YDS: The Clare Spark Blog

February 10, 2010

A brooding meditation on intimacy and distance

Herman Melville, balanced in old age

[Read this along with http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/.]  I have been reading Roy R. Grinker Sr.’s memoir Fifty Years in Psychiatry: a Living History (1979), and was not surprised to discover his resignation as he contemplated his life path: Grinker, a leader in the field, sighed (?) that psychiatrists and other mental health workers should not expect to “cure” their patients, but to aim for “stability.”  “Psychiatry,” he wrote, “no longer entertains the notion of cure, reconstruction of personality, or ‘adjustment.’ On the contrary, we help people in trouble to regain a stability that has been lost temporarily for a number of reasons, or we help them to attain a degree of adjustment which they never had–in other words, to reestablish the continuity of development that has been interrupted at some time for a variety of reasons (145).”  But then he, the harmony-seeking progressive echoing Edmund Burke, seemingly reverses himself, advocating a general systems theory approach: “…instead of referring to dichotomies and conflict, we may refer to two processes inextricably linked: Stability and change. …’Unity in diversity and continuity in change,’ or unified thinking characteristic of a systems approach. This is contrasted with dualistic thinking oriented only toward stability and permanence based on the illusion by objective science that some parts or variables and especially our terrestrial background can be viewed as steady.” Grinker continues, hopefully: “Unitary  thinking, on the other hand, considers that both parts and whole, both focus and background, are constantly changing, but regulated by some form of organization that prevents de-differentiation, focal cancerous overgrowth, internal psychological confusion, social chaos, and anarchy. Our problem is to identify the ways by which the organizational principle operates (160).” Grinker’s obscure and abstract theorizing echoes the structural functionalism promoted by Harvard sociologists, and before that Malinowski, the cultural anthropologist. In other words, legitimate mental health professionals aim to keep their patients or clients from making trouble–for a multiplicity of families and for the State. If you doubt this leap of mine, read these Grinker tocsins: “Currently, we are experiencing a shift from materialistic to moral values, which is creating a precarious balance at all ages, particularly adolescence. In the United States, a group has ‘dropped out’ of the mainstream of the life of technology into a drug society, which frequently results in irreparable damage. Another group fights against our current establishment, hoping to change it prior to their necessary and ultimate commitment. Another group completely avoids affectionate involvement with any other human being and ends with the stable instability of the borderline (159).”  In an earlier book, Grinker as usual, attacked objective science: “…science is not free of religon….It is constantly involved in faith that the ultimate truth will be uncovered….Attempts at complete objectivity are never successful….” (Psychiatry in Broad Perspective, 1975, p.12). This is precisely the view of “interdisciplinary” studies of the history of science, as derived from functionalists at war with the skeptical masses.

    I was already onto this panicky line while conducting my dissertation research, and I am excerpting from one chapter (“Pluralism in a Perfectly Happy Family”), an excursus that barely made it into the book. If you wondered what a “progressive”  organic conservative is or was, you will see yet more examples below.

[Excerpt, Hunting Captain Ahab: Psychological Warfare and the Melville Revival ] Composing his “Memories” at the end of the 1930s, the Harvard physical chemist Lawrence Henderson, founder of the Pareto seminar and mentor to Henry Murray, [i] reviewed the development of his social thought. As a young man he had studied in France, learning quickly to distrust the emotional Germans. Henderson preferred the French because “so many Frenchmen escape the cruder forms of sentimentality and…so many of them are individualists and also very French, that is the opposite of anomic in Durkheim’s sense.” He admitted that the French were excitable in little things, but “cool and restrained in serious situations. In all countries most men are stupid, but I find more Frenchmen interesting than mere chance can account for” (90-91). Toward the end of the memoir, Henderson described his theory of historical change (afterwards noting that the model resembled his first scientific paper on molecules and atoms):

“Promises and principles are among the forces that determine the actions of men. There are other forces such as passions, political, military, and economic expediency that are also operative. Any concrete action by any person is a resultant of all these factors. Moreover, these factors are mutually dependent. In operation, each modifies all the others (236).” [ii]

These words were written on July 14 (Bastille Day), 1939, but there is no resemblance to the political science theories proposed by radically enlightened intellectuals. Henderson’s model is scientistic and falsely compares historical causation (“the actions of men”) with the attractions and repulsions of atomic particles; his scientism is also characteristic of the conservative Enlightenment, deployed to stave off the rival materialism of the nineteenth century– those ideological formulations supported by the “imperialist” “heroic science” that prevailed throughout the academy before some cultural/social historians of the 1960s-90s unmasked its fatal pretensions.[iii] Diverting his gaze from the facts that could model the structures, functions, and operations of real human institutions, Henderson undergirds fascist ideology in the twentieth century. It would be wrong to say that such thinkers erase class as an analytic category because of their commitments to nation or race as the source of identity. On the contrary, these philosopher-kings are acutely class-conscious, believing they can manipulate systems made cockeyed and thrown off-balance by selfish and stupid mass/class passions. The moderate men were classicists sensitive to “proportion” in all things. As several 1930s corporatists put it, unlike the Puritans who liquidated their peasantries, peasant-rooted countries such as Italy, France, Belgium and Ireland, creatively mastered their bourgeoisies. Their remedy for the chaos of modern decadence was to remand the usurping, snobbish, class-conscious and divisive nineteenth-century middle-class back to the middle where such anti-social, anti-intellectual persons naturally belonged. With the materialists safely sandwiched, sick societies would be returned to the steady state. Social equilibrium, classlessness, and a coherent national character were achieved, then, when society was rooted in the peasantry and governed by the aristocrats they, the peasants, had always thrown up in a crisis. In turn, the peasant-chosen self-sacrificing aristocrats would be obedient to the self-sacrificing good king who spoke for the common people.[iv] Here was the “ideal force” that bound communities, bringing order out of chaos; that force was a fact, a higher truth that materialist historians were too blind to see.[v]

      Of course (self-indulgent) romantic artists, like other demagogues, should be silenced. In late 1943, Norman Foerster looked ahead to “the humanities after the war” and saw the necessity for lost intellectuals to “refind themselves” in the new-old criticism: “With few exceptions the departments of the humanities in higher education are ill prepared for the high task before them. An age of science and of naturalistic philosophy has left its mark upon them. They have misapplied the method of science, and they have adopted views of life that make most of the great writers and thinkers of the world appear of little meaning to the modern age. Lost in a relativism approaching nihilism, they have all but ceased to look for the abiding truths which make the distinction between past and present unimportant. If for a century they have declined in prestige, the reason is partly that they themselves have robbed their great field of its greatness. Today their first task is to refind themselves, not to encourage an intellectual and artistic creativity of any and every sort but rather to lay the critical foundations which will give imaginative presentation a sound direction.”[vi]

      It would not do for the lower orders to suppose that the anger one person feels for another could be alleviated through comprehending the larger social situation in which individual struggles are enmeshed, or that economic and political institutions are ill-described with the analytic tools bequeathed by corporatist Greeks, medievalists, and Renaissance humanists.

     The social views of Princeton professor Willard Thorp, like the corporatists quoted above, bear comparison with Henderson’s. Thorp’s model societies are paragons of deep-breathing and balance, repelling the modernity that forces the anomic (atomized) individual to clash with other individuals. Here is the conservatively enlightened Thorp’s 1938 account of Melville’s radicalism; perforce “one” arrayed dogmatic and marauding transcendental Ahabs against deep-diving Herman Melville, the proto-Durkheimian proto-New Dealer Ishmael who said NO!:

[Thorp:] “When one contemplates the number of matters on which the age had come to a final opinion, to which Melville offered a challenging negative, and the number of subjects which the age, for its safety, refused to discuss at all, but which Melville insisted on dragging up to the light, one is astonished that he was tolerated as long as he was. He seems, indeed, to be unique among his contemporaries in his freedom from zeal or prejudice. Even the most sacred tabus he insisted on examining with a cool dispassionateness. Not only did he question the inalienable right to property, the dogmas of democracy, the righteousness of imperialist wars and Christian missions, but he dared to discuss in a voice louder than a whisper such horrific subjects as cannibalism, venereal disease, and polygamy. At the moment when young men in America, imbued with transcendentalism, were giving eloquent support to the doctrine of the manifest destiny of the nation and defied the world to show any civilization which could equal ours, Melville was studying with habitually clear eyes a savage society in the South Seas which had achieved an admirable social equilibrium. While American orators scolded the Old World as corrupt and decayed, the home of tyranny and oppression, he measured against their glorious American standards the attainment of the naked Polynesians. Equipped as no man in his day was by his contact with all sorts and conditions of men, having crossed many social frontiers without the baggage of the “yes-gentry,” he returned to the America of 1845 to record what he had observed. He could report that he had seen happy savages who could live together in charity, and this had made him form a higher “estimate of human nature than [he] had ever before entertained”; he could also report that he had lived on an American man-of-war where unbelievable human vileness that made the heart sick nearly overturned any previous theories of the perfectibility of man he may have had.

Though the business of navigating a ship never interested Melville, he felt a deep concern for the destination of the inhabitants of the world which the ship enclosed. He pondered the social relationships, the code of life and manners, the clash of individual on individual, which determined the nature of this compact, artificial society, and endeavored to relate what he saw there to the larger society which dispatched the ship on its errands of commerce or war. Every serious book or article which Melville wrote is a variation on the social theme (Thorp, 1938, xcvii-xcviii, my emph.).”

      One wishes that Thorp had not mixed-up the reader with his bouncing balls of personified and incommensurable social and political categories; but he cannot help himself because the social science or anthropological skills he attributes to the intrepid “Melville” are part of one’s own religious, anti-scientific world-view, one in which the psychological acumen/self-control/decorum of individuals leads either to “admirable social equilibrium” or commerce/war.[vii]

[D.H. Lawrence, 1923, Ch. 9:] “ There are lots of circuits. Male and female, for example, and master and servant. The idea, the IDEA, that fixed gorgon monster, and the IDEAL, that great stationary engine, these two gods-of-the-machine have been busy destroying all natural reciprocity and natural circuits, for centuries. IDEAS have played the very old Harry with sex relationship, that is, with the great circuit of man and woman. Turned the thing into a wheel on which the human being in both is broken. And the IDEAL has mangled the blood-reciprocity of master and servant into an abstract horror.

