “balance” (understood as the harmony which ensues when two more or less hysterical people contradict or “check” each other), and “identity” (understood as essential group psychological characteristics transmitted in the genes).

—–B. We should challenge the deployment of the words “race” and “ethnicity” insofar as they are meant to describe hereditary intellectual capacity and other psychological characteristics, as opposed to the ideological construction of “group character” in historically specific moments of conflict.  We ask our audience to keep in mind this understanding of “race” and “ethnicity”: (1). Groups are treated differently on the basis of fictional categories that are supposedly “real” and uniformly applicable to everyone in the group. Such typing reinforces the divisive idea that we are not one species, hence cannot understand each other’s perceptions of reality.  Thus the need to defend and revise our possibly distorted assertions about politics to reach a consensus is made unnecessary: there are no universally perceptible facts, only “group facts.” (2). Even though we are one species, we are not necessarily perceived as such by others: the ideas of (always pure) “race” and “ethnicity” are plausible only as fictions too often considered  real.  (3). Antisemitism is not simply a variant of racism, but a particularly dangerous form of false consciousness because it strikes at “basic trust,” without which no rationally informed social action is possible.  Whereas racial prejudices may be overcome with contact, the switching Jew will always be a confidence-man, his promise of utopia (to know the truth, to build a more humane society) a ruse; the outcome is dangerous not only for Jews, but for the antisemite, because the target is her/his own critical intellect and emotions.  Hence Jews cannot overcome antisemitism through philanthropy or reminding the world about their contributions to modernity: it is precisely modernity and its promise, its open-endedness that is the threat. It is true that the Alien or the Stranger has always been distrusted by insular societies; but in the context of enlightened Europe, the content of the Jewish archetype was adapted to suit the needs of reactionaries. “Roots” secured the “identity” of the beleaguered institutions of the European Right  (comprised of the Church and landed aristocracy) against the “disintegrating” forces of liberal nationalism. Suddenly Jews were no longer convertible or useful; today’s “identity politics” are the tool of similar conservative localists, like the aristodemocrats described above. It is the same not-so-old “scientific racism” cleansed by association with Jewish cultural anthropologists like Boas and his students, Jewish and non-Jewish alike. Again: there is no way to rescue German idealism.  It was formed in reaction to rationalism, democracy and the Enlightenment and will always oppose intelligent, democratic, universalistic forms of social organization.

—–C. The current litany for progressive journalists and academics is the study of “class, race, and gender” by which it is usually meant that structural position will entirely predict behavior, desire, and point-of-view, i.e., we are molded and stamped to act in our own behalf (hence participating wisely in pluralist politics, neither befuddled nor capable of perceiving universal human interests which could suggest different forms of political organization).  Besides ignoring distorted consciousness, this functionalist theory of class, race and gender conflates dissimilar categories of analysis.  Although the term is hotly debated, “class” can be defined with regard to the possession or non-possession of resources (money, tools, land, special scarce skills) enabling survival, either allowing persons to walk away from a bad contract or forcing them to work or starve.  Such ownership is not a matter of opinion, it is an objective fact in the world.  Similarly, gender difference is real: e.g., at different times women are more or less tied down by child-bearing and nursing.  But “race” and “ethnicity” are entirely socially constructed, which is not to say that culture (or climate) does not affect or partially predict behavior.  The issue for the twentieth century has been whether or not a better social environment can create “the new man” thus making it unnecessary for each generation to strive anew to rear critical thinkers with humanitarian values.  Lamarckians and muckrakers (like Hitler) want a quick fix; geneticists (should) advise patience and effort.  A Lockean-neo-Freudian approach would see class and gender as a set of conditions that limit experience, but against which we may struggle as we increasingly comprehend the ways we repress those ideas and feelings that threaten illegitimate authority.

