YDS: The Clare Spark Blog

April 26, 2013

The television season goes Dark

The-following-posterI understand that television is not considered to be other than escapist entertainment, and not a business with pretensions to artiness or literariness, but there are many critics who treat its more upscale offerings with the reverence once reserved to Balzac (for instance see the indefatigable Terri Gross in her new interview with Matthew Weiner, creator of MAD MEN: in the part I heard she was insisting that Don Draper has a “death wish”).

As the 2012-2013 season draws to a close, I must say that I can’t remember a time when popular entertainment was as ideological driven or death-obsessed. I admit to not understanding the adolescent craze for vampires or zombies, though I have my suspicions of deranged right-wing Romanticism and/or the adolescent desire to irritate parents. But I do get the populist flavor, laced with morbidity, of the “better” television series, especially those directed to a more upscale, presumably educated audience.

Lest I be misunderstood, I am not nostalgic for the television fare of the 1950s and 1960s, with its frequently inane glorification of the ordinary folksy American family, rural or urban. The material introduced in response to 1960s and 1970s uproars was critical, and though usually anti-American and anti-establishment, was at least well-written, brilliantly acted, and interesting to decode for its (typically populist) politics. Nor do I fail to detect the ideology in the theater popular when I was growing up: at least it was well meaning, brilliantly written, conceived, and performed—and relatively anti-racist.

But what to make of such paranoia-inducing recent offerings as the romantic necrophiliac THE FOLLOWING (internet gossip reports it renewed!), or the ongoing goriness in CRIMINAL MINDS, or the hatred of hedge fund managers profiting off evil drug companies as displayed in the last episode of PERSON OF INTEREST, or amoral rich people as were evident in DECEPTION, now in SCANDAL (the last episode particularly horrifying), MAD MEN, REVENGE, and even the apparently harmless and well-written THE GOOD WIFE, a love triangle that manages to mostly evade the possibly unparalleled corruption of  Democratic Chicago, while “Alicia” wavers between family and sex? (I have been watching reruns of the Dick Wolf generated LAW AND ORDER: CRIMINAL INTENT, and find the same targets, often Jews, who are either the perps, or who as doctors and lawyers are equally loathsome and corrupt. In one episode, “the Jewish mob” is identified as the most “vicious” of all: oh really?). Add to that the swipes at Mossad in the ever-popular NCIS, and you have the picture. Nouveaux riches and the government enforcers (cops, government regulators, other bureaucrats, CIA, etc.) whom the moneybags obviously control in their own depraved interest, are the chief subjects of the most watched television shows. The poster for THE FOLLOWING (illustrated) shows the dual character of those who serve “law and order.” “Order” for whom? is clearly implied as Bacon and Purefoy are halves of one whole, following Poe’s “William Wilson” in its doppelgänger conception, perhaps a major conceit in the imagination of television writers. And don’t be fooled by the poster for THE FOLLOWING. “Joe Collins” (James Purefoy) is clearly the protagonist, and he stepped out of character in the most recent episode to plug Green living. Why not Kevin Bacon, who barely appears in the series, and whose character is an alcoholic to boot?

Are there any shows with family values? So far, BLUE BLOODS takes the prize. Irreproachably Irish Catholic and upright, the patriarchal Reagan family holds together in contrast to the decadent cities it valiantly disciplines. Even THE MENTALIST is terror gothic in spirit, and clearly plays on fears of the French Revolution, while teasing its faithful viewers that “Patrick Jane” is actually serial killer Red John, rather than someone likely to be very high up in the government. It too is paranoia inducing. Shame on you Bruno Heller, who should know better.

And SMASH, the backstage story of a Broadway musical, will not likely be renewed, while its writing and music to these ears are downright embarrassing. What a hollow victory for hip movement culture, with its glorification of the ever-misunderstood and pathetic Marilyn Monroe.  On to off-Broadway, inter-racial understanding, and the offbeat rock musical and heterosexual and homosexual pairing off. On television, racism/miscegenation has disappeared if you sing and dance well enough. Perhaps the same thing can be said for new Broadway shows, either PC or living off the bones of its ancestors.

Meanwhile, few in show business pay attention to education reform, the illicit power of the teachers unions, and their relentless, media-supported attempts to undermine the educations of real black and brown children in urban ghettoes and elsewhere. Try to find a decent public school in NYC or Los Angeles, homes of those who write and produce the mindless (though technically advanced) shows I have listed above.

