The Clare Spark Blog

April 24, 2015

Multiculturalism vs. [Yid] Red spies: which agitates the Right?

atheist-logicThis blog was inspired by the failure of Fox’s Outnumbered 4-24-15 to explain cases of censorship of the popular movie American Sniper ( the topic was repeated on The Five). They became agitated over the threat to free speech, when they could have identified why college administrators were bowing to the will of a small cadre of Islamist protesters at the University of Maryland; these administrators defending multiculturalism at all costs. One wonders why this “moderate” but right-leaning network is so weak on political theory, for it is obvious that “tolerance” versus “Islamophobia” is crucial to job retention in the hipper universities, public or private. (To be sure, unfree speech is the outcome of censorship in the name of diversity, but multiculturalism deters free speech insofar as it encourages essentialist cultural nationalism: see https://clarespark.com/2011/03/28/index-to-multiculturalism-blogs/.)

How to explain this failure of vision? Scholars, television writers, and journalists seeking right-wing readers and eyeballs know that it enhances their reputations to pretend that there remains an atheistic red menace threatening (Christian) America. Even the latest episode of Scandal played the KGB card, resuscitating the Cold War. One wonders why, given the declining membership in the CPUSA since the Hitler-Stalin Pact of 1939, carefully delineated by historians/political scientists Harvey Klehr, John Earl Haynes, and Alexander Vassiliev in Spies: The Rise and Fall of the KGB in America (Yale UP, 2009).

(Perhaps it is lingering antisemitism, for “the Jews” were ‘”disproportionately” represented in the Old Left, and “populism”—antagonistic to “finance capital,” remains popular on both left and right. Even Lenin may be seen as a populist, for he was notoriously influenced by the antisemitic journalist J. A. Hobson. See https://clarespark.com/2009/09/18/bad-sex-in-the-new-york-times/.)

JudaismAndFreemasonry

Whether or not my suspicions are correct, it is obvious that conservatives frequently confuse left-liberals and communists, frequently conflating them as “totalitarians” and, gulp, progressives—as if the US Constitution, despite its capitulations to Southern slaveholders, was not the vanguard of political thought at the time of its framing, with such as Hamilton and Jefferson not avatars of social and economic progress, despite their differences.

This entire website has been preoccupied with tracing the “roots” of multiculturalism to the German Romantic reaction to the “materialism” of science and Enlightenment as understood in 18th Century France. (See https://clarespark.com/2010/07/20/german-romantic-predecessors-to-multiculturalism/, and https://clarespark.com/2010/10/18/the-dialectic-of-multiculturalism-helvetius-herder-fichte/. The second link suggests Herder’s antisemitism, not noted in the historical commentary on his contribution to the notion of national character/groupiness.)

It is a grotesque misreading of history to think that the old Reds were not anti-racists, hot for “proletarian internationalism” as opposed to (proto-fascist) “nationalism,” and its associated (Gentile) “melting pot.” Indeed, that was the attraction that helped recruit working class immigrant Jews to the Communists, and family ties made a difference to their (liberal) descendants.

It is pointless to go on fingering “the multicultural moderate men” for their covert racism disguised in their rooted (as opposed to rootless) cosmopolitanism, documented throughout my website. And Fox News Channel employees, no less than those of the Wall Street Journal, are above all, oblivious to the history of the Left, and only moderately opposed to the nearly pervasive (often latent) antisemitism that blinds them. For instance, after all the decades I spent around the Left, no one, repeat, no one ever mentioned Saul Alinsky (born a Jew). His significance and influence are figments of certain conservative imaginations.

sparthitup2

March 21, 2012

Big Cities and the Mob

Hip cultural historians are still studying the anomie (rootlessness) they impute to big cities. While watching a recent PBS documentary on the achievements of Oscar Hammerstein II, it occurred to me that his oeuvre as a whole pointed back to a period of imagined rural or small-town neighborliness, to a time before his mother died when the lyricist was only fifteen (Fordin bio). That “neighborliness” (a soothing social bond represented in the mother-child dyad) was then translated to his idealized anti-racist international community, as then proposed by the United World Federalists (also a pet project of Harvard’s social psychologist Henry A. Murray) or in the premises of the United Nations. Although Hammerstein was a noted liberal anticommunist, his attempt to unite groups and nations with clashing political and economic interests, reminded me of Hitler’s populist elevation of the Volk, and also the Soviet attempt to merge peasants and workers, notwithstanding that peasants and workers had different material interests, as explained in this blog. https://clarespark.com/2009/08/27/hitler-and-the-jewish-mind-part-three/.

