YDS: The Clare Spark Blog

August 17, 2018

H.G. Wells as moderate man

H.G. Wells Getty Images I had not read any of H. G. Wells’ fiction; but I did slog through his massive compendium of earth’s history (The Outline of History) but without the footnotes prominent in prior editions), though he was never a trained historian. He was not strictly a member of the counter-culture, for he was all in for science and technology (industrial progress), which would ostensibly culminate in the only slaves being machines, and liberating the (enslaved) masses from the rule of money (i.e., Jewish power). Here is Wikipedia’s sympathetic partial summary of his 1200 page much corrected work, initially completed in one year, in reaction to the horrifying mass death inflicted, Wells wrote, by (aristocratic) Great Powers. See https://en.wikipedia.org/wiki/The_Outline_of_History.

Wells started his synoptic book in 1919 (during a year of upheaval), but this edition was completed after WW2. However, Wells shockingly omitted the Nazi murder of European Jewry, a disaster not in Wells’s comprehensive chronology nor was it mentioned in Wikipedia, perhaps because such events did not jibe with the Wells assault on cultural and racial superiority, lauded by Wiki and affirming the moderate men. (His preference for male heroes and anti-heroes such as Alexander the Great, Napoleon (predecessors to “insane” Hitler?) was mentioned by Wiki.

Since I have focused many blogs on multiculturalism, antisemitism and the waywardness of 18th Century Protestant theologian J.G. von Herder’s influence, which culminated in “cultural anthropology,” race, “roots” environmentalism national character: result, antisemitism and Christian Socialism (one 19th Century precedent of Fabian Socialism, also omitted by Wikipedia).
Nor did Wiki see that American greatness contradicted by a Wellsian emphasis on globalism and its constantly reiterated wish for “peace.” Toward the end of peace was his obvious preference for the Muslim and Buddhist religions. His Christian Socialism was also hinted as he regarded Jesus as a revolutionary who opposed the rich.

Surprisingly, and unlike the popular books by the anti-imperialist, somewhat Wilsonian Charles and Mary Beard (1927), Wells expressed positive views of American promise (like Marx who lauded the American Civil War as a bourgeois revolution), but Wells did attack Stalinism, omitting however, antisemitism in Marx (who also railed against the rule of money as “the universal pimp.”)

So what are left with? Wells was a precursor of the counter-culture, notwithstanding his enthusiasm for machines who would presumably release the masses from toil. But first, the masses would take charge of the machines. And, being a Fabian Socialist, Wells was apparently the father of the Peace Studies movement, the father of other moderate men (the “socially responsible capitalists” of the Democratic Party) and of left-leaning Pacifica radio.

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H.G. Wells as moderate man

I had not read any of H. G. Wells’ fiction; but I did slog through his massive compendium of earth’s history (The Outline of History) but without the footnotes prominent in prior editions), though he was never a trained historian. He was not strictly a member of the counter-culture, for he was all for science and technology (industrial progress), which would ostensibly culminate in the only slaves being machines, and liberating the (enslaved) masses from the rule of money (i.e., Jewish power).
Here is Wikipedia’s sympathetic summary of his 1200 page culminating work, initially completed in one year, in reaction to the horrifying mass death inflicted by aristocratic Great Powers. See https://en.wikipedia.org/wiki/The_Outline_of_History.

Wells started his synoptic book in 1919 (during a year of upheaval), but this edition was completed after WW2. However, Wells shockingly omitted the Nazi murder of European Jewry, a disaster not in Wells’s comprehensive chronology nor was it mentioned in Wikipedia, perhaps because such events did not jibe with the Wells assault on cultural and racial superiority, lauded by Wiki and affirming the moderate men. (His preference for male heroes and anti-heroes such as Alexander the Great, Napoleon (predecessors to “insane” Hitler?) was mentioned by Wiki.

Since I have focused many blogs on multiculturalism, antisemitism and the waywardness of 18th Century Protestant theologian J.G. von Herder’s influence, which culminated in “cultural anthropology,” race, “roots,” environmentalism, and national character: result, antisemitism and Christian Socialism (one 19th Century precedent of Fabian Socialism, also omitted by Wikipedia).
Nor did Wiki see that American greatness contradicted by a Wellsian emphasis on globalism and its constantly reiterated wish for “peace.” Toward the end of peace was his obvious preference for the Muslim and Buddhist religions. His Christian Socialism was also hinted as he regarded Jesus as a revolutionary who opposed the rich.

Surprisingly, and unlike the popular volumes by the anti-imperialist, somewhat Wilsonian, Charles and Mary Beard (1927), Wells expressed positive views of American promise (Wells,like Marx,lauded the American Civil War as a bourgeois revolution), but Wells did attack Stalinism, omitting however, antisemitism in Marx (who also railed against the rule of money as “the universal pimp.”)

So what are left with? Wells was a precursor of the counter-culture, notwithstanding his enthusiasm for machines which would presumably release the masses from toil. And, being a Fabian Socialist, Wells was apparently the father of the Peace Studies movement, the father of other moderate men (the “socially responsible capitalists” of the Democratic Party) and of left-leaning Pacifica radio.