 Master and servant – or master and man relationship is, essentially, a polarized flow, like love. It is a circuit of vitalism which flows between master and man and forms a very precious nourishment to each, and keeps both in a state of subtle, quivering, vital equilibrium. Deny it as you like, it is so. But once you abstract both master and man, and make them both serve an idea: production, wage, efficiency, and so on: so that each looks on himself as an instrument performing a certain repeated evolution, then you have changed the vital quivering circuit of master and man into a mechanical machine unison. Just another way of life: or anti-life.”

     An organicist discourse conflates political organization with physical organisms. Is your society devolving into warring classes or sects? Then loosen the whalebone stays of your Victorian corset, follow with a dose of paternalistic Christian charity, moderate expectations for improvement, and the Hobbesian, over-urbanized nineteenth century will approach the happiness and natural harmony of Melville’s (clean, generous) savages. The West had not brought progress, but there was a Golden Age before greed, individualism and artifice [consumerism] blighted the landscape. Although his notebooks of the early 1930s had condemned romantic escapism, by the late 1930s a more conservative, even reactionary Olson, like Thorp, would find his Golden Age in archaic, pre-literate societies: there was no pattern to history, neither repetitious cycles of rise and fall nor the unfoldings of Whiggish progress. “I feel too strongly about chance,” Olson wrote, identifying with archaic societies mayhap because their warrior myths provided hero-fathers who, in some sense, won the battle with cosmic mothers.

     Our analysis of the divisions that matter, of the source of social evil, will determine strategies for self-defense and amelioration. Whereas the scientistic Thorp had identified “the age” (Victorian materialism) as the great Adversary, the radically enlightened social theorist studies the structural constraints on piecemeal reform; reformers should not raise unrealistic expectations that only structural transformations in the political economy can accomplish. The corporatists studied in this book, demagogically appealing to primitive emotions with images of spontaneity, unity and relaxed tensions, cannot formulate a transformative politics because they do not arm themselves with facts by studying how “the system” actually functions before they launch their salvos. Revolutionaries will betray their populist politics by the optimism with which they describe the projected outcome: for the corporatist Left, all social evil will be swept away with the bloated capitalists who manipulate Wall Street and the market, while the corporatist Right would puncture bloated bureaucracies (that pamper non-whites and Nature) to liberate self-adjusting market mechanisms.[viii] The operative word is “bloated” and signifies very old upper-class associations of usurpers from the lower orders with puffed-up toads. The toads are the new men, the scientists and engineers who displaced the old elites to create the revolting twentieth-century “mass society” articulated by Ortega y Gasset in 1930. Being toads, they are naturally oblivious (blinded) to the lessons of the Fall; or worse, they are the fallen angels who caused the Fall.[ix] These demonic interlopers are possessed by an insatiable will to power a.k.a. the yen for absolute knowledge to be handed over, in their toadying way, to absolutist monarchs. The toads recognize none of the boundaries that have hitherto preserved order and continuity in the realms of good, tolerant kings, who, of course, frown upon excessive deference in their subjects, while the toads’ expansionism destroys the balance of power that the good king would like to protect. Such fairy tales suggest social hygiene, the purge, as rational means to a rational end.

   For the so-called functionalists, the national/ethnic natural “community” (always a good thing) is a chemically regulated “system” optimally in equilibrium, like any other biological body seeking homeostasis. Unless overwhelmed, it adjusts to invasion by foreign agents through either expulsion (vomiting, defecating or excreting) or through internal destruction. Antibodies mask themselves in clothes closely resembling the enemy’s apparel; they may blacken up, enticing hostile microorganisms or aberrant cells to the crushing hug. The primitivist vaccinations of conservatively enlightened Melvilleans cannot be fathomed without seeing through this rhetorical strategy, since the agents of counter-subversion appear to be imitating Melville, adopting the persona of the Enlightenment historian/geologist/sleuth who detects hidden faults and fissures in harmonious corporatist ‘families’ and ‘honest’ individuals. But the black mask functions solely to establish a safe distance from their femme fatale; first they must kill it. The organicist model continues to be embraced by antidemocratic social theorists because, unable rationally to legitimate class rule, they are forced to keep worker-soldiers anxiously focused on defenses–on threats to national security. The forbidden materialist gaze, like the demand for intimacy in love and friendship, is experienced as pressure that leads to disintegration: a breach in the fortress, a hole in the wall, a ripping of the social fabric, a nuclear weapon.

     Here is one Fascist writer from the 1930s who used some of these very images to lure the uncommitted to the camp of revolutionary reaction; note especially his segué from chastity to the “real” boundary between subject and object, his escape from merging: “Fascism arises…as an answer to the rise of Communism which accompanies capitalist decay. Communism is the toxin that calls up the Fascist anti-toxin. And Fascism does not appeal to the discredited capitalist values, but to pre-capitalist ones: it emphasizes those virtues and that way of life which capitalism has steadily undermined and which Communism would destroy completely…[T]he full romantic tide of the nineteenth and twentieth centuries has risen with increasing force against all the foundations on which Western civilization was built: it seeks to sweep away things as various as Christian sexual morals and the epistemology which maintains that subject and object are real distinctions. Whatever it attacks it attacks out of hatred of discipline and authority; it is a philosophy which deifies hybris.” [x]

      The inflated rhetoric of the populist propaganda I have described may be intended to advance particular careers by mobilizing resentment and hope in the lower orders, but must lead to disillusion and apathy when repressed facts of the real world return. Here is an unfinished early poem by Olson, perhaps written to his lace-curtain Irish-Catholic mother, who is not at all like Milton’s Muse:

[14 Oct. 1932:] “You gave me curtains and I hung them/ fingering the coarseness of the gauze/ as though it were as soft as your white skin/ –Gauze/ That stood between us like the veil/ That separates this frantic life (Death)/ From that other death (Living) beyond./ Gauze/ That hid–oh. God, I want to press/ you close/ to me – on my knees before you -k  (This is enough–better to write it in the closest chambers of my brain–and body!)”

Perhaps Olson wanted to press mother’s/ God’s goodness into his evil flesh, but Mother’s blocked, blocking vision would lead the white rat into endless mazes and “mostly madness.”   

      As Melville showed us, the process of emancipation from parental imagos is long, tortuous, and perilous. Only a few individuals in a few modern societies have attempted this Promethean task in their own lives, yet civil liberties are meaningless without the self-knowledge and social knowledge that makes self-determination and self-expression more than a recruiting slogan. Social organization may always be conflicted, no matter how rational and equitable the planning and feedback mechanisms in the hands of socialists, or, no matter how free of government regulation the market may become in the hands of libertarian conservatives. The critical thinker, like Melville, is neither optimistic nor pessimistic, but alert to ambiguities, flaws, hypocrisies and blind spots in the processes that legitimate authority. Visions of a more perfect union are deceptive when they imagine the uninterrupted bliss of suckling infants (the fantasy of kneeling Charles) as the end point of human evolution. These regressive longings for the idealized social relations of pre-modern societies are more powerful and dangerous than rationalists think. Charles Olson, like other irrationalists, would turn my analysis upside down. For Root Man, historians and political scientists are the primum mobile of social decay, “the Protestant thing” that is really Jewish. [End of unwinding excursus.]

 NOTES.

[i]           60. See Barbara Heyl, “The Harvard ‘Pareto’ Circle,” Journal of the History of the Behavioral Sciences 4 (1968): 316-334. The Paretans were viewed as fascists by their liberal Harvard colleagues in the 1930s. The seminar included Crane Brinton, Henry Murray, Clyde Kluckhohn, Talcott Parsons, Joseph Schumpeter, Bernard De Voto, and Robert Merton. Merton was a major figure in the developing discipline of the history of science; its agenda is avowedly anti-Marxist and anti-liberal. See Puritanism and the Rise of Modern Science: The Merton Thesis, ed. with Introduction by I.B. Cohen (New Brunswick, N.J.: Rutgers Univ. Press, 1990). George Sarton proposed the discipline in 1916 (see letter, Harvard University Archives).

[ii]           61. “Memories,” Lawrence Henderson Papers, Harvard University Archives. Cf. Joyce Appleby, Margaret Jacob, and Lynn Hunt, Telling The Truth In History (New York: Norton, 1994), 253. “Historians cannot comprehend all the variables bombarding a single event. Human beings participate in a dense circuitry of interacting systems, from those that regulate their bodily functions to the ones that undergird their intellectual curiosity and emotional responses. A full explanation of an event would have to take into consideration the full range of systematic reactions. Not ever doing that, history-writing implicitly begins by concentrating on those aspects of an event deemed most relevant to the inquiry.”

[iii]          62. See Joyce Appleby, et al, Telling the Truth In History, 51 and passim.

[iv]          63. See Carl Schmitt, “A Note on Europe,” American Review 9 (Sept.1937): 407-410. I am using Schmitt’s metaphors. The same argument can be found in Geoffrey Stone, “The End of Democracy: Ralph Adams Cram’s Plea for a New Order” AR 9, 365-379. For these fascist critics, “moderation” does not signify the willingness to compromise, but to subdue the bourgeoisie without sacrificing progress.

 [v]          64. Folke Leander, “The Materialistic and the Humanistic Interpretations of History,” American Review 9 (Sept.1937): 380-406.

[vi]          65. Norman Foerster, “Introduction,” The Humanities After the War (Princeton: Princeton Univ. Press, 1944), vii. Wendell L. Willkie was a contributor to the volume.