—–D. A materialist discourse describes historically concrete individuals and the many institutions in which they are asked to function (the market, the state, the family, education, media, etc.).  This includes (1). Abstract and impersonal social property relations (class structure, how classes reproduce themselves, and class relations including relations between members of the same class who may be either cooperating, competing, or both);  (2). Social movements which may be challenging or acquiescing in the rules of the game; (3). The exercise of power within institutions and between individuals: how is authority made legitimate?  How is consent obtained: through analysis of the system (rational persuasion) or appeals relying upon emotionally charged language and archetypes, on veiled or naked force?  How are the concepts of multiplicity and diversity deployed for and against equal opportunity?  Are persons expected to resolve irreconcilable differences?  Do agitators create or exaggerate differences where none need exist?  (4). What are the sources of change, legal and illegal?  (5). How have powerful interests defined the social psychology of the society or group under consideration?  How have these assessments changed with transformations in modes of production?

——E. An organicist discourse confuses because groups and nation-states are treated as if they were individuals.  Thus for moralistic anti-American New Leftists, “America” is one very bad person, stealing Africans, exterminating Indians, raping the environment, tricking the masses with false promises of cultural freedom, etc.  Similarly “the West” and “Western science” are genocidal.  By contrast, a materialist discourse would identify historically specific individuals and groups, often buffeted by social forces producing destructive behavior.  Comparative history and sociology will reveal that the humanitarian, universalistic values espoused by “Western civilization” are still only partially realized in practice, along with the technology that may someday lighten drudgery and toil for everyone.  Hence we should ask, what are the economic and cultural preconditions that enable people to be creative, peaceful and tolerant?  How have earlier Leftists answered this question and what have we learned from their decisions?

When all of these arduous (but not impossible) tasks are accomplished, then rational communicators may be said to have reached a consensus on the facts of their condition.  Obviously, societies that see human motivation and history as inscrutable and chaotic, an unfinished dialogue between God, the World, the Flesh and the Devil (the Flesh-made Word?) will resist (to the death) such processes of analyses and synthesis. [4]

II. Earning trust of the audience.

A. Spotting the phony liberals/radicals/protofascists.  They say they are not fascists, meanwhile replicate the cultural practice of earlier aristocratic radicals/corporatist liberals with an antimodern, antidemocratic agenda.  Rather than institutional analysis they purge/muckrake, implying that good fathers will make the system work; “corruption” or exploitation may not be structural in origin, but solely the product of moral weakness, e.g., an immoderate will to power and greed or decadent effeminacy and narcissism (consumerism).  Conspirators make history; conspiracy theories have prestige among groups lacking political education.  How should we deal with their “paranoia”?  Indeed, I have been charged by both leftists and conservatives with conspiratorial thinking even where I demonstrate institutional sources of unethical behavior.  Such attempts to discredit destabilizing historical research are to be expected; it is a form of psychological warfare that may cause all of us to distrust our own perceptions, experiences, and educated sense of danger.  But there are real paranoids out there, and opportunistic radicals have indulged irrational fears and hatreds, for instance in their uncritical support of cultural nationalism and populism, indulging the petit-bourgeois radicalism which sees money or “finance capital” as the demonic enemy.

In my view, good history drives out bad.  I respect the suspicions of oppressed people by identifying real historical conspiracies, but attempt to locate them at least partly in institutional imperatives and constraints.  Biographies will often demonstrate the clash between values and behavior, not because of the predilection for lying or hypocrisy, but because of class allegiance and mixed-messages dispensed by societies resisting the transition to a creative democracy  (e.g., multiculturalism is a form of “indirect rule”: an attempt to conciliate lower-class demands for autonomy while maintaining élite control).

B. The production of hopelessness.  College professors, like all intellectuals, have a choice; they may choose topics for research that examine class institutions and reform movements, showing how industrial societies, unlike their predecessors, produce the conditions for their possible transcendence or improvement.  Or, as is more often the case, professors may attack the “hegemony” of philistine puritans, the bourgeois businessmen who supposedly control their careers with an iron fist.  The first approach produces winning tactics and reasonable time lines for change; the second produces cultural despair, has chosen the bleak world-view of the dispossessed aristocrat railing against the false optimism of the revolutionary bourgeoisie.  The first approach emphasizes favorable conditions and possibilities for amelioration where they exist; the second dotes on human weakness, promotes dropping-out/ suicidal adventurism, ends with a sigh, in practice the passivity which only blesses the forces that are killing us. “Ah, Bartleby! Ah humanity!” and “God bless Captain Vere!”

