The Clare Spark Blog

October 27, 2012

Melville, Orwell, Doublethink

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 This is my second major Orwell blog: see https://clarespark.com/2012/10/15/orwell-power-and-the-totalitarian-state/ for the first one.

During my recent forays into the changing interpretations of George Orwell’s Nineteen Eighty Four (1949), I was surprised to learn that Orwell had read passages from Herman Melville’s White-Jacket (1850) while broadcasting on the BBC during the early years of WW2. Specifically, he excerpted a gory description of a naval doctor performing an unnecessary and fatal amputation on a wounded U.S. sailor. Elsewhere in White-Jacket, HM had sharply and vividly written about “flogging through the fleet,” a practice that he abhorred, possibly because he had been caned as a child by his own father. Indeed, Roy Porter sent me an ad from a British newspaper offering White-Jacket as sadomasochistic porn. (On the dynamics of sadomasochism see https://clarespark.com/2009/09/21/managerial-psychiatry-jung-murray-and-sadomasochism-2/.)

Though at least one Orwell biographer (Jeffrey Meyers) has emphasized GO’s masochism, I have not found a source yet that relates where the conception of Doublethink originated. Did Orwell know about “cognitive dissonance” from experience, or reading, or had he read Melville’s Pierre, or the Ambiguities (1852), where Melville not only describes his mother’s frequent mixed messages, but invents “Plinlimmon’s Pamphlet” that praises “virtuous expediency” as the best morality attainable on this deceptive earth. My book on the Melville Revival (Hunting Captain Ahab: Psychological Warfare and the Melville Revival)  is nearly entirely devoted to this theme of the double bind/cognitive dissonance/virtuous expediency, all of which signify what Orwell chose to call Doublethink.

Here are the double binds that I suggest were made apparent in Melville’s novels, and then may have driven his academic revivers in the 20th century into all manner of psychogenic symptoms and illnesses. (It is my contention that Melville readers who wished to advance in academe had to suppress the evidence before them in order to please the reigning ideology in the universities that employed them, so many derided Melville/Ahab as crazy, while defending Plinlimmon’s sensible philosophy, that they attributed to their “moderate” Melville/Ishmael .) But first take Doublethink in Pierre.

  1. There is no conflict between “truth” and Order. Mary Glendinning, Pierre’s mother in the novel, wants her son “just emerging from his teens” to grow into a manly individual, but not such an individual that he disobeys her choice  in choosing his future wife, who will also be perfectly obedient to her wishes.
  2. Pierre is expected to revere his dear perfect (Christian) father, but he must not be so good a Christian as to rescue from near-beggary his “natural” half-sister Isabel.
  3. Pierre reads the double bind, jilts his mother-chosen fiancée, runs off with Isabel, and mother dies of insanity. This book will not end well. (See Pierre’s scolding mother in this hard to find set of illustrations by Maurice Sendak, for a truncated edition of Pierre. https://yankeedoodlesoc.files.wordpress.com/2011/06/pierre3.jpg.)

In the much quoted Father Mapple’s sermon in Moby-Dick, the abolitionist preacher speaks of snatching the truth even if it lies hidden under the skirts of judges and Senators. It is unclear here whether “truth” signifies the truth of Christ, or of the truth as defined by lawyers (or today, scientists). But it is a fact that during Captain Ahab’s speech on “the quarter-deck”, he declares that “Who’s over me? Truth hath no confines.” Since Ahab is widely described as a blasphemer, I suspect that it is empirical truth that the relatively powerless see, and which is denied by their superiors, that Melville meant to call out. Which links him now to Orwell’s famous “dystopia.”

For Winston Smith works in “the Ministry of Truth” where he rewrites history to suit the propaganda requirements of Big Brother and the Inner Party. Recall Orwell’s Homage to Catalonia (1938), where he denounces journalists for taking the Soviet line that all anarchists and Trotskyists were in league with Franco’s fascists. John Dos Passos, in Century’s Ebb, remembered Orwell as an individualist striking out at those man-made institutions that forced him to lie for the sake of Order. Compare Dos’s elevation of Orwell as truth-seeker to the trendier line that Orwell, like Melville, was a premature anti-imperialist, and for that alone we honor his life and work.

[Added 11-10-12 Dos quote: )“If one thinks of the artist as…an autonomous individual who owes nothing to society, then the golden age of the artist was the age of capitalism. He had then escaped the patron and had not yet been captured by the bureaucrat…. Yet it remains true that capitalism, which in many ways was kind to the artist and to the intellectual generally, is doomed and is not worth saving anyway. So you arrive at these two antithetical facts: (1) Society cannot be arranged for the benefit of artists; (2) without artists civilisation perishes. I have not yet seen this dilemma solved (there must be a solution), and it is not often that it is honestly discussed.” (George Orwell, in TRIBUNE, 1944). Quoted by Arthur M. Eckstein, “George Orwell’s Second Thoughts on Capitalism,” The Revised Orwell, ed. Jonathan Rose (Michigan State UP, 1992), p.204.

Another double bind that is especially relevant today:  There is no conflict between national identity and international identity. Hence, the United Nations is our best bet to avoid wars of the catastrophic magnitude of the world wars of the 20th century, or to halt “voter suppression” on November 6, 2012. Such are the psychic requirements of political correctness, the term itself an example of Doublethink, for facts (correctness) are non-partisan. Melville’s takedown of “virtuous expediency” is more to the point.

For a related blog see https://clarespark.com/2012/10/14/reality-and-the-left/. For “political correctness” as decorum, an idea passed out by liberal elites, see https://clarespark.com/2010/07/18/white-elite-enabling-of-black-power/, especially the suggestion by Christopher Edley, whose career has been remarkable.