Now tell me the condition of our urban schools is not racist in the extreme. The better historians lament the world wide indifference as the Holocaust and other horrors proceeded in the 1930s and 1940s, while today the hippest among us wallow in gonzo ressentiment, apocalypse, the undead, blood and gore. Who is indifferent now? Should we blame the audience, who allegedly want this polluted fare?

Is the great American experiment going down? If popular culture is any indication, the answer is “you betcha.” Who needs a Fifth Column or other demonic forces when you have the entertainment industry?

[I have blogged about most of the tv shows mentioned here and others: see https://clarespark.com/2012/03/16/index-to-blogs-on-popular-tv-shows/.]

good wife cast pic chris noth 2 season 2

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March 16, 2012

Index to blogs on popular tv shows

Dick Wolf and Judith Light

I haven’t commented on all the crime shows. It is enough to say that we are to believe that good cops will eventually triumph over bad cops, and that most criminals are tracked down and punished. I.e., the State is looking out for you and me, with all the tools that modern science (including profiling) can muster. Law and Order: Criminal Intent (not analyzed here) adds a flourish: the Vincent D’Onofrio character is often dissatisfied with normal procedures, co-opts Freud, and seemingly obeys a higher (more compassionate) law.

https://clarespark.com/2009/10/15/the-christianization-of-ziva-david-ncis/

https://clarespark.com/2009/10/02/roman-polanski-and-his-critics/

https://clarespark.com/2010/05/20/criminal-minds-and-the-pathology-of-rural-america/

https://clarespark.com/2010/10/24/mad-men-and-the-jewish-problem/

https://clarespark.com/2010/12/12/hbo%e2%80%99s-in-treatment-and-boardwalk-empire/

https://clarespark.com/2011/04/27/james-m-cains-gorgon-gals-2/

https://clarespark.com/2011/05/20/the-mentalist-melville-blake-and-israel/

https://clarespark.com/2011/07/07/network-and-its-offspring/

https://clarespark.com/2012/02/04/blue-bloods-freud-trauma-911/

https://clarespark.com/2012/02/09/glee-goes-la-raza/

https://clarespark.com/2012/05/18/smash-season-finales-and-the-demonic/

https://clarespark.com/2012/06/26/aaron-sorkins-scottish-blood/

https://clarespark.com/2012/07/03/andy-griffiths-greatest-performance/

https://clarespark.com/2012/07/09/hbo-does-gellhorn-in-red/

https://clarespark.com/2012/09/23/homeland-and-the-idea-of-the-fifth-column/

https://clarespark.com/2012/07/29/girls-or-the-new-lost-generation/

https://clarespark.com/2013/02/14/is-there-a-culture-of-violence/

https://clarespark.com/2013/01/26/decoding-call-me-ishmael-and-the-following/ (Read this first)

https://clarespark.com/2013/02/25/potus-michelle-and-the-end-of-the-democratic-republic/

https://clarespark.com/2013/04/26/the-television-season-goes-dark/

https://clarespark.com/2013/05/27/smash-the-perfect-liberal-backstage-musical/

https://clarespark.com/2013/06/20/james-gandolfini-as-tony-soprano/

https://clarespark.com/2013/09/22/the-newsroom-season-two/

https://clarespark.com/2014/03/24/the-good-wife-and-bad-timing/

https://clarespark.com/2014/06/25/penny-dreadfuls-sinister-significance/

May 20, 2010

“Criminal Minds,” “The Mentalist, “and the pathology of rural America

Thomas Gibson playing Agent Hotchner, scowling as usual

Like it or not, most Americans get their notions of mental health from the media, including the numerous television shows in which serial killers run amok until a heroic band of profilers psyches them out and captures them (but not before we have seen oceans of blood and other mayhem). (This blog was followed up here: https://clarespark.com/2011/05/20/the-mentalist-melville-blake-and-israel/.)