C. Living with ambiguity and suspended judgments.  The condition of modernity is the unending search for truth, for an accurate description of ourselves and of the system (insofar as there is a single coherent system, which I doubt).  In my book, I called it Ahab’s “meandering railroad.” We inspect our closest attachments so that we may be less deluded about our own “pure” motives, desires for control, and other defenses against fear, anger, and rage.  It is a terrible thing to espouse radical politics for purposes of revenge, to mobilize others by stirring up traditional group hatreds.  I see no reason for any “democrat” to appeal to such emotions.  Marx’s irrational polemics stand in contrast to his ostensibly rational analysis of the capitalist system, to his compassionate account of the nightmare of tradition that burdens the brain of the living.  In my own experience, I have found that irrationally motivated radicals are identified by an attachment to labels: like conservative bureaucrats they want to file us in the proper drawers, the better to be manipulated, squashed if potentially “unmanageable” and “unpredictable.”

I doubt that I will ever be able conclusively to separate structure from agency, or pin Herman Melville or myself down.  What we are, where we were, where we are: these are portraits and maps that will more or less change as we revise and reconfigure the past and present, sometimes gradually, sometimes suddenly working ourselves out of primitive fantasies and defenses.  Hence we emphasize the dynamics of change (not Jungian archetypes) in an atmosphere of safety and trust.  These comments about the fluidity of perception should not be marshaled to relativize the objective conditions of social institutions.  Whether or not workers are exploited, whether or not ordinary people have access to quality education, health care, mass media and state secrets, whether or not citizens are consulted about the decisions that affect their lives, the existence or non-existence of corporal punishment and other cruelties in the family, can all be established as facts in the real world.  Without an exhaustive and accurate assessment of  institutions (and they may be anarchic and messily unpredictable), we cannot test and judge “authority” or choose between rival claims for love and friendship.

How then will such values be expressed in practice?  If we wish to understand people in motion or mired in apathy we avoid typing people as conservatives, radicals, and liberals or as moderates and extremists as if everyone knew what that meant, as if these words had timeless meanings, as if no one ever changed her mind.  People have describable imaginations, values, and interests that may be modified in changing circumstances; these should be specified concretely.  Similarly, the appropriation of good buzz words in particular moments of struggle should be described: concepts such as pacifism, balance, the people, multiplicity, diversity, relativism, pluralism, and democracy may be claimed by democrats and authoritarians alike.  For instance, socialists might be pacifists in August 1914; American Nazi-sympathizers might be pacifists in 1938; during the same period isolationist conservatives might have feared that international war would create the conditions for another civil war (like the Russian Revolution).

Ideal formats for alternative or oppositional media cannot be prescribed in a vacuum.  “Innovation” and “experimentation” are good or bad insofar as they attempt to promote critical, independent thought and heightened awareness of ourselves and our environments, no foible left unexamined, no nuance of thought or feeling unexpressed.  If our goal is self-management and informed consent to management by experts, then there is no mystery about what to do and how to do it.  We must first determine the condition and preconceptions of our audience in all its varying states of consciousness.

If “commercial” (i.e., jewishly contaminated) mass media present a more or less phony aura of objectivity, self-control, and sanity should we defiantly praise subjectivism, stridency, and irrationality as “radical?”  I believe the competition should be praised for positive achievements where they exist; where their coverage of personalities and events falters, we should fill in the gaps and reconfigure the problem, if necessary, calling attention to the greater freedom that listener-sponsorship makes possible.  If we are not more objective, self-possessed, and rational, more open and scientific, more historically and sociologically informed, more respectful of the audience, more completely descriptive than “mass culture” and “mass media,” then there is no legitimacy to our claim for moral superiority.