[vii]         66. Thorp later edited A Southern Reader (New York: Knopf, 1955), stating in the Introduction that he had always found the South to be the most exotic and exciting part of America, its problems with Negroes and poverty notwithstanding. See E.M.W. Tillyard, The Elizabethan World Picture (New York: Macmillan, 1943), for a concise summary of the organic conservative cosmos shared by corporatist thinkers from Plato through the late Middle Ages and the Elizabethans on into Central Europe of the fascist period. See also Stephen Copley, ed. Literature and the Social Order in Eighteenth-Century England (Sydney: Croom Helm, 1984), Introduction, for the contrast between the discourses of the humanists and Adam Smith (along with other analysts of economic institutions).

[viii]         67. See F.A. Hayek, Individualism: True and False (Oxford: Blackwell, 1946) for a concise enunciation of the main principles of libertarian conservatism in which science is annexed to hierarchical organic conservatism and the rule of expertise. His recommended lineage for “true individualism” is Locke, Mandeville, Hume, Josiah Tucker, Adam Ferguson, Adam Smith, Edmund Burke, Tocqueville, and Lord Acton. Hayek has undermined the search for legitimate authority based on common understanding and checks from below.  Man is innately incapable of grasping totalities; only deluded and false individualists would claim such an achievement. These include rationalist philosophes and utilitarians, along with the “original” German Romantics;  similarly looking to coercive, bureaucratic state power to impose order, destroying checks and balances attainable through spontaneous voluntary organization at the local level. The only role for the state is negative: to prevent any one group from arrogating to itself the excessive power that destroys equilibrium. Describing the conditions that enable true individualism, Hayek explained: “[It is absurd to think that] individualism postulates (or bases its arguments on the assumption of) the existence of isolated or self-contained individuals, instead of starting from men whose whole nature and character is determined by their existence in society (7)…The willingness to submit to [flexible but normally observed rules that make the behavior of other people predictable in a high degree], not merely so long as one has no definite reason to the contrary, is an essential condition for the gradual evolution and improvement of rules of social intercourse, and the readiness ordinarily to submit to the products of a social process which nobody has designed and the reasons for which nobody may understand is also an indispensable condition if it is to be possible to dispense with compulsion…coercion can probably only be kept to a minimum in a society when conventions and tradition have made the behavior of man to a large extent predictable (23-24).”  

[ix]          68. Thorp’s fixation on stable savage societies can be explained by their focused contemplation upon natural creation that is abandoned in the introspective individual of modernity. Tillyard in Elizabethan World Picture quotes Hooker on this phenomenon: “The bad angels fell away voluntarily, and they did so because they turned their minds away from God and from God’s creation, itself, the evidence of God’s goodness, to themselves. There was indeed ‘no other way for angels to sin but by reflex of their understandings upon themselves; when, being held with admiration of their own sublimity and honour, the memory of their subordination unto God and their dependency on him was drowned in this conceit. Whereupon their adoration love and imitation of God could not choose but be also interrupted. The fall of the angels was therefore pride’ ” (50). The multicultural emphasis on diversity and inclusion refers back to the idea of God’s (Nature’s) plenitude and perfection described at length in Frank Lovejoy, The Great Chain of Being.

[x]           69. Geoffrey Stone, “Excelsior,” American Review 9 (Summer 1937): 299, 303. Stone, a future Melville critic, was reviewing Stephen Spender’s Forward From Liberalism.

February 8, 2010

“Who ain’t a racist? Tell me that.”

Herman Melville in old age

Melville readers will recognize the source of my title: Ishmael demands to know “Who ain’t a slave? Tell me that.” He might have been referring to Christianity and its warning not to be a slave to the passions. In the text of Moby-Dick, however, the statement refers to the condition of common sailors who must submit to harsh hierarchies on ships. Even so, it is an odd statement. Was Ishmael preternaturally free from 19th century racist sentiments?

There is a hot debate in Facebook over whether or not the Tea-Party brigade is racist or not. One person accused Tom Tancredo of racism in his efforts to end illegal immigration. Elsewhere on the web, scholars are debating whether or not the word “slave” is racist, preferring “enslaved” to describe what used to be called “slaves” and slavery.

    In graduate school at UCLA, one of the great debates was whether or not racism was a quality intrinsic to Western culture during the period of expansion starting in the fifteenth century. Others argued that  its appearance was primarily as a result of  economic competition between white servants and white workers versus their competitors who were chattel slaves. The contending authors were Winthrop Jordan and the Handlins. Undoubtedly, white supremacy still exists in many persons of low status, while wealthy folk can enhance their liberal upper-class identity by (apparently) embracing the cultures of non-whites, while pointing to the [white] lowly as the crude prejudiced ones. And I’m sure that there are fringe elements in all political parties who cling to notions of “race” superiority. But to condemn a populist grass-roots movement of “racism” is unwarranted, without much proof.
    I write this blog to remind us that there are rational reasons to worry about social services (including education, medical care, welfare, and the prison population) that are overburdened because of the availability of cheap immigrant labor. It has always been the case that semi-skilled workers have lost out to immigrants (and before that, slaves) who could work cheaper, hence driving down the cost of labor. Moreover, in my own state, California, the rapid influx of Latino labor (some of them employed by fellow Latinos at low wages) has strained the budget beyond endurance.
   As for the debate over the use of the word “slave,” those who object to that word probably believe that language creates reality, and that the “slave” by being so named was deprived of “agency,” and was probably seen as a slave by nature. Whereas the term “enslaved” suggests that there is an oppressor to be stigmatized. Professor David Blight of Yale has rightly condemned this torrid discussion on H-Slavery (part of Humanities Net) as ignoring the old unresolved questions, such as whether abolitionists were motivated by morality or economics, or whether slavery was or was not part of the capitalist system. I agree with him and would like to see debate on the questions he raises. As for Herman Melville’s Ishmael, it was Captain Ahab who took little black Pip into his cabin, while Ishmael asked a question that would irritate current sensibilities. (Feminists in the 1970s sometimes pointed to sexism as equivalent to racism and slavery, and caught hell for saying it.)

January 13, 2010

Three moderates: Judt, Posner, Ware

Caroline War shows labor friendly hands to U.S. Senate

[From Evan R. Goldstein, “The Trials of Tony Judt,” The Chronicle of Higher Education, Jan.6, 2010]  “In Judt’s mind… his “greatest achievement” is his book Postwar. In 1945, Europe lay in ruins. Some 36.5 million of its inhabitants died between 1939 and 1945. Most of those who survived were starving or without shelter; Germany had lost 40 percent of its homes, Britain 30 percent, France 20 percent. Yet in the next 60 years, Judt writes, Europe had improbably become “a paragon of the international virtues,” and its social model—free or nearly free medical care, early retirement, robust social and public services—stood as “an exemplar for all to emulate.”

Postwar tells the story of how that happened. The book is ambitiously organized to combine the whole of the postwar history of Europe—Western and Eastern—into a single conceptual framework. The result is not a work of dispassionate scholarship. In the preface, Judt describes his approach as an “avowedly personal interpretation” of the recent European past. “In a word that has acquired undeservedly pejorative connotations,” he writes, Postwar is “opinionated.” Judt’s thesis, developed through 900 pages, is this: Europe remade itself by forgetting its past. “The first postwar Europe was built upon deliberate mis-memory—upon forgetting as a way of life.” And there was much to forget: collaboration, genocide, extreme deprivation.” [end Goldstein quote]

    What Judt has forgotten, if Goldstein’s report is accurate,  is the invention of social democracy by 19th and early 20th century organic conservatives, fearful of the looming political power of  the industrialized masses, and later, of the Soviet Union. But then that has been the tactic of moderates since the second world war: to imagine the Western social democracies as the political and moral antitheses of fascists and Nazis, rather than as countries fighting the same radical specters, and often with similar statist strategies.

   Moreover, Judt revels in his subjectivity, for he is an activist scholar and a prominent public intellectual. In his book Public Intellectuals: A Study of Decline (Harvard UP, 2001), jurist and professor of law Richard Posner, cited Tony Judt’s writings frequently. Posner railed against academic public intellectuals who were straying far afield from their academic specialties, either as authors of crossover books appealing to an educated public and specialists, or as expert witnesses at various trials: Posner wants to expose and punish them for over-reaching. Although a bit fanatical himself, Posner was especially hard on extremists of any sort, for instance abolitionists, or those 1930s-type literary critics (yawn) who made moral judgments on works of art, rather than hewing to the New Critic, “art for art’s sake” line. Posner, a pragmatist, doesn’t like fanatics of any stripe, finding “political truth” in compromise. (Oddly, Posner did not object to the domination of leftists in departments of the humanities in the major universities, though he is a strong believer in balance.)

   Physician, heal thyself. Posner is not trained in intellectual history, and obviously did not research the ideology of the New Critics, who were also “moderates” of a sort, and who reformed the humanities curriculum in the late 1930s and early 1940s. I wrote about them as protofascists/ organic conservatives here: http://clarespark.com/2009/11/22/on-literariness-and-the-ethical-state/, and before that in Hunting Captain Ahab: Psychological Warfare and the Melville Revival. Some of these New Critics were contributors to the pro-fascist American Review, but what matters to our argument that moderates are not above suspicion, is the New Critic notion of the exemplary poem: it should hold opposing qualities in tension, and embody paradox, ambiguity, and irony. Such matters as the personal biography of the author or his ideology were off limits to the literary critic or historian. Might the author be a racist and antisemite? Not to worry. Such poetic perfection should be a model for the improved society, including its students, mired in moralism (a.k.a. New England style rationalistic, individualistic Puritanism) and romantic adolescent defiance (qualities linked by Talcott Parsons in his article on the sources of Nazism). New Critics aped the Southern Agrarian strategy with their allergy to modernism and educated black folk.  Of course, Melville (who once declared “I write as I please” inside one of his texts–in blackface?–) had exposed such neoclassical perfectionism as crazy-making, so, either deliberately or unconsciously, included a certain incoherence to much of his writing.  I suppose such insight into “America’s greatest writer” was outside Posner’s skill set, though he couldn’t have seen that, being emotionally wedded to his own omniscience,  and a confidence in his versatility that I almost envy.

