The Clare Spark Blog

February 25, 2013

POTUS, Michelle, and the end of the democratic republic

MichelleOscarI didn’t expect to blog about the Oscars 2013, but the denouement, in which [naughty] Jack Nicholson handed over his duties in announcing the Oscar for Best Picture to the First Lady, dressed for the Red Carpet and surrounded by what appeared to be a private army (yes they were military, it was acknowledged today), has suggested to me that not only are Hollywood liberalism and the newly minted Democratic Party-in–name-only seriously in cahoots, but that the spirit roused by the excerpt from Les Miserables, ending with tricolors floating to the stage, along with Barbra Streisand reminding us of a 1973 movie in which she played a sweet young Stalinist—all this signals that our Leader and his followers in Hollywood and in the mass media intend to establish the Permanent Revolution in America, with the Obamas playing Lenin/Stalin/Trotsky. Someday, far, very far in the future, the state will melt away, and the “Parisian” poor will get their just deserts.

The signs were all there during the first campaign: Michelle’s Princeton thesis was outspoken in its support for black nationalism, as was her consort’s twenty-year stint in Reverend Wright’s whacked out antisemitic congregation. Non-white supremacy is in the air, while recent popular television shows, written by liberals, feature strong black characters who appear to be lamentably compromised in their sex lives, but who will likely expose and discipline corrupt white characters of great power and wealth. (Think SCANDAL or DECEPTION.)

During my days on the Left, it was obvious that Stalinists and anarchistic local artists admired angry black men, such as Malcolm X. In those radio days, I never heard of Ralph Bunche or his accomplished mentor Abram L. Harris until I started my Bunche researches at UCLA in the 1990s, and after I had gotten my doctorate. More along these lines: At the Oscars, the ever-cocky Quentin Tarantino was recognized for DJANGO UNCHAINED. That was yet another symptom of the blood lust that runs through the movie industry, a “business” supposedly controlled by older members (many of whom behave like the old Reds). Indeed, were not key movie stars sitting on their hands while movie buffs picketed outside, when the brilliant but “treacherous” director Elia Kazan was belatedly recognized a few years ago?


And what of the campaign to deny ZERO DARK THIRTY its award because it allegedly glorified “torture” in the hunt for Bin Laden?

It matters not what we call the coming political dispensation. Obama’s constant campaigning (as if for a third term), his denunciation of the looming budget cuts while threatening national mayhem (even where localities, not the feds, control the hiring of first responders or teachers), growing evidence of electoral fraud and the cynicism of some black and brown supporters, suggest that social justice means one party dictatorship and the end of the Constitution, let alone of the meritocracy.


It is not too late to halt the slide toward the F-word. But the opposition (that may come to include disillusioned Democrats, Independents, Republicans, and conservatives) had better read the tea leaves and wake up.


  1. Napa Valley California

    POTUS, Michelle, and the end of the democratic republic | YDS: The Clare Spark Blog

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  2. […] Underneath the angst is a now explicit belief that Hollywood Jews have created the hyper-sexualized culture, money-worshipping mass culture that flouts religious warnings about the dire effects of pornography, adolescent sexuality, gay marriage, and abortion on demand. Thus conservative novelist Andrew Klavan defended Seth MacFarlane’s performance at the Oscars 2013, for moral laxity should be boldly and freshly confronted. (See […]

    Pingback by Do paleoconservatives want a theocracy? | YDS: The Clare Spark Blog — March 11, 2013 @ 8:23 pm | Reply

  3. […] Everyone has an opinion on why Obama defeated Romney, but no one has commented, to my knowledge, on the cultural politics of “Mean.” For instance, Seth MacFarlane was ostentatiously mean during his Oscars hosting, yet he is being defended by feminists and conservatives for nailing Hollywood actresses for adding to the dread “hyper-sexualization” that those strange bedfellows (feminists and cultural warriors of the Right) laud in the song “Boobs” that outed all those actresses who had bared their breasts for the [white slavers of Jew-controlled Hollywood]. (See Andrew Klavan’s new piece Then compare Klavan’s defense of MacFarlane with my own analysis: […]

    Pingback by Romney v. the cultural politics of “Mean” | YDS: The Clare Spark Blog — March 4, 2013 @ 8:03 pm | Reply

  4. Hi Clare,

    I have been checking you out for a few months and really enjoyed this one. I have worked in media in NYC, LA…people do not understand how bad this is.

    Lady Ga Ga’s Doo Doo is Dada at the Moma….seriously though, I know she had to keep her hands tightly folded to prevent herself from flashing Beyonces Pyramid Illuminati sign.

    I am in Massachusetts, I have to spellcheck the state I have lived in now for 5 years….darn Injuns!….sorry, a little racisty, I know. Keep up the good work.


    Comment by jasondylan — March 3, 2013 @ 7:05 pm | Reply

  5. Eeerie.

    Comment by Keith — February 27, 2013 @ 5:02 am | Reply

  6. Thank you for this posting. I’ve been wondering about the same thing for some time, but you’ve expressed it better than I.

    – Michael

    Comment by Michael — February 26, 2013 @ 3:15 am | Reply

  7. yum, yum….

    Comment by David — February 26, 2013 @ 12:08 am | Reply

  8. I have never heard you as worried as many of us on the right now are.

    Comment by Bob Ennis — February 25, 2013 @ 10:43 pm | Reply

    • As I thought it over, the accumulation of signals/clues during the Oscar ceremony drove me to this dark conclusion.

      Comment by clarespark — February 25, 2013 @ 10:52 pm | Reply

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