The Clare Spark Blog

March 11, 2013

Do House hard-liners want a theocracy?

CabaretAre the culture wars heating up?

Some right-wing websites are calling for a re-energized cultural offensive, one that would dislodge the monopoly that “the Left” has attained in education, particularly in public schools, in the elite universities, and in popular culture. For these warriors (including “moderate” Bill O’Reilly), social democrats (once known as liberal anticommunists) and various Leninists are all under the same statist umbrella, and they must be stopped cold.

The rightist culture warriors will be blocked and court discouragement, for they face opposition from “RINO’s” (a.k.a. the big businessmen who joined the progressive Keynesians in 1942), as well as from the new “Jacobins” out to get them in the Democratic Party. In short, movement conservatives partake of a discourse of degeneration, and I understand their panic, for small businessmen and many medical professionals will take the brunt of Democratic initiatives such as Obama-care.

Underneath the angst is a now explicit belief that Hollywood Jews have created the hyper-sexualized culture, money-worshipping mass culture that flouts religious warnings about the dire effects of pornography, adolescent sexuality, gay marriage, and abortion on demand. Thus conservative novelist Andrew Klavan defended Seth MacFarlane’s performance at the Oscars 2013, for moral laxity should be boldly and freshly confronted. (See https://clarespark.com/2013/03/04/romney-v-the-cultural-politics-of-mean/, and https://clarespark.com/2013/02/25/potus-michelle-and-the-end-of-the-democratic-republic.)

Many of my readers are aware that a prime ingredient in contemporary antisemitism is the association of Jewry with a money-mad, materialist culture. But fewer perhaps know about the Nazi trope (shared by both Julius Streicher and Hitler) that Jews were intent on corrupting the pure flesh of Christian women, indeed were the chief white slavers/whoremasters. How should a moral Christian respond to this apparently unstoppable “Jewish” offensive that is engendering hyper-sexualization, single-mother families, illegitimacy, and devil worship? Have we not seen very effective plays, movies, and television series transmitting the notion that “decadence” (i.e. degeneration) is inimical to the (unitary) values of the Christian West? I am thinking of productions such as CABARET, CHICAGO, and perhaps THE GOOD WIFE (also set in Chicago, and suggesting that the legal profession is similarly intent on materialism and sex, in or out of marriage).

goodwife

What the rightist culture warriors neglect is the plain fact that modern medicine and public health measures have drastically lengthened life expectancy, postponing marriage more than a decade after the onset of puberty. In this technologically advanced world, the old rules are outmoded. Who exactly is resisting sex education in middle school and high school? Laura Ingraham, sitting in for Bill O’Reilly last Friday, was visibly discomfited when one of her guests suggested that sex education was necessary to teach nubile young girls the difference between sex and a relationship.

The social conservatives seem so intent on taking over the Republican Party, dislodging what they view as an “establishment”, that they may be consigning themselves to permanent irrelevance. Cultural pluralism and the secular state are broadly institutionalized.  Pace Klavan et al, the culture warriors may be too internally uptight to make popular culture artifacts that reach out to a broad public.Chicagoposter

The advice from this scholar and political independent is to focus on fiscal conservatism, to divest oneself and one’s party of embedded and explicit antisemitism, and to cherish the pluralistic society that welcomes all belief systems and all social criticism, under the rule of law. Now remind me who censored the movie version of Streetcar Named Desire and Suddenly Last Summer? (See https://clarespark.com/2009/10/02/roman-polanski-and-his-critics/, and https://clarespark.com/2010/09/27/cannibals-negro-jazz-and-servile-revolt/.)

March 4, 2013

Romney v. the cultural politics of “Mean”

WSJ cover art March 2-3

WSJ cover art March 2-3

Fox News Sunday, March 3, 2013, ran a long interview with Mitt Romney and Ann Romney. I was struck once again by how nice the Romneys were, and how “gentlemanly” were Mitt’s opinions and demeanor.