   Turn now to our illustrated moderate, historian Caroline Farrar Ware, devoted progressive reformer and wife of New Deal economist Gardiner Means. I have quoted Dr. Ware’s adjurations on behalf of interdisciplinarity and community cohesion in prior blogs and in http://hnn.us/articles/4533.html. , but here is her most significant pronouncement for our purposes: “Writing on behalf of the American Historical Association in 1939, Carolyn Ware advised that the cultural historian should not ‘rest upon the prescription of the scientific historians to let the facts speak and to be guided wherever the material may lead.’” Dr. Ware welcomed the culturalist turn in history, evacuating the radical Enlightenment and science in one fell swoop. There were no more autonomous individuals: they were relics of the bad old days of laissez-faire. In the new progressive dispensation, the [selfish, narcissistic] individual disappeared, transmuted into “the individual-in-society,” and no longer a threat to order.* Look at her extended (mannish, soiled?**) hands, she is obviously not an aristocratic libertine or fashion plate: rather she will give a hand and a lift to labor.   [This illustration is from Harvard Magazine, May-June 2009, and accompanies historian Anne Firor Scott’s article, “Caroline Farrar Ware: Brief life of a multifaceted public citizen: 1899-1990," 38-39]

*This is my reading of her introduction to her book The Cultural Approach to History  (1940), a book promoted by the American Historical Association. I don’t think she was resolving the nature-nurture controversy by noting that environmental influences constantly interact with inherited characteristics, but rather replacing empirical or scientific history with the new cultural anthropology, a discipline that such political scientists or anthropologists as Ralph Bunche and Melville Herskovits deplored as lacking economic savvy. 

** Her left hand looks gloved, while the right hand is bare, but the body language is priceless. The resemblance to Eleanor Roosevelt is perhaps a coincidence.

November 18, 2009

The radicalism of the Founders and Herman Melville

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New York Times, 8/26/86, I.23

Bookes into Dragon’s Teeth

How was it possible for Henry A. Murray or Charles Olson or Jay Leyda (all father-figures to many New Left intellectuals) to have read Melville as Hitler, as Jew, as White-Jacket, or Ahab, or Margoth?  How could this organic conservative be anathematized by other organic conservatives?  Melville was accused of exaggerating the suffering of sailors and other workers, hence lending the prestige of an upper-class witness to their grievances; and moreover he refused to turn ruthlessness into Christian charity: though Might was forced by circumstances to be harsh, that didn’t make it Right; authority was demented if it thought otherwise.  Anyway, the more alert members of the lower orders  saw through their double-talking; obscurantist “doctors” and philanthropy were too weak a remedy to correct the inhuman character and the violence of early industrialism and the newspaper-reading “mobocracy.”  It was Melville’s insistence that Christian morality be lived out in everyday life along with his refusal to idealize either leaders or the led, that made him a Jew to “pragmatists” patrolling the perimeters of dissent, spotting possible defectors to another class, escapees who had the self-assurance to lead meaningful reforms.  His darts at confidence-men pierced the very heart of the corporatist liberal project and its attempts to turn the stony prisons of class into sunny meadows.

     Melville’s reservations about democracy as it existed during his lifetime (1819-1891) did not deviate from those of Thomas Paine or of Thomas Jefferson, Abigail and John Adams in their correspondence during the early national period:  There could be no informed political choice without universal training in critical thought; the press would be a negative influence insofar as it spread rumors and libels with no equally accessible corrective institutions to challenge them; Catholic immigrants, they feared, inured to obedience to the reactionary church, would undermine rational political processes; similarly Americans should not impose their system of democratic republican government upon foreign peoples (e.g. Spanish-speaking America) still in thrall to autocratic rule; the love of money would doubtless undermine the civil liberties they had fought so hard to establish; it would take hundreds of years for democracy to take hold and there would be periods of regression, but literacy and the presence of mass-produced books would prevent a thoroughgoing return to the Middle Ages.  Such were the fulminations of Hume’s “fanatics”: Lockean radical puritans and deists assessing the obstacles to a fully realized popular sovereignty; with Melville, neither optimistic nor pessimistic, but realistic.[1]

 


[1] See The Adams-Jefferson Letters, ed. Lester J. Cappon (Chapel Hill: U. North Carolina  Press, 1959). As I have argued above, Jeffersonian agrarian principles could also undermine democratic reforms insofar as they were coopted by Southern apologists for slavery and white supremacy. But in this instance I am referring solely to the question of free thought and popular education.

November 17, 2009

Melencolia I and the apocalypse, 1938

In my reposted blog on panic attacks http://clarespark.com/2009/11/16/panic-attacks-and-separation-anxiety/, I mentioned the use by Eric Gill of Durer’s famous image (umlaut over the “u”). Here is the image as drawn by Eric Gill’s son-in-law Denis Tegetmeier for Gill’s book Unholy Trinity (1938). Opposite the illustration is this text by Eric Gill:

pastiche of Durer's Melencolia I by Denis Tegetmeier

MELANCHOLIA—This is a very gloomy picture, and quite right too. There is no remedy for our troubles. The sick ‘old lady’ has got to die someday. I think any kind of mass conversion–as when Ninevah repented with three days of sackcloth and ashes–is not to be expected. Perhaps some kind of healthy barbarism will follow the war, pestilence and famine which are upon us. That is very likely. Nations and states go through a life cycle just as humans do, and though many will endeavour to soften our last days—it is astonishing how we cling to the deception that horrid things only happen to other people & not to us—we must today recall the words of St John in the Apocalypse:

   ‘Thus with violence shall that great city Babylon be thrown down, and shall be found no more at all. And the voice of harpers and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee. And no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; and the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee; for thy merchants were the great men of the earth’ . [end Gill, there is no more text on the page]

    Is there not a popular Hollywood genre of the apocalypse brought on by those commercial values foisted upon the world by merchants (a.k.a. Marx’s Jewish hucksters)? Would there have been a Renaissance, or an Age of Discovery, or the expansion of the West without them? Would we have great cities of the type anathematized by such as the arch reactionary Eric Gill without these dread traders? How much has this antimodern narrative penetrated into the popular consciousness to the detriment of mental health? And to what extent did the genre of film noir reflect such fears? Or such recent films as Revolutionary Road?

     In my view, we neglect such questions to our peril. If we cannot recognize “progress” where it has actually benefited humankind, how can we even begin to talk about appropriate remedies for emotional distress (depression! anxiety!), let alone public policy in such crucial matters as health care reform?  Just asking. For more on the popularity of “Melencolia I” in the last two centuries see the passages on James Thomson (“B. V.”) in http://clarespark.com/2009/10/23/murdered-by-the-mob-moral-mothers-and-symbolist-poets/ , part one of a two-part essay that shows the links between antisemitism, misogyny, and antimodernism.

[Added in the early evening, submitted to one of the H-Net discussion groups:] 

     I want to launch this hypothesis: that antisemitism, like sexism, is underweighted as a cause of social malaise or what used to be called ”neurosis/neurasthenia.” Those who subscribe to the History of Antisemitism list have done decades of work on the history of antisemitism, yet if it is taken up at all in the media, some crucial facet of it is neglected. Why?  Here are some suggestions:

 1. Probably most of the Left does not want to admit that Marx was anti-Semitic in his early essay “On the Jewish Question.” Taking that further, the very notion that “capital” is inherently exploitative would seem to come from the old and incorrect notion that Jews loved money more than their neighbors. (Were there bitter Jews who fit the stereotype? Why would there not be? But if we reject the idea of race and national character, it is insane to attribute such avarice and heartlessness to all Jews who ever lived.)

 2. The New Left and the counter-culture of the 1960s defined themselves against the soul-less cities (see the blog), celebrating rootedness and other tropes of the agrarian ideology. Remember the class base of utopian socialism in the 19th century? It was not the working class, but would-be patricians of the kind once identified as aristocratic backwoodsmen by G. C. Webber in his book on right-wing factions. Do I detect the color Green in their vaporings?

 3. The Jews, in league with certain Scotsmen, are blamed for the disenchantment of the world. This was brought home to me by the J. C. Squire papers at UCLA. (Squire, a Tory poet, traveled from Fabianism to support for Italian Fascism. He was part of the English Melville revival.) It is also spelled out in Herman Melville’s sketch of a Dissenter in his late poem, _Clarel, a poem and pilgrimage in the Holy Land_ (1876). These works build upon the pervasiveness of the mad scientist in popular culture, made famous in spin-offs of Mary Shelley’s _Frankenstein_.  The best book I ever read on the subject of disenchantment was Tillyard’s short work, _The Elizabethan World Picture and Shakespeare’s History Plays_. As the Biblical higher criticism proceeded in the 19th century, Melville nervously complained about the loss to imagination by historical analysis of the Bible. His despair reflected that of James Thomson, author of _The City of Dreadful Night_ . We are back again to Dürer’s Melencolia I and the panicky reaction by Church and King to the advent of the scientific revolution, the Reformation, and other seemingly apocalyptic events. If the Jews are constantly seen as the vanguard of modernity (either implicitly or explicitly: think of the diabolic trinity of Marx, Einstein, and Freud), they get the blame. And a scientific outlook becomes “reductive” and an abomination.

 4. If one is an upwardly-mobile assimilationist Jew (on the lam from mom?), it is probably little comfort to acknowledge the persistence of genteel antisemitism in the canyons of Manhattan, or in the heart of the non-Jew one has snagged. This hardly needs elaboration. Better to repress the entire subject.

