The Clare Spark Blog

November 5, 2013

Kerry Washington, SCANDAL, and miscegenation

Kerry W in “Olivia Pope” mode

This blog is about actress Kerry Washington’s confusion about the primary fear of segregationists in both the antebellum North and South and then in the post-60s age of multiculturalism. The host of SNL November 2, 2013, complained that she was paired with a white president. Ms. Washington seems not to have understood that her sexual liaison with the white President was the scandal of SCANDAL.

On Monday November 4, the bean counters of NPR noted Ms. Washington’s appearance on SNL, noting that she was funny, and that it was scandalous that there was no regular African-American female cast member.  (See the “diversity” issue brought up here also: http://popwatch.ew.com/2013/11/03/snl-recap-kerry-washington-eminem/.)

It is indisputable that the fear of miscegenation was the great fear of Americans before bohemianism and bogus ‘anti-racism’ overtook American culture,  recent developments that have screwed up the formulators of affirmative action, who relied on blood and soil definitions of identity, as had their German Romantic forebears. What box to check when the applicant has “mixed blood”?

What follows is an excerpt from my book ms. that lays out the overpowering importance of “amalgamation” that infused even so advanced a city as antebellum Boston, home of abolitionism and such luminaries as William Lloyd Garrison, Wendell Phillips and Charles Sumner.  By radical Enlightenment, I refer solely to intellectual freedom and human rights as limned in the Declaration of Independence and the First  Amendment to the US Constitution. (I call the Progressives conservative enlighteners, because they co-opted ‘science’ in the service of political stability and social cohesion, discarding the search for truth: although they gave lip service to it.)

[excerpt Hunting Captain Ahab, chapter 2:] One distinguished proto-Progressive was Lemuel Shaw, Chief Justice of the State of Massachusetts (1830-60), Herman Melville’s father-in-law and patron until his death. I have joined two of Shaw’s major decisions to suggest a leitmotif for the Melville Revival: the paradoxical Progressive gesture of simultaneous incorporation and encysting; we will see this process repeated as ambivalent Melville scholars elevate/reject Melville as Ahab, charismatic transmitter of radical Enlightenment.

[Proto-Progressive]Judge Shaw had decriminalized labor unions in his landmark decision of 1842, Commonwealth v. Hunt.[i] In Sarah C. Roberts v. City of Boston, 1849, however, Judge Shaw created the precedent for Plessy v. Ferguson, 1896, the “separate-but-equal” doctrine that was not overturned until Brown v. Board of Education removed the legal basis for school segregation in 1954. Concluding the Roberts case, Shaw announced a unanimous decision by the Massachusetts Supreme Court upholding the right of the Boston Primary School Committee to exclude black children from white schools as long as blacks were educated elsewhere. The Chief Justice explained, “The law had not created, and could not alter the deep-rooted prejudice which sanctioned segregation.” Undaunted, Charles Sumner, advocate for five-year-old Sarah Roberts and her father Benjamin, pressed on, accompanied by fellow abolitionists and integrationists, white and black. With the added support of sympathetic opinion in the towns, school segregation was outlawed by the state legislature and signed into law April 28, 1855. Prayed the New York Herald May 4,

“Now the blood of the Winthrops, the Otises, the Lymans, the Endicotts, and the Eliots, is in a fair way to be amalgamated with the Sambos, the Catos, and the Pompeys. The North is to be Africanized. Amalgamation has commenced. New England heads the column. God save the Commonwealth of Massachusetts!” [ii]