June 12, 2011

Call Me Isabel (a reflection on “lying”)

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Illustrations by Maurice Sendak from a truncated edition of “PIerre”

From the chapter “The Journey and The Pamphlet” (Herman Melville, Pierre, or the Ambiguities,Book XIV):

“When a youth discovers that his father has been misrepresented as morally irreproachable, and is hence disillusioned and angry] an overpowering sense of the world’s downright positive falsity comes over him; the world seems to lie saturated and soaking with lies.” Properly instructed by philosophy, the youth will discard his romanticism, and then realize that “…A virtuous expediency…seems the highest desirable or attainable earthly excellence for the mass of men, and is the only earthly excellence that their Creator intended for them.”

During the research phase of my work on the politics of the interwar and postwar Melville Revival I discovered several juicy items. One factoid (that Melville was a brutal husband and father) was considered to be excellent red meat for a journal article by several editors, and indeed Andrew Delbanco (Columbia U. superstar) quoted my nugget in his Melville biography, without noting that it was bogus, and that I had demonstrated it to be bogus throughout my book.

Another fact (not a factoid) was the suppression of a family letter by key revivers strongly suggesting that the plot of Melville’s novel Pierre, or the Ambiguities (1852) was taken from real life, and that Melville’s family had hidden the existence of a real-life natural sister roughly corresponding to the character Isabel (an archetypal Dark Lady, i.e., a rebel and emancipator) in the novel. Briefly, Pierre jilts the safely blonde and wealthy girl preferred by his mother, risks being disowned and ostracized, and runs away to the city to “gospelize the world anew” as a [Voltairean, Byronic, Promethean] figure. In short, Pierre is another Captain Ahab, a character who had been linked to Hitler in the approved Melville scholarship, and in my book, Hunting Captain Ahab: Psychological Warfare and the Melville Revival (Kent State UP, 2001, 2006),  I show parallel passages in both novels linking the two characters as truth-seekers in the mode of John Milton speaking through Satan in Book IX of Paradise Lost.

When I offered to write journal articles about my findings (in the late 1980s), including the suppression of the family letter,  I aroused angry, even hysterical responses in editors. They wanted dirt on Herman Melville (he was crazy or violent), but not an accurate account of his family situation, one that made impossible demands to be both a good Christian and lover of truth, but not to disturb conservative notions of order. For these editors, like the officially sanctioned Melville scholars, were conforming to the profile of the moderate men that Melville had denounced in The Confidence-Man: His Masquerade (1857), see https://clarespark.com/2010/11/06/moderate-men-falling-down/. These scholars were therefore advocates of “virtuous expediency” as “Plotinus Plinlimmon’s” pamphlet had advised. To say that they were merely ideological or incompetent is to excuse what was a blatant lie—the pretense that the family letter didn’t say what it said, or ignoring its existence altogether in order to maintain the Melville-as-Ishmael fiction. Or you can call the polite suppression of the family letter a noble lie, if you prefer, for “community cohesion” and “stability” trump the discovery of the truth every time. Melville scholars generally approve of “virtuous expediency” and don’t see it as a sin against the truth. As Dr. Henry A. Murray argued, the perfect father was needed as “the focus of veneration”. Murray also linked Melville, the romantic artist, to Hitler in a confidential report to FDR.

I further discovered that in one College Board exam constructed by Terence Martin, it was correct to state that Ahab was a terrorist, while Ishmael was an advocate for interdependence–the antithesis of Ahab.  Does this distortion of the text rise to the ignominious accusation of lying, or is it merely ideological? When a student’s future is guaranteed by lying, what does it say about our culture and the path to success? The world is indeed, soaked in lies. Call me Isabel. If Anthony Weiner is to be punished, let us all take a personal inventory as we go about our business, deferring to others for opportunistic purposes.

Clearly, judging by the book sales of such as Jonah Goldberg and Ann Coulter, demonization of the Democratic opponents, like the world-wide demonization of Captain Ahab/Melville  is rewarded; similarly left-wing authors often return the favor, hence our polarized polity. Did Jonah Goldberg, like Noam Chomsky before him, lie about the major claim of Walter Lippmann’s important book Public Opinion, in order to buttress Goldberg’s populist agenda in opposing “the nanny state”? I say that he did. (See https://clarespark.com/2009/08/19/noam-chomskys-misrepresentation-of-walter-lippmanns-chief-ideas-on-manufacturing-consent/.) Has this kind of wicked distortion anything to do with the witch hunt being mounted against Anthony Weiner? I thought it did, and criticized these right-wing publicists of hypocrisy. For this I was reprimanded by another scholar, who, in passing, denied that anyone could claim “absolute objectivity” as a historian.

Although I am generally very cautious about definitive answers to controversial questions,  I have no problem claiming absolute objectivity in declaring that many of Herman Melville’s most revered biographers withheld documents that would have changed their readings of his texts (not just the family letter about an Isabel, but other weighty letters that countered the rumor that he was a violent father and husband). In doing so, they betrayed the ideals of professional scholarship. I feel the same in authoritatively stating that Melville was ambivalent and a waverer, as many another writer has been– while in the dangerous position of endangering his economic survival by flouting the prejudices of his relatives or patrons (see the life of Goethe for another waverer, compare for instance the two Wilhelm Meister novels). The same goes for scholars who fail to defy their dissertation directors or colleagues (when warranted)  in order to get a job. If conforming to what is known to be timid scholarship is not lying, then I don’t know what is. (For more on this theme, see the following blog: https://clarespark.com/2011/06/13/weinergate-papa-freud-and-the-imperfect-father/.)

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