The Clare Spark Blog

July 26, 2014

Darren Mulloy and the John Birch Society

mulloyJBS.jpgThe author is quoted in the Vanderbilt University Press handout for reviewers, quoting the author: “I don’t see the John Birch Society as some part of the ‘lunatic fringe’ of American society, but as a part of the wider culture of the Cold War and as a bridge to the contemporary conservatism of the Tea Party.” VUP: “The John Birch Society played a significant role in the development of the conservative movement as we know it in the U.S.” This statement ignores that the book states unequivocally that it covers the period 1958-1968, with no materials justifying this p.r. guide to potential reviewers, who, presumably will take this book to establish the continuity claimed between the conspiratorial, demonized, and fantastical Welch and his followers and the current disparate foes to “big government.”

D. J. Mulloy is an associate professor in a Canadian university, where he is a member of the history department.A historian is peer-reviewed by the originality of his research and the novelty of the primary sources used. Here are the “primary sources” listed by Professor Mulloy [not one of these is considered to be a primary source comparable to private papers, letters, and diaries, though these must exist in the papers of chief actors in the postwar period from Eisenhower on through Nixon and Ford, not to speak of Buckley and other right-wing characters described in the book: CS ]:
1. John Birch Society periodicals, pamphlets, and speeches
2. Website for JBS.
3. Books (written by eight authors, including Robert W. Welch, Jr.)
4. Newspapers and periodicals
5. Official documents and reports

This is an astounding publication to have emanated from an academic press (Vanderbilt UP, 2014). There are zero examples of either Welch diaries, his correspondence, or the diaries and private correspondence of the chief actors in the melodrama limned by Mulloy. One can only conclude that VUP published a hatchet job directed against all Republicans and conservatives. This despite the evidence supplied by the Venona documents, and the material unearthed by scholars allowed to examine the briefly opened Soviet archives, that did provide proof of Soviet sabotage and spying, as reported by established and more cautious scholars such as John Earl Haynes, Harvey Klehr, Mark Kramer, Ron Radosh, Alexander Vassiliev, and Allen Weinstein.

Moreover, where extremely controversial events are concerned, Mulloy will often cite one book, rather than a variety of interpretations, including those that disagree with whatever claim he makes at the moment in his mad dash through the postwar period.

Chief among his targets is those who claim that the US military budget was justified in light of the fighting strength of the Soviet Union. This is one of the contentions of those Stalinists who accuse [fascist] Americans of starting the Cold War, and of exaggerating the Soviet military threat. Indeed, one prominent New Leftist alerted me to recently declassified CIA documents ‘proving’ that the US was guilty as charged by the Left. But when I looked at these documents, I saw no such materials, but rather, in reviewing the documents treating the Psychological Strategy Board of the 1950s (under the Truman and Eisenhower administrations), I found only disagreement and confusion in high government circles regarding the best approach to dealing with Soviet expansionism. (See http://en.wikipedia.org/wiki/Psychological_Strategy_Board, and my detailed article “Who’s Crazy Now? An Essay Dedicated to Christopher Hill,” UCLA Historical Journal Vol. 10, 1990.)

Another of Mulloy’s professional lapses is his failure to distinguish between class interest and his imprecisely rendered notion of “conspiracy.” Nor is there even an entry in his index for the Popular Front, which might have explained why it was difficult for “extremist” conservatives such as Welch to distinguish between communists and social democrats, a problem that persists today as more and more professed revolutionary socialists deploy the argot of the counter-revolutionary social democrats. (Eric Hobsbawm is one example: see https://clarespark.com/2013/10/28/hobsbawm-israel-the-totalitarian-idea/.)

Moreover, what Mulloy never explains to the reader is this: Marx was never a conspiracy theorist; this was a theoretical point that the JBS didn’t understand, nor probably William F. Buckley either. Socialist revolution would not come from a small group of fanatical terrorists barking out orders from Moscow, but would result from working class revolt, owing to their increasing immiseration under capitalism (resulting from declining rates of profit—a prediction that failed to materialize as Marx had predicted). (Bureaucratic centralism and statism were “Marxist-Leninist” innovations.)