Propinquity alone must overwhelm blue blood; ring the tocsin! Not so for Captain Ahab as he took “Bell-boy,” the black child Pip, into his cabin: “Come! I feel prouder leading thee by thy black hand, than though I grasped an Emperor’s!” Melville and his revivers often diverged in their approaches to independent labor organization and its multifarious amalgamations; the labor question, in turn, is entwined with epistemology in an Age of Revolution. In the venerable centrist discourse (in use since the English Civil War) agreeable folks possessed qualities hitherto associated with race or ethnicity: moderates were good (Tory) Anglo-Saxons; extremists were bad (Hebraic) Anglo-Saxons, overtaken and infiltrated by radical puritanism–the source of all obdurate, selfish, polarizing and deceptive materialist influences. As introduced above, I use the term “corporatist” and “organic conservative” to characterize the triumphant ideology of postwar businessmen, federal bureaucrats and union leaders, the moderate men of “the vital center,” viny humanists all. Emulating the gradualism advocated by the eighteenth-century politician Edmund Burke, the corporatist ideologues presented their scientific socio-economic theory as progressive, i.e., updated and rectified liberalism. The claims of individuals would be balanced against the claims of community and tradition. A weak social democracy was the outcome, with the stipulation that the doctrine of abstract rights, a Jacobin innovation, was out of bounds.

The holistic “vital” vision would unify warring fragments. Spiritualized but fact-loving moderates were at odds both with materialists to their Left (such as the IWW and the Socialist Party, later the Communist Party and the anti-Stalinist liberal Left) and with materialists to their Right. During the Depression, the Left wanted independent labor unions, extensive government regulation of industry, and all forms of social security (including health insurance) to emanate directly from the federal bureaucracy; the market-oriented Right opposed all labor unions and all state regulation. (For the latter, “inefficient” national social security programs would undermine self-reliance, choice, and local control. At that time, some Progressives classified National Socialism as a racist movement of the Left, not the Right; indeed, during the 1930s Gerard Swope’s social democratic proposals, more extensive than Roosevelt’s, were greeted by Herbert Hoover as “fascistic.”)

Kerry femme fatale mode

Kerry femme fatale mode


                [i]  10. See Philip Foner, History of the Labor Movement In The United States, Vol.1 (New York: International Publishers, 1947), 163-64. Foner was discussing the Whig pretense that their party served the interests of independent workingmen using suffrage to remedy their grievances. Shaw’s decision had made it legal “to organize and bargain collectively” (but with “enough leeway” to be gutted by “reactionary judges”). In 1839-40, seven leaders of the Boston Journeymen Bootmaker’s Society had been indicted and found guilty for conspiracy, the bootmakers having made rules that would have excluded non-members from the craft. It was argued that they maliciously intended to destroy the plaintiff’s business; Shaw was reversing a Municipal Court decision that had held the Bootmakers’ regulations a conspiracy, enforced or not. Foner quoted Shaw’s opinion: associations could “adopt measures ‘that may have a tendency to impoverish another, that is, to diminish his gains and profits, and yet so far from being criminal and unlawful, the object may be highly meritorious and public spirited. The legality of such an association will therefore depend upon the means to be used for its accomplishment. If it is carried into effect by fair or honorable and lawful means, it is to say the least, innocent, if by falsehood or force, it may be stamped with the character of conspiracy.’ ” Shaw had drawn a clean boundary between honorable and dishonorable social action; Melville would be interrogating Shaw’s distinction in his most disputed texts: what if the fair and honorable were always punished, while the rascals were deemed “innocent”?

                [ii] 11. See Leo Litwack, North of Slavery (Chicago: Univ. of Chicago Press, 1961), Chapter 4 for a full discussion of the conflict. The Roberts case was argued by Charles Sumner before Shaw’s court, Dec. 4, 1849. Melville began writing Moby-Dick in 1850.

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May 30, 2013

Nostalgia for the “Middle Ages”

old tapestry(Update: there is a big fight among academics as to whether or not the late Middle Ages were not the true originators of science and great art. New Left and Catholic scholars seem to be in the vanguard of this move. The arguments are very heated, and suggest many persons reject modernity/mass politics/technology/machines, unless they can be reconciled with religion, particularly Catholicism or its hybrids. The Greens, who merge with Nature (as opposed to modern domination of Nature) might be considered as romantic medievalists.)