Warmth need not yield to stridency or manipulative charm; nor should we talk down to the audience.  We ask ourselves if our revolts are primitivist, ascetic and sadomasochistic, the desire to be punished or to humiliate others; we may be pandering to sadism and masochism in the audience through the endless parade of atrocities and bondage.  Our élitism is communicated through excessive secrecy, obscurantism, false modesty, reductiveness, snideness, sloganeering, slang and obscenity.  We have a beautiful, expressive language that is hardly used; instead as radicals, we punkishly use the speech of the street to exhibit our trustworthiness.  Whom are we fooling?

[Bernard Mandeville, The Sixth Dialogue from Fable of the Bees, Vol.2, Oxford U. Press, 1924, first publ. 1714:]

 Cleomenes.  The natural Ambition and strong Desire Men have to triumph over, as well as persuade others, are the occasion for all this [fiery oratory].  Heightning and lowring the Voice, at proper Seasons, is a bewitching Engine to captivate mean Understandings; and Loudness is an Assistant to Speech, as well as Action is: Uncorrectness, false Grammar, and even want of Sense, are often happily drown’d in Noise and great Bustle; and many an Argument has been convincing, that had all its Force from the Vehemence it was made with: The Weakness of the Language it self may be palliatively cured by the strength of Elocution.

Horatio. I am glad that speaking low is the Fashion among well-bred People in England; for Bawling and Impetuosity I cannot endure.

Cleo. Yet this latter is more natural; and no Man ever gave in to the contrary Practice, the Fashion you like, that was not taught it, either by Precept or Example: And if Men do not accustom themselves to it, whilst they are very young, it is very difficult to comply with afterwards: But it is the most lovely, as well as the most rational Piece of good Manners, that human Invention has yet to boast of in the Art of Flattery; for when a Man addresses himself to me in a calm manner without making Gestures, or other Motions with Head or Body, and continues his Discourse in the same submissive Strain and Composure of Voice, without exalting or depressing it, he, in the first place, displays his own Modesty and Humility in an agreeable manner; and, in the second, makes me a great Compliment, in the Opinion which he seems to have of me; for by such a Behavior he gives me the Pleasure to imagine, that he thinks me not influenc’d by my Passions, but altogether sway’d by my Reason: He seems to lay his Stress on my Judgment, and therefore to desire, that I should weigh and consider what he says, without being ruffled or disturbed: No Man would do this unless he trusted entirely to my good Sense, and the Rectitude of my Understanding…(291-292).  When a Man has only his Words to trust to, and the Hearer is not to be affected by the Delivery of them otherwise, that if he was to read them himself, it will infallibly put Men upon studying not only for nervous Thoughts and Perspicuity, but likewise for Words of great Energy, for Purity of Diction, Compactness of Style, and Fullness as well as Elegancy of Expressions (293).

The various cultures, institutions and social movements we encounter, like all human phenomena, are difficult, if not impossible, fully to comprehend: still we should be wary of simplistic calls for “complexity.”  Rather than a healthy respect for the difficulty of achieving precise and relatively complete accounts of our condition, such warnings (directed at “levellers”?) may mean that we can’t ever know what we are experiencing: events are just too over-determined, too individualized, too particularistic, too mystical, too mysterious.  What was Hayek saying about the “social process which nobody has designed and the reasons for which nobody may understand”?  Was his statement descriptive of the present (1946), or was he saying that, given the limits of research into the motives and actions of others, at any period a Titanic, perhaps unfeasible project, the unfettered market offers the least coercive form of regulation and the most efficient and accurate marker of merit?  Shouldn’t “the Left” engage these and other libertarian arguments with an open mind? Is it not a sign of intellectual and moral weakness when opponents do not engage each other’s facts and programs, no holds barred? Can we say that either side of a debate is “scientific” when they do not engage?

Eloquence and sublimity are not achieved through bombast and obfuscation, but almost rush forth when we have mastered the precision and subtlety of language, when we care for others, as artists, giving them everything we’ve got, understanding suffering and sincerely striving to alleviate it.  In my own experience as a teacher and broadcaster, I have found that “ordinary” people–non-intellectuals–often ask for my assistance in illuminating the historical background of everyday problems; they appreciate being pushed a bit, they do not expect perfection from me or themselves, but self-criticism and progress.  I have succeeded when listeners and readers feel more confident in their own capacities to penetrate, comprehend and at least partially master reality.  Aristocratic radicals will scoff at such aspirations as the rotten odor of mechanical materialism.