I suppose Mulloy is yet another social democrat who projects his elitism upon a social movement that it does not resemble at all. The populists described in Mulloy’s book were first and foremost suspicious of statist elites, and still are (https://clarespark.com/2009/09/19/populism-progressivism-and-corporatist-liberalism-in-the-nation-1919/ which is indeed elitist).

Working class agency/the labor movement is entirely invisible in Mulloy’s mural of postwar Amerikkka, the land of the easily duped.

demonicobama

August 8, 2013

Neocons, academics, melodrama

Dallas flyer Nov. '63

Dallas flyer Nov. ’63

A welcome voice of moderation and self-examination has crept into some writing on the internet and other mass media. Yesterday, Frontpagemagazine.com published Ronald Radosh’s “take-down” of Diana West’s new book that in his view revived the take-no-prisoners approach of Joseph McCarthy and the John Birch Society (See http://frontpagemag.com/2013/ronald-radosh/mccarthy-on-steroids/#idc-container.) Today, August 8, 2013, I have been in touch with other writers who are calling for a renewed attention to the style in which various commentators who write for a generally conservative audience are addressing their concerns. [Added 8-11-13: Clarice Feldman quoted passages from this blog here: http://www.americanthinker.com/2013/08/demagogic_writers_and_the_people_who_love_them.html.]

(At the same time, a major realignment seems to be underway within the Republican Party as libertarians, classical liberals, and “moderates” or “RINO”s slug it out. I find the “neocons” in this debate to be more appealing, though I understand the outrage of those libertarians who have had it with authoritarian governments, leaders, and families, even as I disagree with their sometimes illiberal views on such questions as gay rights and feminism.)

Since I have been critical of those “moderate conservatives” who masked themselves as New Deal liberals on this website, I think it is time I clarified my own stand on “moderation.” (See https://clarespark.com/2010/11/06/moderate-men-falling-down/.)

True moderation is linked to balance. These are powerful words that send a signal to the emotions of the reader that s/he will not be humiliated or stomped underfoot with ridicule. The reader will not fall down or be tossed over a cliff. So far, so good. I have tried to be forthright and scholarly, specifying my sources and giving weight to those opponents whose considered opinions clash with mine. The key word here is “considered.” I have little patience with amateurs who take advantage of the internet and cable news to delve into political and diplomatic history willy nilly, taking advantage of the poor educations of their target audience—an audience that is hurting, confused by conflicting truth-claims, and looking for guidance. It is possible to be moderate without being wishy-washy or wavering. We are all limited by limited access to documents and to our own inner psychodramas. And yet we strive for objectivity and for truthfulness. But the heated political language of our time, playing on our emotions, makes moderation a wish, rarely achieved. Some of our “unmaskers” are self-righteous opportunists, unbalanced and averse to even friendly criticism. True, they seek your financial support, but there must be more to it.

Here is a tentative suggestion: Popular culture is often expressed in a language of melodrama that turns us back into the dependent states of childhood, even infancy. How ironic that a wildly popular book that celebrates sadomasochism is entitled “Fifty Shades of Grey.” For the images of S-M are black and white, elevating domination and submission, sometimes simultaneously. In this regressive alternative universe, we are Heroes, Villains, and Victims, switching places at alarming speed. Insofar as we are attuned to these archetypes, we are stuck and dependent on demagogues.

There is no place for true moderation in the S-M universe, or in the language of paranoid populists who hate the more emotionally and intellectually responsible and mature. There is something to be said for the moderate tone and demeanor of the public intellectual/statesman, self-revising, self-critical, and attuned to the worries and fears of the reader. (For part two of this analysis see https://clarespark.com/2013/08/09/melodrama-and-its-appeal/.)

johnbirchsign

May 16, 2013

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