The Clare Spark Blog

May 14, 2016

The difference between communists and social democrats

technology dominating nature; painting by Bansky

technology dominating nature; painting by Bansky

I have just finished reading Isaac Deutscher’s much criticized biography of Josef Stalin. Although it has been criticized as an attempt to rehabilitate the Soviet dictator, I learned (or reviewed) a lot about Stalinism, especially as viewed by a Marxist-Leninist. (For a long but comprehensive essay in opposition to Deutscher see (https://www.marxists.org/archive/shachtma/1950/09/deutscher-stalin.htm. I don’t agree with Schactman here; Deutscher’s notion of Stalin’s revolution from above was in response to the failure of communist revolution in the West. )

I am writing this blog because it is often difficult for conservatives unfamiliar with the USSR and generally down on progressivism, to tell the difference between different factions of “the Left” and the mass media won’t touch this subject, lest they reveal their own covert (?) “moderation” that places themselves in the sane middle, while their opponents are nuts.

Thus Bernie Sanders can pass himself off as a “democratic socialist” and run with the progressives, while implicitly denying that he is any kind of “extremist.”

No person educated in the basics of Marxism or Leninism would fall for this charade. I should not have to say this again, but Big Government is an elitist ploy by former laissez-faire capitalists to adapt to Red “proletarian internationalism” by a sharp move to the [populist] Left. See the explicit program of such as The Nation editor Oswald Garrison Villard in 1919, while Europe was in revolutionary turmoil. (https://clarespark.com/2012/07/19/communist-ideas-go-mainstream/, and https://clarespark.com/2009/09/19/populism-progressivism-and-corporatist-liberalism-in-the-nation-1919/.)

The communists of the 1930s were largely Stalinists, believing that capitalism was oppressive and would inevitably be overthrown by the (conscious) industrial working class, led by the USSR. They were underground, professed to be pro-technology, anti-racist and anti-capitalist (but not always anti-American), and were deeply shocked by Krushchev’s “revelations” of Red hanky-panky during the Stalin era (which Deutscher pooh-poohs as an attempt to elevate Stalin’s successors).

ecofeminism

All that changed with the turn toward agrarian nostalgia in the Maoist New Left, which elevated peasant revolts and was anti-imperialist. It is thus no accident that today’s Red/Pink Greens have seized upon the ostensibly bourgeois assault upon “Nature” as the centerpiece of their ‘revolutionary’ program, a program that Sanders (like Obama) endorses, for their anti-urban sentiments allege that the big, bad bourgeoisie were out to dominate Nature, and that “Nature” hath decreed that our species should be “rooted”.

Image by Hannah Yata

Image by Hannah Yata

Nothing worse than a “rootless” cosmopolitan; and here their “multicultural” argot agrees with post-WW2 Stalin about to embark upon a second Holocaust. The only point where today’s social democracies agree with communism (Russian style) is in their ever more obvious anti-Semitism.

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May 2, 2015

Mosby, multiculturalism and the persistence of feudalism

A populist take on feudalism

A populist take on feudalism

I have been  reading both older and newer scholarship on European history from late antiquity to the late Middle Ages, and am struck by several features that persist in our political culture: obedience to “authority” (stable hierarchies); and the search for “leaders” reminiscent of the Good Kings of feudal times—the King who, unlike “the Jews,” was not money-mad or selfish. Populists from Left to Right yearn for his return, for he makes us feel safe in an unpredictable and hostile world.

It has occurred to me that the nostalgia for the Middle Ages that I have noted earlier (see https://clarespark.com/2012/09/22/materialist-history-and-the-idea-of-progress/ or https://clarespark.com/2013/05/30/nostalgia-for-the-middle-ages/), is not nostalgia at all, but a sign that capitalism, individual opportunity, self-reliance, and mass participation in politics as individuals weighing facts (as opposed to ethnic identification—the hyphenated Americans) has not yet been achieved, though such 19th century figures as Ralph Waldo Emerson famously wrote about “self-reliance.” (http://www.emersoncentral.com/selfreliance.htm.)