New Republic literary critic Leon Wieseltier was quoted in the Wall Street Journal op-ed page, May 29, 2013 as “Notable and Quotable.” These excerpts were taken from the commencement speech delivered by Wieseltier at Brandeis University on May 19, which warned students not to yield to the blandishments of science and technology.: “There is no task more urgent in American intellectual life at this hour than to offer some resistance to the two imperialisms of science and technology, and to recover the old distinction—once bitterly contested, then generally accepted , now almost completely forgotten—between the study of nature and the study of man.  …You who have elected to devote yourselves to the study of literature and languages and art and music and philosophy and religion and history—you are the stewards of that quality….Perhaps culture is now the counterculture. “

Wieseltier believes that this “saving remnant” will protect us against “the twittering acceleration of American consciousness….” [What on earth does he mean by that?]

This imprecation to drastically sever the link between the study of man with the study of nature, coupled with his nod to “religion” rhymes very well with the occasional turn to medievalism at such bastions of ex-leftist or populist thinking as Pajamas Media (see http://pjmedia.com/lifestyle/2013/05/28/video-in-defense-of-the-middle-ages/, seen also on the Dennis Prager “university” http://www.prageruniversity.com/History/Were-the-Middle-Ages-Dark.html. These videos are based on the work of Anthony Esolen: http://en.wikipedia.org/wiki/Anthony_M._Esolen)   It has been my position as both a student of intellectual history (with a strong interest in art and literary history), that the freethinking individual was unknown and often burned at the stake for daring to deviate from the rules laid down by medieval and even Renaissance priests and monarchs.

weapons-of-middle-ages

The Promethean impulse was sorely punished before the Enlightenment, and even Voltaire had to publish anonymously. And that pioneer Spinoza was hounded as a heretic for his materialist philosophy that joined Man with Nature and for his support of the short-lived but pathbreaking Dutch Republic in the seventeenth century.

But what is most disturbing, almost laughable, is Wieseltier’s posture as a revolutionary naysayer to the most advanced democracy in the history of our species, when he comes out as a diehard reactionary. Perhaps he likes girls with long tresses. The Middle Ages lingered into the 19th century with the vogue for William Morris craftsmanship, or before his ascendancy, the prestige of the Pre-Raphaelites, now in revival as a protest against the “desecration of nature.”

A contemporary version of Archangel Raphael

A contemporary version of Archangel Raphael

The real Middle Ages were a period of anarchy and arbitrary authority, localism,  interminable warfare, short life expectancy, institutionalized Jew-hatred, material deprivation, and slavery to powerful overlords, whose control over the lower orders was reinforced by “religion” that Wieseltier lauds as the proper study of his new counterculture (note that he does not distinguish between religions at odds with each other and with secularism. Such vagueness is typical of the moderate men who do not want anyone to be angry with them).  The centuries of struggle and sacrifice that brought us to pluralist, secularized modernity should not be so casually overturned by Brandeis University and its supportive media institutions. As for the study of cultural artifacts that Wieseltier recommends, it is not so easily accomplished as he imagines. Art works do not speak for themselves: they are always positioned against competing ideas and rules: look to their patrons and you will find the key to their artworks. Indeed, one of the great neglected themes in Melville scholarship (and the same might be said for his contemporary Victor Hugo) is ambivalence, as artists struggle with themselves either to accept or reject their freedom to write as they feel, for social cohesion is at stake, including their own interior conflicts that they imagine can hurl them into the abyss of poverty and artistic failure. (Melville’s father-in-law was Lemuel Shaw, a conservative Whig and Chief Justice of Massachusetts, also his patron.)

There is much to be criticized in this modern world, but its defects are not traceable to the “imperialism” of science and technology, but to the reactionary forces that thought that the transition from feudalism to capitalism could be managed without quality mass education and the preservation of the individual conscience and its rights as institutionalized in the First Amendment to the American Constitution. I remember Dr. Henry A. Murray, mind-manager extraordinaire, complaining about religious pluralism because the very fact that some had different belief systems suggested that one’s own religion  might be fallible. Such self-doubt (often described as ambiguity) fostered social division, not the desired social cohesion. (See https://clarespark.com/2012/03/26/henry-a-murray-and-the-tat/, or https://clarespark.com/2014/12/29/the-leader-principle/, or https://clarespark.com/2012/09/22/materialist-history-and-the-idea-of-progress/.) Is it any wonder that so many artists and writers must write under a mask, simply to express their inner selves?Mask-SuttonHoo7thC

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