This blog is about the episode of CBS’s Criminal Minds that aired on Wednesday May 19. Although most of their prey reside in Southern, Midwestern, and Western rural and small town America (and this was no exception), this show that weekly demonstrates the prowess of a team of Quantico-trained FBI agents strongly came out against the internet (especially social networks) as a source of murderous “narcissism”.  Social networks, they allege,  primarily cater to vanity, enabling voyeurs and attention-hungry techies (like last night’s murderer). The output of these new-fangled maddening inventions is [the Red State of] “Anarchy.”  Narcissism is understood as a craving for attention among those who, sucked into celebrity culture, have inflated self-esteem and have found their own niche among the pale-faced perverts who populate these non-urban , almost wilderness, areas. But most subtly of all, the killer of May 19 wanted to kill women who looked like him (this exact phrase was repeated several times). Is it too much of a leap to propose that embedded in this horrific tale is a reproach from liberals to conservatives who have resisted affirmative action and other liberal remedies for institutional discrimination? Are conservatives indeed all nativists and racists who instinctively abhor those who are “different?”

As many of these blogs have argued, “narcissism” is the term of opprobrium traditionally ascribed to everyone from actors and artists to mad scientists, and to technicians of every kind, including greedy Wall Street businessmen.  It is a reproach emanating from communitarians and other corporatists whose diagnosis of fascism rested upon the idea that Hitler’s supporters were one-sided in their educational training and experience, hence lacked the spirituality that can only be instilled by “faith.” Or Faith, Hope, and Charity, as Glenn Beck likes to put it, echoing centuries of religious conservative thought.

But Freud and many of his followers described normal or “healthy” narcissism, understood as having developed a strong sense of self, and being able to soothe oneself in the face of social disapproval or grievous losses. One gets this healthy narcissism from a strong maternal bond (I am referring here to attachment theory as put forth by John Bowlby), with separation from the mother managed successfully. This healthy narcissism grounded in early echoing and mirroring of the child’s feelings, never came up in the episode, though it could have been worked in by the didactic genius team member Reed, who did simply state that “narcissism” was overused in today’s world, while later brilliantly analyzing the facial configurations of the killer’s prior victims to show that key elements coincided with his own face.

It is true that Facebook is used by many for trivial purposes, but to condemn the internet as a dangerous innovation that causes sadism and a life of mayhem directed against women is overreaching of a particularly dangerous, almost criminal character. And, oh, the internet is possibly the most democratizing technical innovation of the recent past. Finally, the gatekeepers of mass media have lost their monopoly on news and opinion.

Added 5-21-10: The Mentalist ended its second season on 5-20, beginning with a televised murder of a woman alone in her bed. The plot was remarkably similar to that of Criminal Minds, except that now it is clear that the threat of the internet extends to ordinary persons possessed of movie cameras, hence able to realize their demonic ambitions. But this series was more literary than the Criminal Minds episode, for the serial killer Red John, having mentalist Patrick Jane in his clutches (wrapped in plastic), and wearing a mask quotes Blake’s famous poem about the Reign of Terror (1793-94), “The Tyger”. (The first verse only: Tyger! Tyger! burning bright /In the forests of the night,/What immortal hand or eye/Could frame thy fearful symmetry?)  . Blake’s poem is not just about the Terror and the furies of unleashed mobs, but about the Promethean element in civilization that has continuously terrified the upper classes in the Age of Revolution. But here is the best part. Patrick Jane returns to his austere prison-like room (the iron cage of materialism?), lies down on a mattress very much like a pallet, with the Red John smiley face painted on the wall above his bed. And the mentalist (an opponent of magical thinking) then repeats the first verse of “The Tyger.” What to make of this?
Bruno Heller (writer for the HBO series Rome as well as The Mentalist) is an educated man. He knows about Doppelgängers. As a rejector of the supernatural, Heller probably knows that artists who write against the centuries of magical thinking are educating the lower orders in the ways of empiricism, and no less than Herman Melville, fears the volcanic rage within himself that he could be releasing in the proto-revolutionary audience by mocking those who do not rely upon close observation of this world. Bruno Heller’s Promethean characters, no less than Melville’s Captain Ahab and other red-flag-flying usurpers of priestly authority, are both the mentalist (does he have a heart?) and Red John.

[Added 12-15-10. I have read Zoe Heller’s The Believers, and in an interview she discloses that her father Lukas is anti-religion, married a non-Jew, and has or had a half-sister who survived Auschwitz. I cannot know what her brother Bruno Heller’s beliefs are regarding the Nazi phenomenon. Perhaps he is one who sees the seizure of power as the revolt of the masses and an outgrowth of Jacobinism in the West. From the Wiki description of the family, they all sound like liberals.]

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