How does multiculturalism undermine the virtues we attribute to market societies, and the rule of law for rich and poor alike, equality that is presumably built into our Constitution and the notion of “liberty”?

First, we might go back to the late 18th century and look at Herder and other German Romantics (all reactionaries fearful of “materialism” and the singularity of the rootless cosmopolitan).  For it was Herder and his followers who popularized the notions of ethnicity and national character—collectivist notions that would be institutionalized in the Aryan supremacist Nazi State (a time when Herder’s notions were revived, and in vogue, though the 19th century racists had already become popular).

But the major impetus to multiculturalism in the US was the fear of proletarian internationalism and a feisty new industrial working class (much of it immigrant), that seemed to be taking power after the American Civil War unleashed industrial development and then after the Soviets mounted their revolution in 1917, prefigured by socialist movements in the US and Europe. So such figures revered by liberals as Randolph Bourne and Horace Kallen stressed the long-standing idea of ethnicity as way more important than class conflict or even so an elastic concept as “class interest.”

What does this have to do with black nationalism and the future of the six black cops in Baltimore, charged by Marilyn Mosby in the death of Freddie Gray?

malcolmx

The most relevant feature of cultural nationalism is the belief that each “ethnicity” or “race” is incomprehensible to members of other designated groups. Out goes any potential agreement on “facts” in the upcoming trial of the black cops, for black nationalists will view the three black cops as “race traitors” who should have acknowledged that the forces of law and order are out to get them in the interests of “white supremacy.” All of a sudden, Marilyn Mosby, State’s Attorney for Baltimore, has no particular bias as an opportunist taking advantage of token reformism as a response to the condition of blacks in Democrat-run urban ghettoes, for all blacks, like all whites, share the same (class) interests in the argot of multiculturalism/racism.

Such is the deadly logic of multiculturalism with its outdated, but persistent, notion of “ethnic” tribalism, a leftover from pre-capitalist periods in history, periods notorious for their hostility to dissent, innovation, and agreement on universal facts (independent of “perspectivism”/“point of view”). Is it any wonder that we are polarized to the point of collapse of the rule of law, for decades and centuries of indoctrination and experience have convinced much of our black population that there is no justice and no peace.

Maoist conception of the vanguard

Maoist conception of the vanguard

August 6, 2012

Gellhorn’s “blind spot” on Israel

Caroline Moorehead

[For a related blog see https://clarespark.com/2012/06/16/the-social-history-racket/.]

According to Martha Gellhorn’s most prestigious biographer, Caroline Moorehead (a champion of “human rights”), Gellhorn, the famed war correspondent and novelist (1908-1998), was dead wrong in her enthusiasm for the Jewish state, an error that Moorehead seems fixated upon in her much lauded biography of 2003, for she does not hesitate to dilate upon her own under-researched opinions on the history of Israel and its conflict with the “Palestinians” and Israel’s neighbors.  (I have been rereading Moorehead’s biography and another feminist study of MG. It was not Moorehead, but British leftist “Rosie Boycott” who used the term “blind spot.” Moorehead does report that in time, MG came to see Israelis as “arrogant and boorish.” This was solely CM’s characterization of MG’s letter to Robert Presnell in 1967. These words not in quotation marks.)

What is perhaps most striking is that Gellhorn, who did have some Jewish ancestry, had no apparent Jewish identity until she was present at the liberation of Dachau, and was struck down by the visible presence of evil, evil of such magnitude that her prior faith in human perfectibility (inherited from her parents, especially Edna) was shot forever. Indeed, the recent HBO film (Hemingway and Gellhorn) uses archival footage of Dachau’s victims, and then affixes the face of Nicole Kidman (playing Gellhorn) upon one of the victims in the pit of corpses, suggesting that this might be some kind of awakening or turning point for MG. (In the just-issued DVD and Blue-Ray edition of the movie, this latter scene is edited out, and we see MG fleeing into the woods, instead. There will be nothing about MG’s attachment to Israel in the HBO script.)  Indeed, the Wikpedia entry on Gellhorn plays up her ancestry as German, not partly Jewish. Gellhorn herself wrote these words after visiting Gaza in 1956: “These kibbutzim are the only places I know where a daily practical effort is made to follow the teachings of Christ.” (The View From The Ground, p. 136). So much for Gellhorn’s enthusiasm for Israel (or the “half-Jewish” identity ascribed to her by the HBO movie Hemingway and Gellhorn?).