Everyone has an opinion on why Obama defeated Romney, but no one has commented, to my knowledge, on the cultural politics of “Mean.” For instance, Seth MacFarlane was ostentatiously mean during his Oscars hosting, yet he is being defended by feminists and conservatives for nailing Hollywood actresses for adding to the dread “hyper-sexualization” that those strange bedfellows (feminists and cultural warriors of the Right) laud in the song “Boobs” that outed all those actresses who had bared their breasts for the [white slavers of Jew-controlled Hollywood]. (See Andrew Klavan’s new piece http://pjmedia.com/andrewklavan/2013/03/03/conservatives-are-boobs-when-it-comes-to-pop-culture/. Then compare Klavan’s defense of MacFarlane with my own analysis: https://clarespark.com/2013/02/25/potus-michelle-and-the-end-of-the-democratic-republic/.)

Similarly, conservatives are on board with the obviously misogynistic insult to mothers when they call the paternalistic welfare state “the nanny state”.  Or take the impressively educated actor David Duchovny, interviewed on NPR last week, who explained why he could watch The Godfather over and over, for he was captivated by Marlon Brando’s transition from Mafia don to murderer, which is Duchovny’s idea of fatherhood, a point he made quite clearly.

Or take yet another example from the hip media: the much-admired series The Good Wife seems to celebrating opportunism over the moral quandaries it had previously explored in a successful Chicago law firm. “Alicia” (played by Julianna Margulies) has made the transition from self-torturing moralist to opportunist, and is demonstrably mean to the (exploited) associates in her new role as “equity partner.” Will the writers take her down in future episodes? I doubt it, because I suspect that “mean” is the new “cool,” and the chic Margulies, dressed to the nines with very high heels, is the role model du jour. Nice guys and gals finish last, and Alicia will go with the winner.

Freud and his ever dwindling followers warned about the brutalization of culture during and after the Great War. Even that outpost of balance and moderation the Wall Street Journal ran a story about female executives persecuting their female underlings, illustrating their piece with a gigantic spike heeled black shoe, the very symbol of sadism and masochism. See the first page of Section C, March 2-3, 2013: “The Tyranny of the Queen Bee: Women who reached positions of power were supposed to be mentors to those who followed—but something is amiss in the professional sisterhood.”

queenbee2

“Mean Streets,” the continued coolness of that train wreck Lindsay Lohan, the viewer interest in The Following, all point to a culture where cruelty is celebrated, and niceness is wimpy and old hat, something our grandparents wear, like sensible shoes. (Note that the dimunitive female mentee above is wearing flat shoes.)

Louboutin "Fetish Ballerine"

Louboutin “Fetish Ballerine”

Underneath all this sadism is the lesson the professoriate failed to spot in analyzing classic American literature. For instance, Edgar Allan Poe’s short story “The Man of the Crowd” gives the game away. This symbol of the urban mob is revealed as Pierrot, as the Wandering Jew, as the murderer Cain with hairy hands. As the story line of The Following plays out, expect to see the charismatic serial killer (James Purefoy) and his hunter (Kevin Bacon) meld into one fearsome intertwined specter. Both will be heartless and mean, the very embodiment of the barbarism that Freud detected in 1915, for we are not civilized yet.

The too civilized, too nice Mitt Romney, looking at his wife with adoring eyes, never had a chance.

Romneys

February 25, 2013

POTUS, Michelle, and the end of the democratic republic

MichelleOscarI didn’t expect to blog about the Oscars 2013, but the denouement, in which [naughty] Jack Nicholson handed over his duties in announcing the Oscar for Best Picture to the First Lady, dressed for the Red Carpet and surrounded by what appeared to be a private army (yes they were military, it was acknowledged today), has suggested to me that not only are Hollywood liberalism and the newly minted Democratic Party-in–name-only seriously in cahoots, but that the spirit roused by the excerpt from Les Miserables, ending with tricolors floating to the stage, along with Barbra Streisand reminding us of a 1973 movie in which she played a sweet young Stalinist—all this signals that our Leader and his followers in Hollywood and in the mass media intend to establish the Permanent Revolution in America, with the Obamas playing Lenin/Stalin/Trotsky. Someday, far, very far in the future, the state will melt away, and the “Parisian” poor will get their just deserts.

The signs were all there during the first campaign: Michelle’s Princeton thesis was outspoken in its support for black nationalism, as was her consort’s twenty-year stint in Reverend Wright’s whacked out antisemitic congregation. Non-white supremacy is in the air, while recent popular television shows, written by liberals, feature strong black characters who appear to be lamentably compromised in their sex lives, but who will likely expose and discipline corrupt white characters of great power and wealth. (Think SCANDAL or DECEPTION.)