Although I had not thought of nostalgia for the pre-urban America as an underlying theme in the social thought of the early progressives, I suggest that fear of Cain’s cities, with their imputed urban neurasthenia and exacerbated individualist striving, not to speak of class warfare, animated the emotions of the intellectuals described below. The Scary City is a theme now being taken up by cultural historians, mostly writing from the left, who may have more in common with these agrarian critics of modernity than they realize. (If you have time for only one blog, choose the scary city.)

https://clarespark.com/2009/09/19/populism-progressivism-and-corporatist-liberalism-in-the-nation-1919/

https://clarespark.com/2009/09/23/progressives-and-the-teaching-of-american-literature/

https://clarespark.com/2009/11/17/melencolia-i-and-the-apocalypse-1938/

https://clarespark.com/2009/11/19/the-scary-city-lamprecht-becker-lynd/

https://clarespark.com/2011/08/14/review-in-the-garden-of-beasts-by-erik-larson/.

https://clarespark.com/2012/04/24/the-subtle-racism-of-edna-ferber-and-oscar-hammerstein-ii/.

https://clarespark.com/2012/10/07/christian-socialism-as-precursor-to-orwell/.

It is important to remember that “mass culture” was considered to be a mobbish urban phenomenon that explained Hitler’s support and rise to power (the Frankfurt School story, see https://clarespark.com/2011/10/21/did-frankfurters-kill-the-white-christian-west/), but it was also the explanation for all manner of mental illnesses, particularly narcissism (vainglory), deranged relations between the genders, and constant back-stabbing. For an example, see the NBC series Smash, which although it appears to sympathetically portray the New York theater world from a feminist, pro-gay perspective, Smash also calls into question the values it apparently celebrates, for instance contrasting the loneliness of stardom with the mutual solidarity offered by chorus members to the Katherine McPhee character. (In the last installment, nothing “works” in NYC, including the plumbing and heating. I have watched all seven episodes again, and wonder if the contrast drawn between country and city life will now evolve into the corruption of the innocent Karen, who will, like Marilyn, be ruined by the mercenary, anti-art values of show business.) (For more on Smash, see https://clarespark.com/2012/05/18/smash-season-finales-and-the-demonic/.)

We are so wrong about the imputed innocence and wholesomeness of the  [judenrein] small town life hitherto enjoyed by “Karen Cartwright” who starts Smash with a truncated performance of “Somewhere Over the Rainbow” (JFK used “innocence” and “wholesome” to describe Marilyn Monroe’s lascivious Happy Birthday song). Alongside of tight families and neighborliness, there were also troubled social relationships and authoritarian conduct pushing toward mindless conformity, as such writers as Sherwood Anderson were quick to identify and condemn. We do better to read Anderson (Winesburg, Ohio), along with such authors as Mark Twain and Cormac McCarthy for a better reading of force and fraud in American 19th century frontier life and beyond. (See https://clarespark.com/2012/03/20/links-to-cormac-mccarthy-and-mark-twain-blogs/.)

It is time to rehabilitate the “rootless cosmopolitans” who have been unfairly demonized by multiculturalists: Stalinists and Nazis alike. As the black novelist and ex-communist Richard Wright once implied: “any place I hang my hat is home.” Thornton  Wilder’s Stage Manager, in Wright’s scenario, is nowhere to be found. (For one rendition of the Harold Arlen-Johnny Mercer song alluded to, see http://www.youtube.com/watch?v=2mtEp2paaes.)

Thornton Wilder as Stage Manager in Our Town

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