It should be noted that Moorehead has had exclusive access to Martha Gellhorn’s papers at Boston University, and hence her lengthy biography had detail and heft that was presumably denied to competing biographers. It is also true that a wandering scholar cannot go into these papers and check Moorehead’s claims for accuracy.

Now that I have finished reading this supposed tell-all biography, I do have more ammunition to complain about the HBO rendition of the Gellhorn-Hemingway marriage (the notion that MG was having great sex with Hemingway is preposterous), but important questions are raised about authors who are not scholars, but biographers soi-disant, and who use archival materials to grind their own political axes. In Moorehead’s case, we learn about matters that are only of passing relevance to those interested in the achievements of the first major female war correspondent, whose colleagues, friends, and acquaintances were among the most significant social democrats, fascists, and/or communists of her time, H. G. Wells, Bertrand de Jouvenel, Robert Capa,  Joris Ivens, Lt. General James M. Gavin, Leonard Bernstein, and Eleanor Roosevelt for just a few examples. But CM’s details do appeal to our lower instincts, for instance the reader’s voyeuristic curiosity about bad sex, affairs with married men, abortions, a rape, naked sunbathing and swimming, facelifts, friendships with other celebrities, the absence of maternal instincts, and her final exit as a suicide.

I have no doubt that Moorehead thinks of herself as a feminist, yet she trots out as many as four abortions, perhaps to undermine her subject’s credibility as a humanitarian like herself. (Moorehead wrote other biographies, for instance of Freya Stark, an Arabist, or Bertrand Russell, whose anti-Zionist views are well known.) And I wonder if Moorehead is not a Third Worlder, for she slams MG for suppressing her initial negative reaction to Chiang-Kai Shek and Madame Chiang: i.e.,  Moorehead, unlike MG,  is truly devoted to The People. (For more on this point, see my review essay https://clarespark.com/2011/06/30/links-to-review-essay-on-hemingway-spy-mission-to-china/.)

Now Moorehead could have, had she been any kind of serious intellectual, asked about the political significance of writing about the effects of 20th century wars upon civilians, using imagistic (pictorial) language, as Gellhorn was wont to do. Is there no problem with the aestheticizing of violence, as Walter Benjamin powerfully argued? Do we not end up by focusing upon the demise of Western civilization as an aesthetic experience, distanced from the horrors described, left in despair, overwhelmed by the magnitude of mass death, and launched upon a death trip?

No less than Hollywood pictures, Gellhorn was focused on violence, and put herself in harms way with such daredevil frequency, that one must ask if her restlessness and carelessness about her own safety did not have some neurotic component.  She read thrillers throughout life, CM tells us, but what was the emotional payoff for MG? Was she not striving to live up to her high-achieving parents’ expectations, and punishing them vicariously by risking her life, over and over?

After wading through 424 pages of text, I felt that I had just read a cleverly masked hatchet job. There is much of lasting significance to learn from the life of Martha Gellhorn, but this book has left a bad taste in my mouth.

May 15, 2012

Progressive uplift vs. “New Left” nihilism

Bill Ayers, Weatherman

Several writers on the Right have been selling books with the premise that the Progressive movement in early 20th century America was protofascist, or fascist and racist. Their aim is to mobilize their constituencies to vote for organic conservatives like themselves in the hopes of halting “the nanny state.”  Similarly, they dwell on the President’s links to racist extremists in the period before he ran for office as a uniter, not a divider.