Cultural cues are transparent when all the relevant conflicts are brought to conscious awareness; psychological warfare can be decoded and made as easy to read as comic books.  However, “prudence” and the defense of “expertise” forbid the direct, unpretentious communication of institutional or personal goals and operations.  “Two-way communication” is subtly authoritarian when we have not equal access to technology, facts, and skills; we have the microphone, they have the telephone.  We should not abuse our authority.  For instance “call-in” shows, like seminars, usually do not allow follow-up questions; hence may not identify areas of agreement, partial agreement or impasse.  Instead these interchanges sound like a play by Ionesco; the participants take turns speaking into the void.  To put it another way, program hosts ask for feedback from listeners, but do not necessarily act upon legitimate criticisms by self-examination or further research and reflection, nor do they often address the anxieties, rational and irrational alike, that have produced hostile responses.

Trust requires a prolonged period of testing through the individual and group processes of interactivity; this endless, boundless, sometimes joyful, sometimes painful process of testing authority, made meaningful through ongoing self-education and group education, is the distinctive feature of democratic institutions.

Notes: [1] Christopher Simpson, Science of Coercion: Communication Research & Pyschological Warfare 1945-60 (Oxford U.P. 1994).

[2] Reinhold Niebuhr, 1937, reprinted in Gail Kennedy, ed., Evolution and Religion: The Conflict Between Science and Theology in Modern America (D.C. Heath, 1957): 94.

[3]  Roger L. Shinn, The Search for Identity: Essays on the American Character (New York: Harper & Row, for the Institute for Religious and Social Studies, 1964), 2-3. Shinn is quoting from a Fromm essay of 1944 “Individual and Social Origins of Neurosis,” American Sociological Review Vol.9 [1944], pp.380-384, and reprinted in Personality in Nature, Society, and Culture, Clyde Kluckhohn and Henry A. Murray, editors (Knopf, 1948), 407. Shinn tips his hat to Gunnar Myrdal’s American Dilemma, p. x, a theme taken up in the essay by Kyle Haselden, “Race–And The Divided American Soul,” 133-152. But Myrdal, under the influence of Ralph Bunche, described “the American Creed,” not group character. For this author, however, the American character is divided and marred. “…the racial problem more than any other single factor has been the crux of our history. …the clash of the white man and Negro in American society–has had more influence on developing American character than any other single factor.” Haselden blames white racism for its handling of a “racially different minority in the social structure.” (p.137) The author ends with an appeal to moderation, avoiding “Uncle Tomism on the one extreme and aggressive black nationalism on the other” (152).

The call for inclusion, balance and stability within a restored natural American character runs throughout. See Harold K. Schilling, “The Transforming Power of the Sciences,” 39-54. Religion, not science, should direct the future. Using Loren Eiseley’s term “lethal factor,” Schilling warns of the coming apocalypse: “Since science has taught us what nature is really like, and what it means to be “natural,” we now realize that with the arrival of man on earth, there appeared a disturbing, lethal factor that has somehow upset the balance, self-consistency and naturalness of nature. Sometime in his history man has succeeded in producing an ever more destructive black whirlpool that is threatening to drag both him and his world into the bottomless abyss of death and oblivion. (Italics in original, p.54.)

[4] Students of alternative media should study the influence of evangelical Catholicism (revolutionary conservatives, the born-again moderns) in the theorizing of public broadcasting (as well as the formation of the academic disciplines of cultural history and the history of science, confessional psychoanalysis, and the ideology of “cultural pluralism”).  See Calvert Alexander, The Catholic Literary Revival (Milwaukee: Bruce Publishing Co., 1935), with its conclusion calling for a Catholic “free press” (copying the independent publications of Jews, Communists and Socialists) to combat the pernicious influence of mass media.

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