[…] But more, is red-haired Maggie his Doppelgänger? If Sorkin is a Romantic (as he insinuates), then he has the problem of every Romantic artist: how to equal the last tour de force. Has he emptied himself out to such an extent that he will never produce another ‘masterpiece’? There is one reason for ‘post-partum’ depression of the creative artist, for whom praise and reputation are almost toxic. Whereas the neoclassicist is following a recipe that is time tested and will never go out of fashion. (See the classically pornographic painting by a Duke: https://clarespark.com/2013/09/21/ad-for-cambridge-conference-on-the-occult-and-spirituality/.) […]
[…] But more, is red-haired Maggie his Doppelgänger? If Sorkin is a Romantic (as he insinuates), then he has the problem of every Romantic artist: how to equal the last tour de force. Has he emptied himself out to such an extent that he will never produce another ‘masterpiece’? There is one reason for ‘post-partum’ depression of the creative artist, for whom praise and reputation are almost toxic. Whereas the neoclassicist is following a recipe that is time tested and will never go out of fashion. (See the classically pornographic painting by a Duke: https://clarespark.com/2013/09/21/ad-for-cambridge-conference-on-the-occult-and-spirituality/.) […]
Pingback by “The Newsroom” season two | YDS: The Clare Spark Blog — September 22, 2013 @ 8:30 pm |
Thanks, Eminence!
Comment by Jonathan Morse — September 21, 2013 @ 9:19 pm |