Not only more current than ever, this blog emphasizes how movies distort history for present preoccupations.
It is obvious that Charles Darwin (the mid-Victorian fellow with the monkey tail) remains at the center of the warfare between science and religion, but less so clear that he has been recruited (as negative example) to the blazing controversy over man-made “climate change” by at least one or possibly two would-be biographers.
First, I saw Jon Amiel’s Creation (2009, written by John Collee), that purported to show Darwin’s illnesses and other crises that preceded the publication of his world-shattering book, The Origin of Species (1859). The main drama of the film centered around the agonized relationship between the materialist Charles and his religious, disapproving wife Emma. In the film, he can’t make up his mind whether or not to make so drastic a leap into darkness, so gives the ms. to Emma to either repress or to send off to his publisher. Emma, the tolerant [moderate]…
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