In this blog, I argue that it is an error to link in any way whatsoever the Progressive uplifters and more recent advocates of violence and anarchy. For uplift was an orderly process, an expression of the “moderate” strategies of the chief publicists of progressivism. It was also, at its core, defined against “revolutionary radicalism” as evidenced in the I.W.W. or anarchism in the labor movement. Here is a juicy example of their thought, taken from my book on Melville and from a previous blog. (See https://clarespark.com/2009/11/13/supermen-wanted-early-freudians-and-the-mob/, also https://clarespark.com/2010/03/10/jonah-goldbergs-liberal-fascism-part-one/.)

[Revolutionary Radicalism, “Epilogue”:] “In this rapid survey of a new and important educational idea we have carried Marja, the immigrant girl, from king and caste-ridden Europe to America, the land of hope and opportunity. We have seen her struggle with an unknown tongue and with ways of life unfamiliar to her. In the end we see her transformed, reborn–no longer foreign and illiterate, but educated and self-respecting. Later she will marry and her children, though they may have traditions of another land and another blood, will be Americans in education and ideals of life, government and progress. It was been worth while that one man has broken through this barrier and made the road clear for others to follow.

“All real education has the development of discipline as its basis. Poise, self-control and self-esteem are characteristic of the well-ordered mind, and the growth of these in the industrial worker makes for efficient service and better wages. Gradually there is an awakening of social consciousness–the awareness of one’s place in society and the obligations such membership entails upon the individual in respect to the group or racial mass, with a constantly developing sense of one’s personal responsibility in all human relationships.

“In conclusion, the higher significance of this work means that we must descend the shaft and share the lives of those that dwell in the lower strata–the teeming populations that never see the stars or the green grass, scent the flowers or hear the birds sing–the huddled, hopeless foreign folk of the tenements. We are living in the Age of Service, and are growing into a conviction that life is not a matter of favored races or small, exclusive social groups, but embraces all humanity and reaches back to God. To those of prophetic soul comes a vision of the day that haunted Tennyson when ‘The war-drum throbbed no longer and the battle flags were furled/ In the Parliament of Man, the Federation of the World.’ ” [From N.Y. State Legislature. Joint Committee Investigating Seditious Activities, Revolutionary radicalism: its history, purpose and tactics with an exposition and discussion of the steps being taken and required to curb it, being the report of the joint legislative committee investigating seditious activities filed April 24, 1920 in the Senate of the State of New York (Albany: J.B. Lyon, 1920), 2014, 2201, 3136-3137.]

Here we have a statement that is clearly ideological in favor of order and their version of Americanization; for a related blog see https://clarespark.com/2009/09/19/populism-progressivism-and-corporatist-liberalism-in-the-nation-1919/ .

Far different was the Prairie Fire contingent of Maoists (along with hippies and anarchists?): See /http://en.wikipedia.org/wiki/Weather_Underground_Organization#Prairie_Fire_1974) who took over (replaced?) Students for A Democratic Society from the “Old Guard” in the late 1960s. First a bit of socialist history. In 19th century Marxist thought, it was the educated and urbanized working class that would comprise the vanguard of change. But after the stunning success of the Soviet coup in October 1917, Leninism (a branch of socialist thought that lauded bureaucratic centralism and the vanguard of intellectuals), the old Marxist anti-statist paradigm was discarded in favor of “Marxist-Leninism” with its attendant Trotskyist notion that the communist utopia could leapfrog over the bourgeois democratic phase, and stir the victims of imperialism to overthrow their European or American masters by any means necessary. (It was Stalin, not Trotsky, who insisted upon “socialism in one country.”) In China, a model for 1960s revolutionaries everywhere, the rural population was now the revolutionary vanguard, provided that they were taught by the correctly indoctrinated intellectual layer.

