The Clare Spark Blog

This blog is about the Oscars and whether or not “Hollywood” is controlled by Jewish producers, agents, and other forceful types who will be effusively thanked and celebrated by gentile actors.

At stake is the question of the imputed Jewishness of those who notoriously have corrupted our country with materialism and its offshoots: designer gowns, jewelry, shoes, and purses. In what sense can the white slavers/magicians/sorcerers be considered Jews? How have they turned plain women into great beauties and femmes fatales?

The reader should know that I am reading Benzion Netanyahu’s books on myths spread about the origins of the Spanish Inquisition, a subject that engaged me ever since POTUS (that defender of “multiculturalism”) chastised critics of “radical Islam” for ignoring the horrors perpetrated by Christian crusaders and inquisitors.

Since my degree in history was awarded for my proficiency in the history of the modern period in American and European letters, I fled to some books on the crusades, and then the Spanish Inquisition, where I discovered, thanks to Bibi Netanyahu’s late father Benzion, that Jews were blamed by major Spanish scholars for inspiring the Inquisition; moreover that conversos/Marranos were believed to be crypto-Jews who had falsely converted to Christianity, and whose cunning, controlling ways thus infested the Middle Ages with the persecution of innocents.

Au contraire, said the meticulous Benzion N. The infamous conversos were indeed New Christians who had fully assimilated to a gentile world. Lay off “the Jews” advised this truth-seeking scholar.

What does this have to do with ‘Jewish’ producers, agents, etc. who have been accused by major leftists and Franfurters with corrupting the working class through “materialism”; i.e., via the “Jewish” control of mass media, thus thwarting their better (red) angels, which should have led the new industrial working class toward proletarian revolution, their supposed historical destiny?

The title of this blog contains the word “puritan,” a word used promiscuously by scholars and journalists, with a nasty antisemitic sub-text. Though the better scholars are careful to distinguish between “puritans,” attaching them to historical contexts (see https://clarespark.com/2013/08/05/evil-puritans/) many a social critic associates the word with kill-joy Victorian battle-axes, controlling mothers, conservative Judaism, and the right-wing of American politics. These excessively puritanical villains generate understandable revolt in their children, or so the argument goes in social psychology (if not among the better, mostly deceased, historians).

Pink performing at Grammy Awards; photo Matt Sayles

So on February 22, 2015, mostly women will be excitedly tuned in to the yearly Oscar ceremonies, and will be regaled with names of designers (“Who are you wearing?”), and if they are like me (at heart, a puritan), will feel depressed after the spectacle is completed, perhaps feeling dowdy and/or bored by the endless tributes to presumably Jewish producers, etc. by winning actors.

Here’s the rub: these ‘Jewish’ producers, etc. who have enslaved young actors to a phony set of values, are fully assimilated to the Democratic Party, just as Netanyahu’s conversos were to a hierarchy of Spanish Kings. But no matter who wields the Golden Calf Oscars, they will be viewed as race-traitors to the true faith, and who knows what that will be in the coming period? Currently it is “multiculturalism.”

[Update, post-Oscars 2-23-15; it was a boring, but weepy night and guilty white liberals were roused by the march on Selma, egged on by Oprah and the tearful Julianne Moore. Naturally, American Sniper got one measly technical award, despite the scaredy cats who promoted it chose to emphasize family and brave, torn soldiers rather than vindicating in any way the Iraq war. Once a doc celebrating Edward Snowden got an Oscar, it was clear why Obama cleans up when he comes to Hollywood to fund-raise. More: today on a local NPR station, the LA Times entertainment reporter noted the few women directors, including the one who directed Fifty Shades of Grey. That’s the state of race and gender relations in my town. This major industry is run by the brain dead.]