August 6, 2012

Gellhorn’s “blind spot” on Israel

Caroline Moorehead

[For a related blog see https://clarespark.com/2012/06/16/the-social-history-racket/.]

According to Martha Gellhorn’s most prestigious biographer, Caroline Moorehead (a champion of “human rights”), Gellhorn, the famed war correspondent and novelist (1908-1998), was dead wrong in her enthusiasm for the Jewish state, an error that Moorehead seems fixated upon in her much lauded biography of 2003, for she does not hesitate to dilate upon her own under-researched opinions on the history of Israel and its conflict with the “Palestinians” and Israel’s neighbors.  (I have been rereading Moorehead’s biography and another feminist study of MG. It was not Moorehead, but British leftist “Rosie Boycott” who used the term “blind spot.” Moorehead does report that in time, MG came to see Israelis as “arrogant and boorish.” This was solely CM’s characterization of MG’s letter to Robert Presnell in 1967. These words not in quotation marks.)

What is perhaps most striking is that Gellhorn, who did have some Jewish ancestry, had no apparent Jewish identity until she was present at the liberation of Dachau, and was struck down by the visible presence of evil, evil of such magnitude that her prior faith in human perfectibility (inherited from her parents, especially Edna) was shot forever. Indeed, the recent HBO film (Hemingway and Gellhorn) uses archival footage of Dachau’s victims, and then affixes the face of Nicole Kidman (playing Gellhorn) upon one of the victims in the pit of corpses, suggesting that this might be some kind of awakening or turning point for MG. (In the just-issued DVD and Blue-Ray edition of the movie, this latter scene is edited out, and we see MG fleeing into the woods, instead. There will be nothing about MG’s attachment to Israel in the HBO script.)  Indeed, the Wikpedia entry on Gellhorn plays up her ancestry as German, not partly Jewish. Gellhorn herself wrote these words after visiting Gaza in 1956: “These kibbutzim are the only places I know where a daily practical effort is made to follow the teachings of Christ.” (The View From The Ground, p. 136). So much for Gellhorn’s enthusiasm for Israel (or the “half-Jewish” identity ascribed to her by the HBO movie Hemingway and Gellhorn?).

It should be noted that Moorehead has had exclusive access to Martha Gellhorn’s papers at Boston University, and hence her lengthy biography had detail and heft that was presumably denied to competing biographers. It is also true that a wandering scholar cannot go into these papers and check Moorehead’s claims for accuracy.

Now that I have finished reading this supposed tell-all biography, I do have more ammunition to complain about the HBO rendition of the Gellhorn-Hemingway marriage (the notion that MG was having great sex with Hemingway is preposterous), but important questions are raised about authors who are not scholars, but biographers soi-disant, and who use archival materials to grind their own political axes. In Moorehead’s case, we learn about matters that are only of passing relevance to those interested in the achievements of the first major female war correspondent, whose colleagues, friends, and acquaintances were among the most significant social democrats, fascists, and/or communists of her time, H. G. Wells, Bertrand de Jouvenel, Robert Capa,  Joris Ivens, Lt. General James M. Gavin, Leonard Bernstein, and Eleanor Roosevelt for just a few examples. But CM’s details do appeal to our lower instincts, for instance the reader’s voyeuristic curiosity about bad sex, affairs with married men, abortions, a rape, naked sunbathing and swimming, facelifts, friendships with other celebrities, the absence of maternal instincts, and her final exit as a suicide.

I have no doubt that Moorehead thinks of herself as a feminist, yet she trots out as many as four abortions, perhaps to undermine her subject’s credibility as a humanitarian like herself. (Moorehead wrote other biographies, for instance of Freya Stark, an Arabist, or Bertrand Russell, whose anti-Zionist views are well known.) And I wonder if Moorehead is not a Third Worlder, for she slams MG for suppressing her initial negative reaction to Chiang-Kai Shek and Madame Chiang: i.e.,  Moorehead, unlike MG,  is truly devoted to The People. (For more on this point, see my review essay https://clarespark.com/2011/06/30/links-to-review-essay-on-hemingway-spy-mission-to-china/.)

Now Moorehead could have, had she been any kind of serious intellectual, asked about the political significance of writing about the effects of 20th century wars upon civilians, using imagistic (pictorial) language, as Gellhorn was wont to do. Is there no problem with the aestheticizing of violence, as Walter Benjamin powerfully argued? Do we not end up by focusing upon the demise of Western civilization as an aesthetic experience, distanced from the horrors described, left in despair, overwhelmed by the magnitude of mass death, and launched upon a death trip?

No less than Hollywood pictures, Gellhorn was focused on violence, and put herself in harms way with such daredevil frequency, that one must ask if her restlessness and carelessness about her own safety did not have some neurotic component.  She read thrillers throughout life, CM tells us, but what was the emotional payoff for MG? Was she not striving to live up to her high-achieving parents’ expectations, and punishing them vicariously by risking her life, over and over?

After wading through 424 pages of text, I felt that I had just read a cleverly masked hatchet job. There is much of lasting significance to learn from the life of Martha Gellhorn, but this book has left a bad taste in my mouth.

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