During my days on the Left, it was obvious that Stalinists and anarchistic local artists admired angry black men, such as Malcolm X. In those radio days, I never heard of Ralph Bunche or his accomplished mentor Abram L. Harris until I started my Bunche researches at UCLA in the 1990s, and after I had gotten my doctorate. More along these lines: At the Oscars, the ever-cocky Quentin Tarantino was recognized for DJANGO UNCHAINED. That was yet another symptom of the blood lust that runs through the movie industry, a “business” supposedly controlled by older members (many of whom behave like the old Reds). Indeed, were not key movie stars sitting on their hands while movie buffs picketed outside, when the brilliant but “treacherous” director Elia Kazan was belatedly recognized a few years ago?

StreisandOscar

And what of the campaign to deny ZERO DARK THIRTY its award because it allegedly glorified “torture” in the hunt for Bin Laden?

It matters not what we call the coming political dispensation. Obama’s constant campaigning (as if for a third term), his denunciation of the looming budget cuts while threatening national mayhem (even where localities, not the feds, control the hiring of first responders or teachers), growing evidence of electoral fraud and the cynicism of some black and brown supporters, suggest that social justice means one party dictatorship and the end of the Constitution, let alone of the meritocracy.

THE_WAY_WE_WERE

It is not too late to halt the slide toward the F-word. But the opposition (that may come to include disillusioned Democrats, Independents, Republicans, and conservatives) had better read the tea leaves and wake up.

March 16, 2012

Index to blogs on popular tv shows

Dick Wolf and Judith Light

I haven’t commented on all the crime shows. It is enough to say that we are to believe that good cops will eventually triumph over bad cops, and that most criminals are tracked down and punished. I.e., the State is looking out for you and me, with all the tools that modern science (including profiling) can muster. Law and Order: Criminal Intent (not analyzed here) adds a flourish: the Vincent D’Onofrio character is often dissatisfied with normal procedures, co-opts Freud, and seemingly obeys a higher (more compassionate) law.

https://clarespark.com/2009/10/15/the-christianization-of-ziva-david-ncis/

https://clarespark.com/2009/10/02/roman-polanski-and-his-critics/

https://clarespark.com/2010/05/20/criminal-minds-and-the-pathology-of-rural-america/

https://clarespark.com/2010/10/24/mad-men-and-the-jewish-problem/

https://clarespark.com/2010/12/12/hbo%e2%80%99s-in-treatment-and-boardwalk-empire/

https://clarespark.com/2011/04/27/james-m-cains-gorgon-gals-2/

https://clarespark.com/2011/05/20/the-mentalist-melville-blake-and-israel/

https://clarespark.com/2011/07/07/network-and-its-offspring/

https://clarespark.com/2012/02/04/blue-bloods-freud-trauma-911/

https://clarespark.com/2012/02/09/glee-goes-la-raza/

https://clarespark.com/2012/05/18/smash-season-finales-and-the-demonic/

https://clarespark.com/2012/06/26/aaron-sorkins-scottish-blood/

https://clarespark.com/2012/07/03/andy-griffiths-greatest-performance/

https://clarespark.com/2012/07/09/hbo-does-gellhorn-in-red/

https://clarespark.com/2012/09/23/homeland-and-the-idea-of-the-fifth-column/

https://clarespark.com/2012/07/29/girls-or-the-new-lost-generation/

https://clarespark.com/2013/02/14/is-there-a-culture-of-violence/

https://clarespark.com/2013/01/26/decoding-call-me-ishmael-and-the-following/ (Read this first)

https://clarespark.com/2013/02/25/potus-michelle-and-the-end-of-the-democratic-republic/

https://clarespark.com/2013/04/26/the-television-season-goes-dark/

https://clarespark.com/2013/05/27/smash-the-perfect-liberal-backstage-musical/

https://clarespark.com/2013/06/20/james-gandolfini-as-tony-soprano/

https://clarespark.com/2013/09/22/the-newsroom-season-two/

https://clarespark.com/2014/03/24/the-good-wife-and-bad-timing/

https://clarespark.com/2014/06/25/penny-dreadfuls-sinister-significance/

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