     If we underweight antisemitism as a destructive force in the human psyche, imagine how bad is our underestimation of the power of sexism and patriarchy. To what lengths will the ‘feminist’ ‘anti-imperialist’ go to minimize the desire to control women and mothers in particular, and not just in the Muslim world? I will not belabor this point here, except to note that for Eric Gill,  Melencolia is a sick old lady who would be better off dead than modernized/urbanized. History for these antimodernists is not susceptible to human understanding and agency, but is a subset of “natural history.” When we understand that, there might be some progress in the teaching of the humanities.

November 16, 2009

When lobotomies cured the Romantic agony….

This blog begins with an eighteenth-century prescription for neoclassical “balance” and ends with the victory of Jung over Freud. Has our society been lobotomized since the late 1930s?

Image (93)

Walter Freeman's "cases" and a lonely American princess

[Lessing, quoting Winckelmann, Laocoön, p.7]  “As the depths of the sea always remain calm, however much the surface may be agitated, so does the expression in the figures of the Greeks reveal a great and composed soul in the midst of passions.  Such a soul is depicted in Laocoön’s face–and  not only in his face–under the most violent suffering….However, this pain expresses itself without any sign of rage either in his face or in his posture.  He does not raise his voice in a terrible scream, which Virgil was doing; the way in which his mouth is open does not permit it.  Rather he emits the anxious and subdued sigh described by Sadolet.  The pain of body and nobility of soul are distributed and weighed out, as it were, over the entire body with equal intensity.  Laocoön suffers, but he suffers like the Philoctetes of Sophocles; his anguish pierces our very soul, but at the same time we wish that we were able to endure our suffering as well as this great man does.

     Expressing so noble a soul goes far beyond the formation of a beautiful body.  This artist must have felt within himself that strength of spirit which he imparted to his marble.  In Greece artists and philosophers were united in one person…Philosophy extended its hand to art and breathed into its figures more than common souls….”

 [Eleanor Melville Metcalf, writing to boys and girls and published by the Women’s Educational and Industrial Union: The Horn Book, 1927:]  “My grandfather was a pilgrim by land and sea–not an adventurer gone out to see the world, but a pilgrim in search of the Regal Soul.”

 SOUTHERN DOCTORS The night after the Southern Medical Association began its annual meeting in Baltimore last week there was not a respectable hotel room for rent in the city. Doctors with pocketbooks filled and minds agog commuted from Washington 40 miles away. No medical meeting had been so well attended since the 1920s.

     Well rewarded were the troubled Southern doctors by two medical diversions at the convention: 1) an operation by which Drs. Walter Freeman & James Winston Watts of Washington actually cut the ability to worry out of the brain; 2) operations by which Dr. Hugh Hampton Young of Baltimore remodels anal, urinary and genital defects. Psychiatrists and brain surgeons stormed at each other concerning the good sense of Drs. Freeman and Watts’s work.

     Lobotomy. Dr. Freeman, a poetaster in his spare time, was nervous when he rose to tell a fascinated audience how he and Dr. Watts ameliorated chronic anxiety, insomnia, and nervous tension in six patients during the past two months. In addition the patients were relieved of various “disorientations, confusions, phobias, hallucinations, and delusions.” …All six Freeman-Watts “patients have become more placid, more content, more easily cared for by their relatives.”…Dr. Freeman withstood all heckling, asserted: “Our patients were treated by seasoned psychiatrists.  Then they came to us. The results are permanent, apparently, and not temporary…We have not removed the idea by this operation.  The idea is still there, but it has no emotional drive…I think we have drawn the string, as it were, of the psychosis or neurosis.” [1]

 MOBY DICK A Reflection EARL HENDLER The pure and sacred evil that was Ahab/ split up the snapping seas. So absolute/ his pride, from pole to pole no whale could hide./ Another’s commerce, full of oil and drab,/ would never play his line strung like a lute/ with notes of harpoons struck in the whale’s white side.

A spout from Moby’s brow spilled some salt tunes/ that jarred his metaphysics to the point/ where God Himself could speak but in typhoons./ His world, lopsided, hobbled on one joint./ A lunatic’s integrity that fails/ on fish must justify itself to whales/ of meaning larger than the simple quest,/ and so his Pequod sailed abstractly West. [2]

 EXPLORERS OF THE BRAIN  Quackish as their system of feeling bumps on the head and thus judging human capabilities, F.J. Gall and J.C. Spurheim, founders of phrenology, had the sound conception of a brain in which traits of ability and what we call character were realized. Since their time, every nook and cranny of the brain have been poked into, dissected, examined. The brains of animals have been electrically stimulated in spots and the areas and centers thus discovered that control movement, seeing, hearing, swallowing, winking, breathing, sweating and other functions. One of the bold explorers who discovered some of the brain’s correlations with bodily functions and explained why some of the functions are supposedly instinctive is Prof. Walter Rudolf Hess, director of the Physiological Institute at the University of Zurich.

     The information that such explorers as Hess, Harvey Cushing, Walter Cannon and others clicked together about 1935, when the International Neurological Congress was held in London. Among those who attended was the Portuguese neurologist, Dr. Egas Moniz.  After listening to the papers that were read he decided on his return to Lisbon that the time had come to cut worry, phobias, and delusions out of the brain. He induced his surgical colleague, Dr. Almeida Lima, to bore through the skull and cut the connections of the prefrontal lobe with the thalamus, which is the seat of emotions and which lies deep in the head.  This sensational operation justified itself.  Hypochondriacs no longer thought they were going to die, would-be suicides found life acceptable, sufferers from persecution complexes forgot the machinations of imaginary conspirators. Prefrontal lobotomy, as the operation is called, was made possible by the localization of fears, hates and instincts.

     It is fitting, then, that the Nobel Prize in Medicine should be shared by Hess and Moniz. Surgeons now think no more of operating on the brain than they do of removing an appendix. Hess, Moniz and Cushing before them taught us to look with less awe on the brain. It is just a big organ with very difficult and complicated functions to perform and no more sacred than the liver.[3]

 [Political scientist/New Critic and 1960s hero, John Schaar; 1979:]  What does that balanced character and outlook look like: earlier…I suggested the formulation, “pessimism of intelligence, optimism of the will.”  It is something like the temperament of the person touched by grace, as the Puritans understood that: the one who has the almost divine or supernatural ability to hold incompatible qualities in harmony; the one who lives in the world fully and caringly, and yet with “weaned affections,” neither wildly raised up nor woefully cast down by victory or defeat but hewing to the middle line.  To try another formula, perhaps the right temperament for action is a stoicism blended of equal parts of self-assertiveness and self-denial: an assertiveness which gives one the resoluteness to act and accept responsibility; a self-denial which enables one to subdue one’s personal pain in a compassionate awareness of the general human lot, which is mainly a condition of shortage and failure.  If I read Melville correctly here, his real hero Jack Chase and his fictional hero Captain Vere most closely resemble this standard of the whole man and actor. Delano and Cereno represent crippled halves of the whole. (p.81.).

 [Psychosurgeon Walter Freeman worries about excessive lobotomies:]  We are whittling down the ego-ideal.[4] 

   ” No one pays to hear a bitter kvetch.” Man up!  Given the political context met by the academic Melvilleans, writing, like Melville, in an age of revolution and counter-revolution that was devastating man and nature alike, it would be surprising had Melville scholars not choked off the passionate curiosity of Ahab/Pierre and Isabel, elevating Captain Vere in their stead, for they were dependent upon institutions that had either caused wars or were impotent to stop the killing.  A Lessing-style Laocoön was needed in a postwar world shrieking with “shell shock” and other forms of human misery, with mutilated veterans demanding to be seen and heard, their sacrifices vindicated by the able-bodied.[5]  If Melville’s façade of classy stoicism (as Vere) were to prove only a false front, his usefulness to conservative nationalists wanting a solid monument linking democratic Greece and democratic post-war America would be negated.  As Lessing wrote of the need to suppress the scream in art,

“ When a man of firmness and endurance cries out he does not do so unceasingly, and it is only the seeming perpetuity of such cries when represented in art that turns them into effeminate helplessness or childish petulance.  This at least, the artist of the Laocoön had to avoid, even if screaming had not been detrimental to beauty, and if his art had been allowed to express suffering without beauty.” [6]

 ”I retch in private….”  With the exception of  Raymond Weaver, Melville’s revivers have generally minimized the permanence of his rage and suffering (the “insanity” read perhaps as a female complaint), generally limiting his spells to the mid-1850s, while contradictory textual facts and other inescapable biographical materials encroached upon their favored formulations.  It is an inside narrative.

     Melville’s wished for mastery over his feelings, the artist fully in control of his materials, attests to the legitimacy of ruling elites, in this case their superior endurance in the face of adversity or upsurges from below.  But his outbursts (veiled or not) on behalf of the unjustly imprisoned and oppressed call forth answering murmurs: As their own words have testified, Ivy League professors are not leisured aristocrats in an exclusive club but servants of powerful interests, operatives in “a badly run factory,” complained John Dewey in 1917; they were no less in thrall to the big money than their parents, the workers or small businessmen they had left behind.  They do not command their own labor; their virtue has been pasted on, not somaticized through battle with ignorance.  They tingle with Melville as he turns his back on commercial success and easy fame; he has lapsed into “silence” while the blazing eyes remain fixed on illegitimate authority; he is able to write without plaudits.  A crescendo of indignation has shattered the illusion of academic rectitude and self-mastery; parts of themselves love this artist, but they do not follow his example.  Shadowed by Pierre’s surveillance, a grand national monument morphs into Isabel; cornered sculptors perform a witch hunt energized by vulnerable positions in middle management: beneath brave and placid surfaces, their deepest feelings toward their subject and each other marry fear and resentment: they cannot merge with their subject, will not know something definite of that face.  For a period, Melville’s famous manliness shores up the ruins of class identity, recomposes the disintegrating helplessness and petulance of Melville’s academic readers as the facts of their limited autonomy inevitably return.