Such journalists as Theodore White and Edgar Snow transmitted the Maoist message to American radicals, where they received support from a communist-sympathetic faction in the U.S. Department of State.  (For details, see https://clarespark.com/2011/06/30/links-to-review-essay-on-hemingway-spy-mission-to-china/.)

To these developments in revolutionary theory, add the general brutalization caused by the slaughter of the Great War, much emphasized by George L. Mosse and his students at the U. of Wisconsin; while in the realm of culture, primitivism ruled the 1920s as a white response to the growing power or prestige of New Negroes, New Women, and working class radicalism. Indeed, Ernest Hemingway’s rise to cultural prominence as a manly prose stylist may be seen as a purification of the too-florid and feminized Victorian culture that had put white males on the defensive. Supermen were wanted, and supermen were provided by our leading writers in the Nietzsche fad that still finds adherents among ambitious students, for instance those who follow such decadent musicians as Jim Morrison and the Doors.

And what were the order-loving nativists of the Progressive movement doing after the war? They were certainly not manning the outposts of the grand innovations of mass media, including radio and the movies. Rather, that task fell to recent immigrants, who sought audiences among the masses whose instinctive populism was fully exploited, as I described here in my blog on Charles Murray (https://clarespark.com/2012/05/04/3957/):

“Early Hollywood had no illusions about mass taste, and provided adventure, sex and violence to a readymade audience that already was alienated from snooty and exclusive nativist old families. The Mayers or Goldwyns or Laemmles and their movie or television offspring still adhere to populist feeling and a hefty dose of primitivism. Social realism and didacticism do not sell, except as a warning to other “liberals” that the natives are restless and gun toting, or that criminals may be running everything. But Murray is worried that the white working class is obese and watches too much television, as if the skinnier upper classes do not enjoy the more sophisticated adventures, romance, soft porn, escapism, and even artiness provided by the younger writers and producers, affected as they have been by counter-culture naughtiness, identification with Marlon Brando or James Dean, clever parodies, and fun.”

When I first started my Pacifica radio programs on the art world in the early 1970s, I noticed that the Los Angeles hipster male artists were fans of Eldridge Cleaver and Malcolm X. Since I was relatively uneducated in the ways of black supremacy or nihilism* in general, I was not on guard. Not long ago, I checked out a copy of a manifesto titled Prairie Fire (1974), a production of the Weather Underground (authors William Ayers, Bernadine Dohrn, Jeff Jones, and Celia Sojourn). It was so violent in its language and in its aims, that I had to put it down; it was simply unbearable in its stridency. For a fictional peek into the European nihilists who were their contemporaries, see William Herrick’s Love and Terror (1981), a brilliant and disturbing work that reveals the mindset of the Baader-Meinhof gang. The intellectual antecedents of such urban terrorists are not to be found in the utopian thought of Marx, but in the ravings of such radicals as Marx’s rivals: Proudhon and Bakunin, earlier Babeuf, later George Sorel. For all of them “property is theft” and no crime is too vicious, no product of human labor off limits to their fury and defiance.

I wrote this blog because I see the some of the same thuggery in some protest movements (the “Red-Greens”, the Occupy Wall Street troops, Chicano irredentism, or black liberationist tendencies–see photo of Michelle Obama associating with the Nation of Islam below). I worry that the Baby Boomer parents of the antiwar generation who raised their children to be spontaneous and creative, will only egg on the mindless acting out in which they, the sadder but un-wiser generation, frequently indulged as young women and men. These nouvelle enragées owe nothing to the progressives who led both American political parties to dominance in the 20thcentury. It is also true that Communists infiltrated the progressive movement, using the Popular Front as their entry. The writing of “cultural history” has been deformed accordingly.

*By nihilism, I do not refer to anthropology that argues for cultural relativism and historicism, but to the apparent promotion of “beast of prey” by Nietzsche in such works as Beyond Good and Evil or The Genealogy of Morals, both read and studied by Jim Morrison (see comment below that defends Nietzsche against such readings).

Michelle Obama and friends

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