The Clare Spark Blog

September 24, 2014

Are “liberals” control freaks?

Control_FreaksA few days ago one of my FB friends, an intelligent and educated scriptwriter and novelist, posted a photo claiming that all liberals were not only evil, but were interested in controlling every aspect of our lives. I see the same sort of collective condemnation frequently on Facebook, emanating usually from conservatives, even from  neocons who should know better, having once been either [moralistic] leftists or [moralistic] social democrats.

This blog seeks to counter all-inclusive claims that demonize the opposition.

Do Americans believe in the devil? An alarming number of Christians do (80%), compared to Jews (17%). The Devil is nowhere to be found in Judaism, so I am assuming that uneducated Jews, perhaps engorged with pop culture, comprise the shocking figure of 17%. See http://washingtonexaminer.com/57-believe-in-the-devil-72-for-blacks-61-for-women/article/2536055. (On the conception of Satan as evil inclination in Judaism, see http://judaism.about.com/od/judaismbasics/a/jewishbeliefsatan.htm.) This is a worrisome number, for belief in the Devil signifies disbelief in science and what used to be called “empiricism” but it is now stigmatized as “materialism.” And “materialism” is associated with [demonic] communists, a corrupt working class, and even “secular progressives” who are anything but red, but rather “moderates” or “moderate conservatives.”

Belief in the devil is a catastrophe for democratic republics that demand of their citizens that they rationally focus on those issues that confront them in this world, rather than abjuring “worldliness” in favor of fixation on “another world.”

Control freaks. The notion that liberals and leftists want to control everyone and everything is possibly a projection of authoritarian and conformist rightists, who bristle at the thought of being “forced” to do anything by the state. It is not as if there are no rational conservative intellectuals, but the latest tactic in the political wars advanced by a few pundits demands that they play dirty just like the enemy, grabbing mass culture away from the devious, demonic enemy.

Some conservatives, on the other hand, advise their fellow rightists not to smear liberalism as “evil” or “demonic” but to patiently explain liberal mistakes, especially with respect to economic theories. As for the fantasy of taking mass culture away from “Hollywood”, fat chance of that. As I have argued here before, movies and other mass media have always been populist, appealing not to an aristocracy but to mass resentments of any and all elites who are believed to be repressive—and demonic, like Jews, gays, and femmes fatales.

Populism comes in many flavors, spanning the political spectrum from left to right. Populists are always self-righteous and enraged, encouraging demagoguery and reverence for the Leader who stirs them, vaguely enough to encompass a variety of targets for their hate.

Anyone who has ever studied the progressive movement knows that the statists were paternalistic and in their own minds, deeply moral, hearts bleeding for the oppressed masses. “The People” of course were oppressed by Jew-ridden capitalism and puritanical Mothers seeking to expand their empires over feckless sons. Progressives, taking their lesson from the Good Kings of fictional yore, would vanquish “laissez-faire” economics, bad Jews and battle-axe females, to reinstate “social cohesion” and “political stability” through the re-imposition of mystical bonds between competitors in the marketplace and in the workforce. In other words, they were upper-class moralists and true gentlemen. (See https://clarespark.com/2009/09/19/populism-progressivism-and-corporatist-liberalism-in-the-nation-1919/, or https://clarespark.com/2014/09/03/solidarity-on-the-left-vs-disunity-on-the-right/.)

The overall aim of the progressive movement, then and now, was the uplift and cooling out of the proletarian immigrants. Believing themselves to be the only ones trained to rule (see the career of Henry A. Murray of Harvard), they had no qualms about imposing self-control on themselves and others in order to restrain “greed” in their opposition on “Wall Street”. Nothing as vulgar and/or distruping as the nouveaux riches, so the Old Money (especially in New England) lived modestly and eschewed “conspicuous consumption.” I.e., they controlled themselves as examples to the consumerist masses, a tic that the Left copied in their zeal to stigmatize the anti-revolutionary working class that wanted material goods over red revolution.

“Madame Mirage”

This was my Rosh Hashanah blog. As long as the majority of Americans persist in believing in the devil or other forms of irrationality, I remain howling in the wilderness, a Jew till the end of time.

November 8, 2012

The Magical power of “Negroes” and other Beautiful People

Viola Davis as magical

One Facebook friend reports polls concluding that Romney voters focused on the economy, while Obama voters responded to his “caring” persona. This is valuable intel, for it reminds us of the Magical Negro archetype described here: http://en.wikipedia.org/wiki/Magical_Negro. As Wiki tells it, this archetype is a throwback to the “noble savage” who emerges in the European age of expansion.

(This one of those “back to basics” blogs, basic tactics for political support that are cross-cultural and universal in their efficacy.)

But more, we should reflect upon the power of the Beautiful People, and the mass appeal they exercise. Why? Is it simply that “beauty” is a supremely rare quality that mesmerizes us in all times and places? Or is it something more primal, which returns us back to the emotions of early childhood and our dependency on mothers and fathers for care and protection?  After all, Mitt Romney projected a “caring” persona, as Anne Romney emphasized in her RNC account of their marriage, noting her husband’s constant attentions to needy neighbors and even strangers. But all the demonstrated compassion in the world is not enough to compensate for the image constructed by Democrats that Romney was the (uncaring) tool of Wall Street and the Big Money.

In prior blogs, I have written much about populism and its embedded antisemitism, how many ideologues continue to blame Hollywood “Jews” for corrupting the masses and either converting them to the Democratic Party and to the Left in general, or conversely, fastening the “mass” psyche to the material goodies promised by capitalist economies. Both claims are nonsensical, for such “Jewish” titans as Laemmle, Mayer, Goldwyn, or the Warner brothers adapted themselves to immigrant tastes and prejudices. The history of the Hollywood film is replete with bloodsucking bankers and other capitalist villains, valiantly opposed by the muscular Common Man. (For the femme fatale as a repudiation of the idea of progress, see https://clarespark.com/2011/04/27/james-m-cains-gorgon-gals-2/, retitled “Film Noir, decoded.”)

All tyrants use visual images (including architecture) to consolidate support and to divert mass rage away from themselves; pictures are deployed to evoke parental imagos.  The tyrant’s friends are beautiful—as lovely as the nursing Mother to her clamorous infant, or as her glittering earrings are to her toddler who pulls on them, while enemies are as repulsive as the angry father wielding a cane or whip (think of the omnipresent Big Brother) or old crones—women who no longer expect to please men, and who have nothing to lose by stirring the pot.

Female Chartist

And so, fed by a diet of idealized/demonized images, we continue the process that psychoanalysts describe as “splitting.” Our love objects, whether politician or other celebrity, can switch with alarming frequency from ministering angel to terrifying demon. Don’t look to popular culture for “integration, “ i.e., a less distorted view of The Loved/Hated One.

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