      Locating the systematic censorship of crucial facts in Melville’s life and art, I have proposed that the deepest layer of repression responds to the ideological imperatives of postwar corporatist liberalism, the vital center yet to be understood fully and repudiated by New Left intellectuals.  Social psychologists disassociated childish “romantic yearning” and “sentimental culture” from the critical realism of eighteenth and nineteenth-century bourgeois art.  Though fascists and New Deal liberals similarly viewed themselves as progressives and centrists, “fascism” became synonymous with extremism as American “moderates” increasingly distanced themselves from “the Far Right” and from Hitler and Mussolini, figures who were acceptable to upper-class policy-makers in the West until the late 1930s.  We have seen that the Bad Mother directed the sentimental family ever leftward; her red consummations and her consumerism were diagnosed as the source of totalitarianism; pre-war and postwar Melville scholarship connected with the grandeur of the corporatist liberal project, as lobotomists, by disconnecting Melville along with the rest of the critical thinkers, cutting the ties that bound analytic thought to feeling, then to (appropriate) corrective action.  Melville’s conservative characters and the corporatist liberals I have studied speak with one voice as they evacuate materialist “exotics” in the name of wholeness and integration.  Of course the Melville who mocked such antics as Plotinus Plinlimmon-ish “virtuous expediency” remains at large.  I have summoned him, the deconstructive psychologist, to help me understand his own mental processes and those of his champions who, ironically, identify most strongly with the bound, unfeeling parts of himself that his better angel passionately rejected.

 [Dr. Kik meets Jeannie:]  There was a high table, like an operating table, and she knew she was supposed to get up on it.  She got on it and the woman with the silly voice fussed around her.  This woman was in an R.N. uniform and the room had somewhat the appearance of an operating room.  I’d forgotten I was to have an operation. You don’t eat before an operation, of course.  I should have remembered.  I wonder what I am being operated on for.  What haven’t I had removed?  I believe I still have my gall bladder.

   “Well, Jeannie.  And how is Jeannie this morning?

   It was he, the Indefatigable Examiner, come out of the bushes.  He was wearing a white coat.  He had blue eyes and a hawkish nose, and very slender face and his hair was fair and curly, like Grace’s, only shorter.

     “And did you enjoy being outside in the park yesterday? He said this with a heavy accent that you have never been able to place.  It wasn’t German, French, Italian or Scandinavian. Polish perhaps…Now the woman was putting clamps on your head, on the paste-smeared temples and here came another one, another nurse-garbed woman and she leaned on your feet as if in a minute you might rise up from the table and strike the ceiling.  Your hands tied down, your legs held down.  Three against one and the one entangled in machinery.

     She opened her mouth to call for a lawyer and the silly woman thrust a gag into it and said, “Thank you, dear,” and the foreign devil with the angelic smile and the beautiful voice gave a conspiratorial nod.  Soon it would be over.  In a way she was glad. [7]

     After the second world war, Ahab returned as Freud, that foreign devil who looks like mother, the Indefatigable Examiner Dr. Kik; no longer the antipuritan libertine who, at times, had fascinated 1920s bohemians.  Freud’s ideal of autonomy and the critical awareness that never stops, made explicit in The Future of an Illusion (1928), and Moses and Monotheism (1939), was turned on its head by outraged aristocratic radicals; it is Jung’s concept of individuation that now informs moral relativists and multiculturalists. Why can’t Freudians and Jungians get along?    For Freudians, the neurotic in treatment retrieves and historicizes immemorial faces, becomes aware of the inflated primitive imagos that have unconsciously ruled his actions and made him anxious and overly defended; now consciously aware of his self-destructive impulses and, restoring proportion to parents and their mightily looming surrogates, he may be more self-possessed, his perceptions of other human beings are less distorted; he may evaluate ‘universalist’ ethics with less of an irrationalist undertow; he may imagine institutions and cultural practices that could uplift, instruct, and heal suffering humanity, that do not not merely serve the selfish interests of the golden few; as a tactician for change, he will think twice before he subordinates means to ends as an excuse to act out volcanic rage (rage which, at first glance, may look like sex); and most certainly will he not follow idealized leaders.  He is not perfectly free from suffering, perhaps he remains anxious, but he knows the multiple sources of his feelings, for he is an indefatigable self- and social examiner, separating objective from neurotic anxiety. Such nice distinctions confer balance.

     But Jungians, for purely political reasons, adapting to amoral, pragmatic institutions, associate Freudian scrupulosity with the repressive Mosaic code, with “pathological puritanism” and “narcism” (Murray) and it is Jung, not Freud, whose archetypes inform the cultural histories of “the New Left.”  For Jungians, the restored son escapes Amerika (the switching mother’s Hebraic influence, embodied in Freud or the Mother State, healthy only in war) to merge with the racial group and its particularistic interests: he finds golden nuggets of creativity and liberation in the racially-specific unconscious: he finds out “who he really is.”  That individuated face is definitely not Hitler’s. [8]


                [1] Time, Nov. 30, 1936, 66, 68.

                [2] Commentary, Jan. 1949, p.44.

                [3] Editorial, New York Times, Oct.30, 1949, IV, p.8.

                [4] Quoted by Jack Pressman, UCLA, Nov.4, 1989.

                [5] Bromberg, Psychiatry Between The Wars, 1918-1945, pp.5-7, makes the overly simplistic but not uninteresting claim that the millions of “insanities” created on the battlefields of the Great War were the impetus for the mental hygiene movement which followed and which shaped the course of twentieth century psychiatry.

                [6] Lessing, p.20.

                [7] Mary Jane Ward, The Snake Pit, 1946, 42-44. Is Dr. Kik[e], the Indefatigable Examiner, Moses/Freud, and is Jeannie the genius of Christianity?

                [8] Academics should reassess their professional responsibilities, putting emancipation from unnecessary mental illness and other forms of preventable suffering on the academic agenda as professional objectives and standards of performance.  See Peter Loewenberg, De-Coding the Past (New York: Knopf, 1982) on graduate education, specifically the pretense that students and professors are “equals.” Cf. Pierre’s mother has mystified authority by encouraging the conceit that she and Pierre are brother and sister; this seems more illuminating than talk of an “Oedipus Complex.”

November 13, 2009

Supermen wanted: early “Freudians” and the Mob

Image (90)

William Blake, Laocoon

What follows is an excerpt from chapter 7 of my book, Hunting Captain Ahab: Psychological Warfare and the Melville Revival (Kent State UP, 2001, 2006).

[Publius, Federalist #10:] “Those who hold and those who are without property have ever formed distinct interests in society. Those who are creditors, and those who are debtors, fall under a like discrimination. A landed interest, a manufacturing interest, a mercantile interest, a moneyed interest, with many lesser interests, grow up of necessity in civilized nations, and divide them into different classes, actuated by different sentiments and views. The regulation of these various and interfering interests forms the principle task of modern legislation and involves the spirit of party and faction in the necessary and ordinary operations of government….

“If a faction consists of less than a majority, relief is supplied by the republican principle, which enables the majority to defeat its sinister views by regular vote. It may clog the administration, it may convulse the society; but it will be unable to execute and mask its violence under the forms of the Constitution. When a majority is included in a faction, the form of popular government, on the other hand, enables it to sacrifice to its ruling passion or interests both the public good and the rights of other citizens. To secure the public good and private rights against the danger of such a faction, and at the same time to preserve the spirit and form of popular government, is then the great object to which our inquiries are directed.” (my emph.)

 [Overman Committee Report, Revolutionary Radicalism, 1920:] “If the great forces which have been set in motion are not checked and the movements redirected into constructive and lawful channels, the country faces the most serious problems that it has had to meet since the establishment of this Republic…It is time that we awoke to the fact that the lack of religious and moral training which distinguishes this generation has given full swing to the baser instincts. What can be done to re-create right standard [sic] of right and wrong, of subordination of private to public good; to stimulate mutual understanding by frankness and the application of new standards of justice and mutual confidence. Knowledge of the facts is the first step in dispelling distrust. This knowledge we aim to suggest in this part of the report.”

 [Publius, Federalist #10, cont.:] “The influence of factious leaders may kindle a flame within their particular States but will be unable to spread a general conflagration through the other States. A religious sect may degenerate into a political faction in a part of the Confederacy; but the variety of sects dispersed over the entire face of it must secure the national councils against any danger from that source. A rage for paper money, for an abolition of debts, for an equal division of property, or for any other improper or wicked project, will be less apt to pervade the whole body of the Union than in a particular member of it, in the same proportion as such a malady is more likely to taint a particular county or district than an entire State.”

 [Revolutionary Radicalism, “Epilogue”:] “In this rapid survey of a new and important educational idea we have carried Marja, the immigrant girl, from king and caste-ridden Europe to America, the land of hope and opportunity. We have seen her struggle with an unknown tongue and with ways of life unfamiliar to her. In the end we see her transformed, reborn–no longer foreign and illiterate, but educated and self-respecting. Later she will marry and her children, though they may have traditions of another land and another blood, will be Americans in education and ideals of life, government and progress. It was been worth while that one man has broken through this barrier and made the road clear for others to follow.

“All real education has the development of discipline as its basis. Poise, self-control and self-esteem are characteristic of the well-ordered mind, and the growth of these in the industrial worker makes for efficient service and better wages. Gradually there is an awakening of social consciousness–the awareness of one’s place in society and the obligations such membership entails upon the individual in respect to the group or racial mass, with a constantly developing sense of one’s personal responsibility in all human relationships.

“In conclusion, the higher significance of this work means that we must descend the shaft and share the lives of those that dwell in the lower strata–the teeming populations that never see the stars or the green grass, scent the flowers or hear the birds sing–the huddled, hopeless foreign folk of the tenements. We are living in the Age of Service, and are growing into a conviction that life is not a matter of favored races or small, exclusive social groups, but embraces all humanity and reaches back to God. To those of prophetic soul comes a vision of the day that haunted Tennyson when

‘The war-drum throbbed no longer and the battle flags were furled/ In the Parliament of Man, the Federation of the World.’ ” [i] 

 [Marianna speaking, in “The Piazza,” 1856:] “ …An old house. They went West, and are long dead, they say, who built it. A mountain house. In winter no fox could den in it. That chimney-place has been blocked up with snow, just like a hollow stump.”

       Laocoön sighs softly, advised Lessing. Conservative social theorists responding to the Age of Revolution formulated a model of reason and balance that was objectively mad in its project to impose order upon the doubly bound; for James Madison “popular government” was both there and not there. Were the non-propertied interests to become the new majority, “the spirit and form of popular government” would be preserved even as the wicked majority was “dispersed” by rational and virtuous citizens better attuned to “the public good.” Speaking through Isabel and Marianna,[ii] Melville had identified authority as strange and wandering; his literal history of a permanently wounded, wild and wooly psyche was intolerable; Melville could not be a quasi-lunatic fending off madness fostered by mixed-messages, but the prophet of social dissolution.

      Disillusion with the idea of Progress supposedly explains Melville’s sudden acceptability in the twentieth century; it was Melville’s all-too-graphic disintegration, though, that frightened his critics. His (apparent) corrective flights to corporatism were promoted by Nietzschean radicals such as Van Wyck Brooks or Lewis Mumford defining themselves against a mechanistic and alien mass culture. In concert with the Frenchman Gustave LeBon, Dr. Wilfred Trotter (1872-1939) had earlier laid out the premises and ambitions of a rectified Freudian “mass psychology” that could intervene in the headlong rush to oblivion, for “the so-called normal type of mind” “being in exclusive command of directing power in the world, is a danger to civilisation.”[iii]

    Trotter’s influential essays, Instincts of the Herd in Peace and War, first published in Sociological Review in 1908 and 1909, were updated and reprinted to comment upon the Great War in 1919, then brought out by Macmillan in fifteen printings by 1947. Freud, according to this “sometime Honorary Surgeon to the King,” though the architect of “a great edifice” was bringing “a certain harshness in his grasp of facts and even a trace of narrowness in his outlook” along with a pervasive and repellent “odour of humanity” (78, 80). “The Freudian system” had developed “a psychology of knowledge” rather than a “psychology of power”; what was needed was an unveiling of “the sources of a director power over the human mind” so that “the full capacity of the mind for foresight and progress” could be developed (93, 94). Trotter addressed an elite audience sharing his belief in instincts and will power, understanding that war is “a contest of moral forces” and heeding his call for a “practical psychology,” mobilizing “science” to achieve “a satisfactory morale…[which] gives smoothness of working energy, and enterprise to the whole national machine, while from the individual it ensures the maximum outflow of effort with a minimum interference from such egoistic passions as anxiety, impatience, and discontent.”

    Methods and standards of elite recruitment and performance would have to change; old leadership “types” of “a class which is in essence relatively insensitive towards new combinations of experience” were unfit and obsolete (56); radical doctrines could be redesigned to fit new conditions:

[Trotter:] “If the effective intrusion of the intellect into social affairs does happily occur, it will come from no organ of society now recognisable, but through a slow elevation of the general standard of consciousness up to the level at which will be possible a kind of freemasonry and syndicalism of the intellect. Under such circumstances free communication through class barriers would be possible, and an orientation of feeling quite independent of the current social segregation would become manifest (269-270).”

Thus “true progress” will replace “oscillation” and wars will cease:

[Trotter:] The only way in which society can be made safe from disruption or decay is by the intervention of the conscious and instructed intellect as a factor among the forces ruling its development…Nowhere has been and is the domination of the herd more absolute than in the field of speculation concerning man’s general position and fate, and in consequence prodigies of genius have been expended in obscuring the simple truth that there is no responsibility for man’s destiny anywhere at all outside his own responsibility, and that there is no remedy for his ills outside his own efforts. Western civilization has recently lost ten millions of its best lives as a result of the exclusion of the intellect from the general direction of society. So terrific an object lesson has made it plain enough how easy it is for man, all undirected and unwarned as he is, to sink to the irresponsible destructiveness of the monkey… No direction can be effective in the way needed for the preservation of society unless it comes from minds broad in outlook, deep in sympathy, sensitive to the new and strange in experience, capable of resisting habit, convention, and other sterilising influences of the herd, deeply learned in the human mind and vividly aware of the world (my emph., 6, 7, 266, 267).”

    For Van Wyck Brooks, Melville was a fog-horn, not a role-model for Trotter’s New Mind-Manager; that honor went to his best friend Lewis Mumford, the source of “human renewal” poetically aligned with William Morris: “He had caught in England the last rays of the morning glow of William Morris’s poetic socialism, and he was to remain a vitalist in a world of mechanists, behaviourists, determinists, Marxians and so on.” Melville’s appeal to youthful cynics of the “lost generation was limited” whereas

“Lewis… knew that the optimists of the machine had forgotten that there was madness and night and that mankind had mystery to contend with, coexisting with universal literacy, science, and daylight, and why, because they ignored the darker side of the nature of man, they had been unprepared for the catastrophe that followed. He could see why it was that a grimly senescent youth confronted the still youthful senescents of the older generation, and having, along with Emerson and Whitman, read Pascal and Saint Augustine, he was fully able to enter their state of mind. Writers like Melville and Dostoievsky, with their sense of the presence of evil, had fitted him to grasp the post-war scene, the disintegrated world in which humankind, convinced of its inadequacy, ceased to believe in its own powers of self-renewal…[W]ith his feeling for the inner life, he was convinced that the problem of our time was to restore the lost respect for this. For Western man had forgotten it in his concentration on the improvement of the machine. In a world obsessed by determinism, the human person must come back to the centre of the stage, he said, as actor and hero, summoning the forces of life to take part in a new drama.”

Mumford had deepened his prewar “liking for brass buttons, music and drums” with “the consciousness of evil”; newly balanced he could steer clear of shallow optimists and sour apples alike, the latter including Melville and “Wilson, Fitzgerald, Dos Passos, Hemingway and Cummings”: no vitalist renewal in either corner. It was Mumford and his circle, less innocent, but no less confident, who had guided orphans through the mine-fields of modernity; Melville, however salutary as a corrective to rationalist naiveté, was not a proper dramaturg, but an Isabel: the madness, night, and mystery “humankind” (imagined as one organism) “had to contend with.” Brooks distanced himself from his Harvard teacher Irving Babbit’s bullying, negativity, sectarianism, and disdain for “the desire for the masses for their place in the sun”; still, Brooks was grateful that Babbitt and Harvard had introduced him to “the writings of Renan, Taine, and above all, Sainte-Beuve, who had almost all the qualities I admired so greatly…How enlightening were Saint-Beuve’s phrases about the master faculty,–the ruling trait in characters,–and families of minds, with his “group” method in criticism and his unfailing literary tact, his erudition subdued by the imagination. How wonderfully he maintained his poise between the romantic and the classic. [iv]

Similarly, Floyd Dell, novelist, poet, and associate editor of The Masses, was appalled by “intellectual vagabondage,” a symptom of “shell-shock” that followed the collapse of idealism after the war. Hoping to clear away the rubble of ugliness and chaos he saw in modernist renderings of “the unconscious” drawn from Freud, Dell recommended [ego psychology] as a new source of order:

“The scientific activities of mankind, unlike its imaginative activities, have not suffered from shell-shock; and we do not find the students of the human mind rejoicing in the chaos of the “unconscious” as an excuse for their failure to form a good working theory of it. On the contrary, we find that the “unconscious” is to them no chaos at all, but a realm in whose apparent disorder they have found a definite kind of order; in fact, they have been enabled by what they have found in the “unconscious” to correlate and explain all sorts of bewildering and painful discrepancies in outward conduct, previously inexplicable; they have created an intelligible and practically demonstrable theoretic unity out of just those aspects of human life which have for fictional and other artistic purposes seemed in the past a hopeless jangle of contradictions. And finally, they actually undertake therapeutically the task of bringing harmony, order and happiness into inharmonious, disorderly and futile lives. The imaginative artist need not be asked to “believe” in this; it may appear as alien to his own tasks as belief or disbelief in the new theory of electrons. But it is significant that such fiction as has undertaken to use these new concepts in the interpretation of life has met with no wide response from the intelligentsia–while on the contrary such fiction as has enriched its data with mere confusing and terrifying (one might say “bloody and stinking”) disjecta membra of psycho-analytic research, has had the reward of our enormous applause and admiration. It is evident that we, at this moment in history, do not want life to seem capable of being interpreted and understood, because that would be a reproach to us for our own failure to undertake the task of reconstructing our social, political and economic theories, and in general, and in consonance with these, our ideals of a good life.[v]

   The moderated neo-classicism of New Humanism was growing in influence in the late 1920s; its practitioners were viewed by left-liberals as allied to political fascism, not just the “literary” variety.[vi] In the case of radical Floyd Dell, we see an abuse of scientific method typical of the conservative “Freudians” I am discussing: “the unconscious” may not disclose ugliness and chaos, the “bloody and stinking” gobbets of memory that revolted him. Science and art are good only when they order and fully explain experience, building morale for social reconstruction: axe the pessimists. Dell does not ask whether the “vagabonds” he criticizes are accurately depicting economic contradictions (which may or may not be relieved), but blames the victims for childishness and social irresponsibility, as if the eternal conflict between “the individual” and “society” were the sources of “romantic” pain and ambivalence, not revulsion against hypocrisy and the quietism of upper-class allegiance. The “disillusionment” theory for the Melville Revival seems part of the arsenal of conservative mind-managers defending themselves against history, materialism and critical Reason by promoting mystical notions of national character and group mind, with passions of “egoism” (i.e., distance from “the folk”) postulated as the source of social friction and decay.

     The aristocratic radicals were responding to the Bolshevik Revolution, an undeserved triumph perpetrated by returning exiles, intellectuals opportunistically seizing power amidst the chaos of impending defeat. And wars are made by hidebound and greedy old fogies who misshape the national character by enforcing state worship: “War is the health of the state,” as Randolph Bourne famously protested. Brooks, Mumford and Murray, writing in this great tradition of Progressive reproach, were pasting a piece of Melville to their projects while lengthily railing against the evils of “machines.” Like Trotter, they believed (mechanistically) that a tiny elite of Supermen could rescue the masses from themselves.[vii]


[i]               12. N.Y. State Legislature. Joint Committee Investigating Seditious Activities, Revolutionary radicalism: its history, purpose and tactics with an exposition and discussion of the steps being taken and required to curb it, being the report of the joint legislative committee investigating seditious activities filed April 24, 1920 in the Senate of the State of New York (Albany: J.B. Lyon, 1920), 2014, 2201, 3136-3137.

[ii]               14. Marianna is the sad seamstress (another Isabel) who tells the narrator of “The Piazza” that her “strange fancies” (as the narrator defines them) “but reflect the things.” The Jungian critic E.L. Grant Watson, a contributor to London Mercury, inverted Isabel’s identical point in “Melville’s Pierre,” New England Quarterly 3 (Apr. 1930): 195-234, praising Pierre as HM’s greatest book; I know of no correction to this revealing gaffe in the Melville scholarship, though Watson is frequently mentioned. On p.207 Watson characterized Isabel’s “collective unconscious” as transmitter of the “strangely demented people” that Melville’s Isabel clearly identified with real world authority during her stay in the [unnamable institution/asylum]. Stanley T. Williams was an editor of NEQ.

[iii]              15. Wilfred Trotter, Instincts of the Herd in Peace and War (New York: Macmillan, 1947), 94. The scientistic “Publishers’ Note” to the 1947 edition reads: “The aftermath of the Second World War, bringing with it the application of Atomic Energy and the need to prevent aggression (an indulgence now realised to have within its reach the power to do even greater harm to civilisation)–these are the considerations either at the front or the back of everyone’s thinking. In Europe they apply to the Peace Settlement yet to be made with Germany, and the future part to be played by her strange and able people…[Trotter’s] conclusions can be tested by the evidence of two great wars. Incidentally, they offer one explanation of the German political and social mentality which the British and the American mind find so incomprehensible.” The O.S.S. explanation for the rise of Hitler, as purveyed by Murray, for instance, was rooted in a similar organicist theory of history, with its notions of national character and group mind. Trotter’s publishers, Macmillan, avid disseminators of Anglo-American culture, also published Richard Chase’s Jungian study of Melville in 1949. Other publishers of Trotter’s book include T.F. Unwin, The Scientific Book Club, and Oxford University Press.

[iv]              16. Van Wyck Brooks, An Autobiography, Foreword by John Hall Wheelock. Introduction by Malcolm Cowley (New York, Dutton, 1965), 407-410, 125-26. See Meyer Schapiro review of Mumford, The Culture of Cities, “Looking Forward to Looking Backward,” Partisan Review (June 1938): 12-24, for analysis of Mumford’s reactionary organicism.

[v]               17. Floyd Dell, Intellectual Vagabondage (New York: Doran, 1926), 247-249 (Doran published Weaver). See Daniel Aaron, Writers on the Left (New York: Oxford Univ. Press paperback, 1977), 102-107 for discussion of Dell’s and Joseph Freeman’s critique of bohemian symbiosis with puritan middle-classes, the babyishness of the bohemian rebel. Such magisterial critiques of romantic infantilism ignore the real hypocrisies and incompatible demands and expectations that have driven “bohemians” into flight and withdrawal. Dell’s interest in Nietzsche, Ignatius Donnelly, G.K. Chesterton and Ezra Pound bears looking into.

[vi]              18. Daniel Aaron, Writers On The Left, 233-243. And see photographs at UCLA Special Collections of D.H. Lawrence and Frieda in the Southwest, 1922-1923: Lawrence in tie and (usually) three-piece suit, Frieda above him, framed in a black window; elsewhere always dressed in ethnic clothing, Indian or Mexican, earth mother and duende, i.e., Isabel.

[vii]             19. See The Van Wyck Brooks-Lewis Mumford Letters: the record of a literary friendship, 1921-1963, edited by Robert Spiller (New York: Dutton, 1970), passim. Henry A. Murray said he hoped that I would be able to solve the problem of violence and war, since he had failed (Interview, Nov. 4, 1987). Matthiessen denounced the Nietzschean Superman as protofascist while maintaining his reverence for the genius of poets who would, through adherence to organicist aesthetic theory, revitalize and unify culture; see discussion of American Renaissance, below, keeping in mind the taming of “Marja.”

November 8, 2009

Leviathan Altered?

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Henry Murray's version of leviathan: smile added+ other relics

Melville’s Fayaway with ambiguous object

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Henry Murray's favorite Melville story

November 6, 2009

Is the history of psychiatry one big mess?

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Martin Johnson Heade, "The Coming Storm" (1859)

 Like many others I am in shock after the Fort Hood Massacre of November 5, 2009, particularly since the assault on American soldiers did not come out of the blue, but could have been prevented, for numerous ominous signals in the conduct of Dr. Nidal Hasan had been overlooked, for reasons that may boil down to political correctness and the pieties of multiculturalism.

      Illustrated on this blog is the famous painting by Martin Johnson Heade, “The Coming Storm,” dated 1859 and on view in the American wing of the Metropolitan Museum, NYC. Does anyone today think it was about American landscape and a fisherman with a little dog? Obviously, the title linked it to the growing polarization and apprehensiveness that the nation was headed toward Civil War. The 1850s were the years of increasing polarization over the question of the labor system in Western territories: would it be slave labor or “free soil?”  And did you notice the brown face on the red-shirted male figure in the foreground? Was he a free black (or even a mulatto, for the face seems coffee-colored), contemplating his future in a tumultuous period?

     Today we have a polarization that is not much different and with similar anxieties, but with a media industry that is less diverse in its politics than that prevailing during the 1830s on. Except that there is no resemblance between the antislavery men or abolitionists and the PC establishment that prevails in the humanities departments of our leading universities and apparently, much of network television, including those who run Fox News Channel, an outlet that is often more “moderate” than its detractors think (take the Arab-Israeli conflict for example).

     In the research that led up to my book on the revival of Herman Melville during the interwar period of the twentieth century, I had reason to educate myself in the history of psychiatry, for in the nineteenth century, that hyper-individualist Melville was held to be “crazy” and at times, the accusors included members of  his own family. While still on the radio (mostly the 1970s), I did a show on the proposed Center for the Study of Violence at the UCLA Neuropsychiatric Institute, and when it was aired, I was so frightened by the awful politics of the place, that I was faint with fear the next morning: my internist suggested that I take up another line of work (I didn’t listen to him). Later, in graduate school from 1988 onward, with the comradely assistance of the late Roy Porter, a leader in the field, I became acquainted with the generally bohemian thought of the Foucault contingent (huge), and matched them with the anti-psychiatry people I already knew about,  such as Thomas Szasz, R. D. Laing, and the Scientologists. In the history of science, there is tremendous interest in the contextualization of “scientific” knowledge altogether, so that all medical treatment, like science in general,  becomes ideological and the result of power plays in oppressive institutions in order to control dissidents or other rebels, such as housewives who balk at their tasks. There is much evidence to support this premise, such as the bizarre vogue for lobotomy, that flourished in the late 1930s and afterwards (I have lots of pictures and collages that I will post on the website). But there is also something called “evidence-based medicine and psychiatry” that deserves respect. I know at least one of these practitioners and he is a scientist, through and through, but often embattled within his profession, notwithstanding his international reputation. What do we know exactly about military psychiatry, its philosophy, and its oversight? Anything? *

     Nearly all the blogs on this website deal with problems that affect our emotions, including the political aims of that group I call “the moderate men” after a character, “the herb doctor,”  in Melville’s The Confidence-Man (1857). We have seen the dubious premises of the Jungians or pseudo-Freudians, some of whom affected corporatist liberal remedies (e.g. preventive politics) for the maintenance of “social cohesion.” I did a two-part blog on the new Secretary of Education, Arne Duncan, formerly of Harvard University. I have taken my readers on numerous tours through the tortured and ambivalent psyche of Harvard’s onetime Director of the Harvard Clinic, Dr. Henry A. Murray. There were fewer readers of these blogs than there should have been, given the gravity of what my research had uncovered. What to make of this?

     In private conversation and on the blogs, I have repeatedly called for education in mental health and physical health (intertwined concerns) beginning as early as children can understand and absorb the material. That means extensive parent education in the ways of a democratic polity, including the separation of Church and State. Some friends have called me absurdly utopian for demanding such a curriculum. Why? Because there is no agreement, none, on what constitutes a mentally healthy human being, let alone related matters such as meaning of patriotism, how far the state can or should reach into our private and public lives, or how to decode authoritarian propaganda and demagoguery in general, or what caused catastrophic wars and mass death in the twentieth century.  And how many political activists remain allergic to looking into their own family relationships, and how these may have affected their political choices and partisan affiliations, not to speak of their more intimate relationships and passions? I am only an historian, trained to examine selected aspects of the past and to create new interpretations as new evidence  becomes available to researchers. But I can say this about the future: if Americans and other Westerners refuse to look inside their own psyches to examine their most fundamental beliefs and relationships (with or without professional help), then there is bound to be the continued disappearance of what Melville, in another century, called “the Founder’s dream.”

*Charles Krauthammer, a psychiatrist himself, observed today that any psychiatrist who attempts to indoctrinate his patients (referring to Hasan) is guilty of malpractice. But what if other psychiatrists in the military are also indoctrinating, advocating medications and goals that are formulated from ideological motives, if not Islamic? This is not a trivial question and brings me back to the near panic I experienced when researching the state-funded UCLA Center for the Study of Violence.

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